Tag Archives: Girl power

Bad Girls: Sirens, Jezebels, Murderesses, Thieves, & Other Female Villains by Jane Yolen and Heidi E. Y. Stemple, illustrated by Rebecca Guay

Bad GirlsIf beauty is in the eyes of the beholder, then perhaps bad behavior might be, too. “In this book we are taking a look back through history at all manner of famous female felons,” write mother/daughter author-team Jane Yolen and Heidi E. Y. Stemple (who, between them, have hundreds and hundreds of titles). From as far back as 110 BCE to the 20th century, Bad Girls includes 26 women who have quite the historical rap sheet. But were they all really that bad? “Every crime – no matter how heinous – comes with its own set of circumstances, aggravating and mitigating, which can tip the scales of guilt. And views change.”

Salome, she of the dance of the seven veils who was rewarded with the head of John the Baptist on a platter, might have been just 10 or 11 (!!) and easily manipulated by the adults around her. Bloody Mary was a highly educated, sought-after Princess who was declared suddenly illegitimate, then banished at the whim of her own philandering father King Henry VIII. The slave Tituba, who only did her young charges’ bidding, could only escape hanging if she confessed to being a witch. Madame Alexe Popova helped desperate wives off their cruel husbands – over 300 of those bad boys. Typhoid Mary was never ill herself, but she was a typhoid carrier who wouldn’t let the doctors fix her infection-ridden gallbladder, even for free … if you were healthy, would you submit to the knife?

Decades, centuries, millenia later, how might these women be judged now? “As our world changes, so does our definition of bad,” Yolen and Stemple remind us. “[Y]ou will have to decide for yourself if they were really bad, not so bad, or somewhere in the middle. And perhaps you will see that even the baddest of bad girls may have had a good reason for what she did.”

Admittedly a page-turner – like a mangled train wreck, you can’t look away, except to flip the page – Bad Girls is a unique hybrid of short biographies with a graphic twist: each chapter ends with a graphic novel/manga-style conversation (hurray for Rebecca Guay‘s multi-varied ease in changing styles) between mother and daughter, debating the good, bad, and the often ugly circumstances. Their exchanges are cutesy, off-the-cuff, albeit with a few too many predictable quips – “The Tudors were a nasty bunch. Always sneaking and scheming” gets the expected reply, “Rather like modern politicians.” Yolen seems to be the older, wiser voice while Stemple is quick with her 21st-century judgments of “icky” and apparently more concerned about her wardrobe (her shoe-obsession – misplaced attempt at humor? – seems totally out-of-place). That said, let the bad girls speak for themselves. Read at your own risk … then be sure to decide for yourself.

Tidbit: Younger readers might better enjoy The Thinking Girl’s Treasury of Dastardly Dames, a thus-far seven-title collection featuring women who lived by their own rules (the series and Bad Girls have Cleopatra and (Bloody) Mary Tudor in common). Older readers should definitely check out this TEDxVancouver talk, “The Sociology of Gossip,” about what gossip – especially about supposedly badly-behaved women – says about our so-called modern society. It’s an eye-, ear-, and brain-opener!

Readers: Middle Grade, Young Adult

Published: 2013

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Filed under ..Middle Grade Readers, .Nonfiction, ..Young Adult Readers, .Biography, Nonethnic-specific

Global Baby Girls by The Global Fund for Children

Global Baby Girls“Cherish baby girls around the world,” the back cover rightfully demands. And who could possibly resist the red-cheeked cuddlebug from Russia, the laughing wonder from Peru, the bejeweled bundle from India, the kitty-hugger (never mind the beast himself) from New Zealand, the intrepid explorer (with a live crawfish!) from right here in the U.S.?

And yet, as The Global Fund for Children soberly reminds us, “Baby girls are precious, but they are not valued everywhere.” Which is why partial sales of this perfect-for-little-hands-to-hold board book go directly “to support innovative community-based organizations that provide opportunities to grow, thrive, and be strong.” To increase your feel-good investment, you could also consider the irresistible companion title, American Babiesfor double the adorable fun.

