Tag Archives: Terrorism

Zeitoun by Dave Eggers

ZeitounClearly I waited too long to read this book, even though it sat ready on my shelves and on my iPod for years. Before I lament further, you should know that if you choose to go audible, Firdous Bamji doesn’t disappoint; he remains one of the very few narrators whose name will make me pick up a book over that of the title and author.

So why the whinge-ing? I’m one of those readers who doesn’t like family trees in the beginning of books because I don’t want to know that Tom and Sally get married before they’re even born. I don’t like maps with the route clearly marked because then I’ll know that Joe got out of Dodge but didn’t make it to Paradise. What’s the point of reading to the final page if you already know what happens?

All that means that if you read the news, then you might already know what happens after the events contained in Dave Eggers‘ ‘best of’-lists-making, much lauded, true (-enough) Katrina title, Zeitoun. If you are one of the blessed few who know nothing, then please do NOT start a google search! I fervently wish I could have read this without bias …

As a story, Zeitoun is exciting and engaging, with only a few minor faltering moments (a few too many pages of waiting – for Katrina, for news, for answers). A Syrian Muslim by birth, an American citizen by choice, a successful New Orleanian businessman by tenacity, Abdulrahman Zeitoun, who is known by his easier-to-pronounce last name, runs a painting contracting company with his American wife Kathy, who became a hijab-wearing convert to Islam before she met Zeitoun. The company’s ubiquitous logo sports a rainbow – the significance of which was originally unknown to Zeitoun – which inadvertently attracted gay clients, although other potential clients stayed away and a few workers even left the company. Once made aware of the symbolism, Zeitoun stayed firm: “Anyone who had a problem with rainbows, he said, would surely have trouble with Islam.”

When Katrina hit, Kathy and the couple’s four kids had already left New Orleans. Zeitoun stayed back to keep an eye on the business, the family’s home, and their many other properties. He boarded his canoe in the disastrous aftermath helping others, saving the lives of both people and pets. And then, without cause or warning, he was arrested in one of his own rental houses. He was held in the Greyhound bus station-turned-makeshift-jail without being charged for three days, then sent to Hunt Correctional Center – a maximum-security prison – for 23 more, where he was not allowed even a single phone call.

Meanwhile, Kathy and the kids were in Phoenix with Kathy’s childhood best friend, desperately searching for any news about Zeitoun, all the while fielding frantic worrying from Zeitoun’s internationally dispersed family. The personal losses Zeitoun suffered after Katrina were exponentially magnified by the theft of his basic civil rights as an American citizen fueled by post-9/11 paranoia at the hands (fists, feet, pepper-spray) of the very people the U.S. Government sent to protect the disaster victims. Lest you think Zeitoun was a lone target, Eggers includes even more “absurd” stories, topped by the arrest of Merlene Maten, a 73-year-old diabetic woman held at Hunt’s sister prison for retrieving a sausage out of her own cooler from her own parked car.

Zeitoun should have been a moving tale about a local hero within a shared witnessing of outrage against the miscarriage of justice in the wake of a natural disaster. If the story could have ended in 2009 when the book was published, it surely would have remained a beacon of hope and inspiration. Alas, history (or should I say, ‘his story’) will prove otherwise.

Ironically, in this morning’s New York Times‘ leading article about yesterday’s horrific tragedy, “Blasts at Boston Marathon Kill 3 and Injure 100,” an unnamed “Saudi man” gets two mentions as having been singled out, in spite of repeated claims that no suspects are yet in custody. Over at the Times‘ Op-Ed page, in “Living Through Terror, in Rawalpindi and Boston,” a medical resident writes, “And then, as we worked our way through the dazed throngs in Back Bay, I realized that not only was I a victim of terror, but I was also a potential suspect. As a 20-something Pakistani male with dark stubble (an ode more to my hectic schedule as a resident in the intensive-care unit than to any aesthetic or ideology), would I not fit the bill?” Any doubts? Read Zeitoun.

Readers: Adult

Published: 2009

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Filed under ..Adult Readers, .Audio, .Nonfiction, Syrian American

The City of Devi by Manil Suri + Author Interview

Let’s go back about seven years.

So a writer walks into a bar. It’s dark, but thankfully not smoky. The majority of the people there are more bookish (including Booker-ish!) than biker brutish. The writer finds a drink, and is standing slightly off the side with a couple of companions.

The trendy bar is the venue where the venerable Smithsonian Institution’s Asian Pacific American Center (my former day job) and its co-sponsor, the Network of South Asian Professionals, are hosting a pre-event welcome reception in anticipation of the annual South Asian Literary and Theater Arts Festival that begins in just over 12 hours. The close friends and admirers of four notable writers (including Kiran Desai, fresh from her 2006 Booker win) and two filmmakers with a debut film each, have gathered to celebrate. Among the guests, although not slated for the Smithsonian stage (that year – his turn comes two years later), is Manil Suri.

At first sight, he’s exactly as I expected the author of an exquisite, nuanced literary novel – The Death of Vishnu, his 2001 award-winning debut about the memorable inhabitants of a Bombay apartment building – who also happens to be a university mathematics professor, might look like. He’s elegant, genteel, and soft-spoken; he has an ever-so-slight hint of nervous energy about him, but that could be because his mind is moving so quickly that the rest of his body needs to contain his excess brain cells somehow.

So much for first impressions.

By the time he takes the Smithsonian stage in 2008, he’s published the second installment of his planned trilogy, The Age of Shiva, which features a headstrong young woman who becomes an overly protective mother to her less than appreciative only son. Suri’s literary star has been highly polished over the years since his debut, as have his creative impulses. What’s making the Internet rounds just in time for his Smithsonian appearance is a most revealing – campy, shocking, delightfully entertaining – video of Suri at the Brooklyn Book Festival, garbed in elaborately embroidered red drag, channeling his inner Bollywood diva. He certainly proved he can do more than just write bestsellers and teach a mean linear algebra class.

This month, Suri completes his promised trilogy with The City of Devi. Kiran Desai provides the most prominent blurb: “The City of Devi combines, in a magician’s feat, the thrill of Bollywood with the pull of a thriller… Manil Suri’s bravest and most passionate book.” If Vishnu was subtle and controlled, and Shiva impetuous and emotional, then Devi proves to be a psychedelic, surreal overthrow of expectations and conventions.

The end of the world – at least in one part of India – is nigh. The apocalypse is coming in four days, delivered via nuclear bomb directly to the city of Bombay. For the first time in centuries, the teeming city is virtually empty as its citizens flee in hopes of finding shelter somewhere, somehow. Sarita is one of the few left behind, frantically searching for her missing husband Karun who walked out of their apartment – into global chaos – claiming he was attending a conference.

Meanwhile, a mysterious young man seems to be following her: Jaz trails Sarita, his hopes also focused on Karun… and what will happen if they actually find him? In a lawless new world in which a single religious label is enough to excuse murder, cause war, and threaten complete annihilation, Sarita and Jaz are running toward true love. Just who belongs to whom will be a wee small detail they’ll have to work out, after they survive gangs, kidnappings, glowing goddess servants, elephants, a levitating multi-armed goddess-in-training with quite the nasty temper, and an evil thug with a bit of a God-complex. Oh, and did I mention the steamy sex scenes? Somebody (or rather, some bodies) must practice how to repopulate the world after annihilation, even if reproduction isn’t the actual goal. Practice makes perfect, right?