“Wherever they are born, girls are beautiful, strong, bold, and bright. Baby girls can grow up to change the world.” Truth, indeed! Although I might cross out the ‘can’ and add my own ‘will‘ – with committed emphasis, too! Girl power all the way!

Tidbit: Want to learn more about girl power? Check out the trailer for the upcoming film, Girl Rising, brought to you by 10×10. Educate girls, and they will change the world.

Readers: Children

Published: 2013

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Filed under ..Children/Picture Books, .Nonfiction, Nonethnic-specific

Prophecy [Book 1 of Prophecy Series] by Ellen Oh + Author Interview

As the mother of three young girls, Ellen Oh is constantly on the lookout for good books that showcase female empowerment. She’s found a few here and there – say, The Hunger Games trilogy by Suzanne Collins, The Girl of Fire and Thorns trilogy by Rae Carson, The Hero and the Crown and The Blue Sword by Robin McKinley, and maybe a few others – but to ask for characters with whom her Korean American daughters might directly identify seemed too tall an order. So the former entertainment lawyer and adjunct college professor decided to write her own: Prophecy, the first of a planned trilogy, debuts this month.

“People feared Kira,” the heart-thumping, fantastical young adult novel begins. With her yellow eyes and unprecedented fighting skills, Kira is hardly the average teenager, much less the picture of modesty and subservience befitting a court royal. Her uncle the King considers her a “freak of nature, and a terrible embarrassment to the royal family,” and yet he must rely on her warrior strength to protect his only son and royal heir.

Throughout a fantasy version of third-century Korea, demons, imps, hobgoblins, and shamans threaten the entire peninsula, falling the seven kingdoms one by one. In Kira’s home kingdom of Hansong, evil forces are moving through the ranks, possessing even once-trusted officials. The horrific events that the great ancestor, the Dragon King, prophesied are proving true: “Seven will become three. Three will become one. One will save us all.”

When and how did the idea for your Prophecy trilogy come to you? Did Kira arrive fully formed like Athena? Or did you struggle to bring her to life?
Kira and [her cousin Prince] Taejo were the easiest characters for me to write, because they did literally spring out of my head, much like Athena – I love that analogy, by the way. I like pretending I’m Zeus! The cousins arrived fully formed, with very specific details about how I wanted them to be. When the idea for Prophecy first came to me, it was about a young prince who is believed to be the hero of a legend. But as the legend progresses, his female cousin – who is also his bodyguard and a far better warrior – turns out to be the true hero. I initially wrote Prophecy from Taejo’s perspective, but he was coming out too whiny and jealous. That changed when the point of view switched over to Kira’s. That’s when the story became more alive, moved faster, and became more relatable, at least to me. Which makes sense because the story was always about Kira – I just had to let her tell it.

Besides the shift in perspective, did the story change in other ways over the various revisions?
I think, overall, the story became more emotional. As a writer, I tend to be oriented more toward action, action, action. Both my agent and editor were really good at making me pause and ask, “Yeah, but what does Kira feel when this happens, or that happens?” I always knew the “how” and “what,” but during the revision process, I had to really work on expressing Kira’s reactions, her emotions.

Besides the obvious fact of your Korean ancestry, why did you choose to set your first novel in ancient Korea? As a fantasy writer, you pretty much have unlimited freedom as to where and when.
I chose ancient Korea for two specific reasons: the first was just practical – I couldn’t find anything like a fantasy adventure story set in ancient Korea in libraries or bookstores; the second was more personal – ancient Korea was such a fascinating, turbulent time with kingdoms changing, collapsing, being taken over, dealing with amazing politics and endless intrigue. But the specific moment I realized I had to write about ancient Korea was when I read a Genghis Khan biography and came to a point in the book when the Mongols invade Korea, and the entire royal court flees to Ganghwa Island (which is at the mouth of the Han River), where the Mongols aren’t able to cross the river to get to them. The Korean leaders are out there laughing, while the poor peasants are getting raped and killed by the Mongols. And then the royals, who’ve been safe and sound in their island fortress, come back to tax the hell out of the peasants and steal all their food. All those layered dynamics between the haves and have-nots were just so visual, interesting, and ultimately inspiring to me. That was feudal society at its best – from my perspective as someone who’s interested in the history – and at its worst – from a human perspective because you really see the worst of what people in power do to their citizens. And through it all, the common peasants endure and survive. [... click here for more]