Did you plan Vishnu, Shiva, and Devi as a trilogy from the beginning?
The plan for a trilogy happened after I wrote the first book, The Death of Vishnu. I realized there were three deities in the Hindu trinity, Vishnu, Shiva and Brahma, so why not a book for each? By the time I tried to back out of this rash announcement, my publisher was already excited about the idea, so my agent told me I was writing a trilogy whether I liked it or not. After the second book, it became clear that what I had was a triptych, rather than a trilogy (since the characters and plots were unconnected), and by the time I started writing the third, poor Brahma (who’s supposed to create the universe in a single breath) had been shunted aside by the mother goddess Devi. Devi does make more sense than Brahma, because she has a lot more worshippers than he does. Besides, in the words of Karun’s father from the book, “Creation comes from the womb, not the breath.” And, of course, there’s Mumbai, which is a common thread in all three books. The patron goddess of the city is Mumbadevi. [... click here for more]

Author interview: Feature: “An Interview with Manil Suri,” Bookslut.com, February 2013

Readers: Adult

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Filed under ..Adult Readers, .Fiction, Indian, Indian American, South Asian, South Asian American

My Name is Parvana by Deborah Ellis

What delighted anticipation I felt when I heard that Deborah Ellis‘ multi-award-winning Breadwinner Trilogy (The Breadwinner, Parvana’s Journey, and Mud City), after almost a decade since its completion, was becoming a tetrology! I adamantly hoped for such at the end of my Mud City post: “Although the trilogy is seemingly finished, adding a final fourth which captures Shauzia and Parvana’s reunion would surely be welcome … “

I swear, I didn’t know a thing back then … but if the book gods are feeling ‘ask-and-you-shall-receive’-sort of generous right about now, might I put forth a request that an octology might be in order for the future? If I’m gonna ask, I might as well ask big!

Parvana is 15, and a prisoner who refuses to speak to the American soldiers who question, frighten, even threaten her. Found alone in the bombed-out rubble of a village school, Parvana’s interrogators insist she’s a terrorist and harass her day and night about her involvement. In spite of her fearful silence, for the first time, Parvana has a clean room to herself; someone with a conscience recognizes she’s still a child and doesn’t throw her in with adults, while someone else has a heart and slips her food against orders. And even though her captors insist on piping in Donny Osmond’s cloying “Puppy Love” at ridiculous decibels at all hours, Parvana is still able to slip into her past, and remember her mother’s dedication to educating girls regardless of the growing threats, her fights and quibbles with her older sister Nooria and adopted brother Asif, her decision not to reveal the gatekeeper Mr. Fahir’s secret, the villagers’ chilling reactions to the opening of Leila’s Academy of Hope … and how she ended up an American prisoner.

Reading – and recalling the books she once read – helps Parvana stay sane, from the packaged food wrappers to the Robert Frost poem she remembers with longing. “Who would want to shoot somebody after reading ‘Stopping by the Woods on a Snowy Evening’ or ‘Casey at the Bat’?,” she muses, envisioning how soldiers might stop their fighting to read each other “a great poem,” or swap chapters printed on ration wrappers with one another until whole books were pieced together. While she dreams she could be hired to choose such books, she tries hard not to think about the women who torture prisoners: “Women in the West could do anything they wanted. So why would they choose to do that?”

With still widespread social problems like child marriage and other brutality against women and girls, unpunished deaths, and references to Abu Ghraib, Parvana is a sobering read. Ellis depicts post-Taliban Afghanistan with eyes wide open, sugar-coating nothing. As foreign countries plan withdrawal from an unstable country still mired in poverty and violence, Ellis notes, “the war continues, and it is not clear who might be the winner in the end.”

While governments battle, life goes on for the Afghan people. “Individuals like Parvana, Shauzi, and Mrs. Weera are working to make life better. They, and the many many Afghan women, men, and children like them, are the ones the world needs to support. We owe it to them.” Ellis’s own support is especially inspiring: she’s raised over a million dollars in royalties for Canadian Women for Women in Afghanistan and Street Kid International with the first three Breadwinner titles alone. As Parvana’s story continues, imagine how a few more titles will add to Ellis’ golden giving pot!