Author interview: Feature: “An Interview with Ellen Oh,” Bookslut.com, January 2013

Readers: Middle Grade, Young Adult

Published: 2013

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Filed under ...Author Interview/Profile, ..Middle Grade Readers, ..Young Adult Readers, .Fiction, Korean, Korean American

Little Century by Anna Keesey

Little CenturyOn this final day of 2012, this could easily be me (replacing ‘Esther’ with my name and ‘her journey’ with this year): “Though she would not have admitted to any fixed expectations, Esther is still confounded by what meets her at the end of her journey.” I wholeheartedly admit to being utterly discombobulated by what this year has brought and wrought!

But I digress (again), because the sentence above is actually the opening line to Anna Keesey‘s debut novel, one of those anointed titles that blessedly appears on multiple ‘best-of’ 2012 lists. That might be enough to send you to shopping, so feel free to start ordering now; if you’re hemming and hawing about choosing between ‘on-the-page’ and ‘stuck-in-the-ears,’ be assured that Tavia Gilbert vibrantly animates Century‘s memorably diverse characters.

At 18, Esther Chambers – a city girl from Chicago – becomes an orphan when her mother passes away. With nowhere else to go, she embarks on a four-day journey to the wild West of Century, Oregon, the home of her distant cousin Ferris Pickett. She sees in Ferris her last vestige of family as he is her only living relative; he recognizes in her a business opportunity when he asks her to “help out [her] old cousin,” by lying about her age in order to stake a claim on a nearby homestead. Ferris owns Two Forks, a cattle ranch next to what will become Esther’s new home – a small cabin on a lake called Half-a-Mind – which also happens to be ”the only piece left with water on it east of the mountains.” Ranching, farming, frontier survival all depend on access to water …

Settling into her unfamiliar new life (which Esther records in bittersweetly undeliverable letters to her late mother) is eased by establishing relationships with her fellow residents: the feisty schoolteacher with a past Jane Fremont, the good Reverend Endicott, the nosy busybody Violet Fowler, the portly newspaper editor Mr. Cecil, the enigmatic worldly shopkeeper Joe Peaslee. Keesey’s characters are perhaps imbued with more symbolism than realism, but each has a story – some are local legends, some are just rumor, some are tall tales, and a few are actual truth.

As remote as the town might initially seem, the residents are hardly strangers to the ugly lure of greed and power. Even with the vast, open lands, the struggles for ownership and control are enough to incite regular violence – and worse. Esther begins to question her sense of familial duty, especially when she tentatively welcomes a friendship with an earnest young man from the wrong side of the cliff. All too soon, her Half-a-Mind adventures will need a whole lot of courageous integrity …

Readers: Young Adult, Adult

Published: 2012

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Filed under ..Adult Readers, ..Young Adult Readers, .Audio, .Fiction, Native American, Nonethnic-specific

Equal of the Sun by Anita Amirrezvani

Equal of the Sun“Based on the life of Princess Pari Khan Khanoom” seems to be the dominant short-hand description (even on its own back cover) of Anita Amirrezvani‘s historical novel set in 16th-century Persia, now modern Iran. Some might find that description misleading, and expect this to be Princess Pari’s story, told in Pari’s voice. The narrative actually belongs to her chief eunuch and advisor, Javaher, who Amirrezvani reveals in the “Author’s Note” is one of several “invented characters.” Lest you feel deprived, don’t: Javaher makes for an excellent protagonist (especially as voiced by a perennial audible favorite, Simon Vance). He takes immediate control with the very first words – “I swear to you …” – as he declares his unwavering intention to “set down the truth about the princess.” He explains, “As Pari’s closest servant, I not only observed her actions but carried out her orders. I realized that upon my death, everything I know about her would disappear if I failed to document her story.”

Scant documentation survives about Princess Pari who was the favored daughter of Tahmasb Shah (1514-1576), the second ruler of the Safavi dynasty which reigned over one of the most significant Persian empires. In Sun, the few known major events of Pari’s royal existence are a vehicle for Javaher to share his enthralling, detail-laden experiences – and Amirrezvani makes exceptional use her fictional freedom – both inside the carefully-guarded harem and considerably beyond the palace gates.