Readers: Middle Grade, Young Adult

Published: 2012

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Filed under ..Middle Grade Readers, ..Young Adult Readers, .Fiction, Afghan, Canadian

Long Lost and Live Wire (Myron Bolitar Series 9 and 10) by Harlan Coben

When the running gets tough (and long), I find my latest default stuck-in-the-ears choices to last me another 10, 20, 30 miles is something by Harlan Coben (because his Tell No One was my first pulp mystery ever and remains a favorite over a decade later) or Carl Hiaasen (because I get so gleeful catching glimpses of his irresistibly wacky eco-warrior, Clinton Tyree, aka ‘Skink’ or ‘Captain’). As formulaic as these titles can be, that also means they’re reliably entertaining (with both #9 and #10 most excellently read by Steven Weber – yes, he of Wings fame!), especially when the brain is a bit shut down because the body is on auto-run.

So welcome to the tail end of Coben’s Myron Bolitar series: Bolitar is a former basketball star-turned sleuthing entertainment agent with a Harvard Law degree … and a 10-volume-thus-far hero. You don’t really need to read the series in order … or ever read all of, for that matter. Not that they’re not mindless fun, but as these thrillers go, you eventually start guessing a bit too accurately too early on – which is why I can economically lump two here and not even feel guilty!

Long Lost (#9) is definitely the better of these two. When Bolitar gets an urgent call from Terese Collins, who he hasn’t heard from since their torrid affair ended abruptly seven years ago, he gets on a plane to Paris where she eventually gives him a sob story about a missing ex-husband and their dead child. The plot quickly does a double take when the ex turns up dead and DNA results reveal a very living daughter … In the midst of dealing with sarcastic French secret policemen, lying fertility doctors, and amoral terrorists, Bolitar ends up falling in love all over again.

By the time Live Wire (#10) begins, Bolitar’s engaged to faraway Terese Collins, although they never get to see each other during the whole book. He’s hired by an old friend, a former tennis prodigy (and recovering drug addict!) who’s now eight months pregnant, who can’t seem to find her rock star husband. Work suddenly overlaps with Bolitar’s personal life when he realizes his estranged sister-in-law – who’s strung out on heroin more often than not – is somehow involved. Meanwhile, Bolitar’s younger brother, who the family hasn’t seen in 16 years, has gone missing. [Coben introduces Myron's teenage namesake/nephew Mickey Bolitar in this latest volume, who now stars in his own young adult series!]

I really don’t post every book I read … and these two would have fallen in the ‘no-post’ category except for a recurring character’s disturbing, insulting Asian fetish over which I can’t seem to let go of my growing annoyance. Bolitar’s best friend and partner, billionaire bad-boy Windsor Horne Lockwood III, starts with one Asian girlfriend in Long Lost: her name is Mee and he shows no end to his moronic puns with her name in describing their sexual antics. By Live Wire, Win’s Asian conquests have doubled, and he’s parading Mee and Yu around as his sex-toy trophies, exponentially upping the cringe-factor.

For Coben, who’s apparently the first writer to win an Edgar, Shamus, and Anthony (three of the top awards for mystery writers), such low-brow insensitivity seems careless and out of character. I can’t stop asking myself why an internationally mega-bestselling author would stoop so low (not to mention what must be his editors’ blind compliance!) … why oh why??!! Opinions definitely welcome!

Readers: Adult

Published: 2009 and 2011

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Filed under ..Adult Readers, .Audio, .Fiction, Nonethnic-specific

Shalimar the Clown by Salman Rushdie

I’ve been working through numerous ‘should-have-read-earlier’-titles lately, and Salman Rushdie‘s books always loom large as objects of fascination. After four attempts to read his The Enchantress of Florence (twice on the page, twice stuck in the ears narrated by Firdous Bamji whose recordings can make me choose a book more readily than the author!), I gave up and moved on (still feeling guilty) to Shalimar.

In spite of its hefty 400+ pages (or 18+ hours as lullingly read by Aasif Mandvi), Shalimar‘s story is relatively simple (spoiler alert!): boy and girl fall in love and marry, girl leaves boy for a powerful white man, girl bears lover’s daughter, boy vows he’ll kill the adulterers and any offspring, boy more or less succeeds.

Straightforward as it may seem, this is Rushdie, after all, and he needs to embellish his narratives with literary flourishes and  historical displays. The boy – known as Shalimar the Clown for his acrobatic prowess – and the girl – Boonyi Kaul – enter the world on the same day with all sorts of baggage, least of all being the children of Muslim and Hindu families, who in spite of an intimate shared history, will be victimized by massacres all too prevalent in the volatile region of Kashmir.

The American ambassador to India, Max Ophuls, for whom Boonyi freely chooses to destroy her family, turns out to be a French Jew who lost his disbelieving parents to the Holocaust, but gained an unparalleled reputation as a Resistance hero (not to mention quite the spy-bedding legend). Meanwhile, revenge-filled Shalimar outgrows Kashmir, becomes an international resistance fighter-of-sorts himself, although his dangerous exploits earn him the additional moniker of terrorist.

The abandoned hapa daughter – who detests her name “India” – pays the price for her birthmother’s betrayal. Boonyi must relinquish the infant to the beleaguered Mrs. Max, who is determined to leave the exotic country (now that her husband is being shamefully ejected) with a little brown baby in her arms. As payment for her newborn, Boonyi is returned to her village where she realizes too late, she was truly free, so unlike the gilded cage into which she willingly trapped herself. India is carelessly brought up by her father’s wife in a posh London neighborhood, not even knowing she has a father until years later. Poor little rich girl is so tediously self-absorbed, she quickly sinks into caricature.

This fall, Rushdie debuts his long-awaited memoir, Joseph Anton (an alias he used which pays homage to two of his favorite writers, Conrad and Chekhov), in which he details almost a decade of life underground following the infamous 1989 fatwa issued by Ayatollah Khomeini. I bring this up here because I wonder if Shalimar, in part, was a ‘practice’ text for the true story Rushdie was not yet ready to write: the threatening religious conflicts, the safe house Ophuls tries to create, India’s later search for safety, all could have been taken – even indirectly – from Rushdie’s own experiences of trying to stay alive. Perhaps the surreal nature of what he endured ended up intertwined with the (too-many) unconvincing machinations in Shalimar. For now, since truth is often stranger than fiction, we’ll just have to wait and see how the real story fares …

Readers: Adult

Published: 2006

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Filed under ..Adult Readers, .Audio, .Fiction, Indian, Indian American, South Asian, South Asian American

Incendiary by Chris Cleave

For awhile, before it became an international bestseller, Chris Cleave‘s debut novel was known not so much for the actual details of its content, but for the fact that the book was generally about a London bombing and that the surreal timing of its publication date somehow landed on July 7, 2005, when four suicide bombers hit the London Underground and a London bus, killing more than 50 people.

So much was made about the book’s timing that Cleave will “no longer comment” on the subject, as he states in the interview included in the updated 2011 paperback edition: ” … fifty-six people died on that day and hundreds more were injured, which means 7/7 is their day not mine.” If you must know more, his website includes “The story behind ‘Incendiary.’”

To say the story is powerful is a simple understatement. Written directly addressed to Osama Bin Laden, the almost-300 epistolary pages are one woman’s desperate attempts to make sense of a world gone completely awry. The nameless woman, who remains anonymous throughout, lives every day facing fear and anxiety: her husband is a London policeman who works in bomb disposal. Every time he’s called to the job, she never knows when or if he might return.

When her husband and their four-year-old son go off to a football (soccer for us Americans) match, she ends up in flagrante with her would-be lover in front of the telly, left on in the background. What looks like a snowy short in the transmission turns out to be a terrorist bomb that shatters the stadium. The husband and child are gone. The woman survives in body, but survival for her heart and mind is tenuous at best. What happens with her posh young lover – and his even posher lover – unfolds one shock after another.

To tell you much more would be an injustice to the story … but I must add this final thought: as you’re reading (or listening, as I did, to Susan Lyons narrates with alarming detachment), ask yourself from various points of view … what would you do??!!

Readers: Adult

Published: 2005

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Filed under ..Adult Readers, .Audio, .Fiction, British