Javaher joins Pari’s service, personally chosen by the revered, celebrated Shah. In order to prove his loyalty to the same royal court that accused and executed his father on distorted charges, Javaher has shockingly emasculated himself as a young man – much later than his fellow eunuchs who were made so in early boyhood. Javaher is determined to reclaim both his shattered family’s honor … and their former power. When the Shah dies unexpectedly without naming his chosen heir, Pari (and much of the court) knows that as his favored protegé, she is by far the best prepared, most knowing successor … if only she were not a woman. More and more, Pari’s brilliant, dangerous machinations rely on Javaher’s silence, his devotion, his intelligence, and his access to outside connections.

Because this is Javaher’s story, Sun moves beyond his royal service with intriguing subplots that include his personal quest to seek revenge on his father’s accuser, his determination to save his younger sister from their greed-driven aunt, and (with enough detail to make one blush at least a few shades of grey) his surprising romantic liaisons (birth control measures not required). Untethered by recorded facts, Amirrezvani’s fictional hero is a fascinating creation, fully aware of his Machiavellian choices, unbending in his determination to succeed: “If this book were discovered by the wrong man, I could be executed, for I have committed monstrous deeds and made mistakes that I would prefer not to reveal – although what man hasn’t?” he muses. “Man is flawed by his very nature. His ears hear only what they wish; God alone knows the absolute truth.” Amen to that.

Readers: Adult

Published: 2012

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Filed under ..Adult Readers, .Audio, .Fiction, Iranian, Iranian American, Persian

Mimi’s Village: And How Basic Health Care Transformed It by Katie Smith Milway, illustrated by Eugenie Fernandes

When Mimi and her little sister Nakkissi go to fetch the family’s water from the stream one hot day, Mimi does something she knows she shouldn’t: she realizes that tired Nakkissi can’t walk all the way home without a drink, so she gives her “two handfuls of brownish water” from the stream – even knowing that the water must first be boiled before drinking. That evening, Nakkissi falls seriously ill with a sickness that too many village children don’t survive. Armed with a machete, hoe, and sticks to ward off any wild animals, the whole family walks in the middle of the night to the next village in search of help.

With simple, clean care at the health clinic, Nakkissi recovers quickly. Nurse Tela convinces the family to stay another night because the next day is vaccination day. Mimi watches and learns as Nurse Tela tends to pregnant women, babies, and many children more ill than Nakkissi. Inspired by what she sees, when they return home, Mimi shares her “big dream” with her father, who discusses it with the village elders … and three months later, that dream becomes a most welcome, necessary reality. What might have been a family tragedy proves to be healthy salvation for Mimi’s whole community.

Part of Canada’s Kids Can Press‘ compelling, informative, entertaining CitizenKid series – “books that inform children about the world and inspire them to be better global citizens” – Mimi’s Village is “based on a blend of real stories.” Author Katie Smith Milway (who also wrote CitizenKid’s uplifting, based-on-real-life The Good Garden) definitely inspires readers with a good story … and then fortifies her audience with informative context and opportunities to take action. She shares the experiences of real-life nurse Felina Maiya of Zambia, who has thus far brought saving treatment and hygienic prevention techniques to 61 households since 2006. Milway also provides the ‘why’ of the importance of simple health care (diarrhea causes one in five deaths; malaria kills a child in sub-Saharan Africa every 45 sections), and how readers can get involved (a 7-year-old Canadian boy raised the funding to build a well in Uganda!) and new ways to create change (an African superstar performs concerts that urge his fans to use bed nets to prevent malaria).

In this season of privileged plenty for so many of us lucky readers, resources like CitizenKid titles are priceless. Invest in a few (or all!) and encourage your kiddies to go global: with the help of CitizenKid, teach them now that actions speak louder than words.

Readers: Children, Middle Grade

Published: 2012

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Filed under ..Children/Picture Books, ..Middle Grade Readers, .Fiction, African, Canadian, Nonethnic-specific

A Lady Cyclist’s Guide to Kashgar by Suzanne Joinson

If you feel a vague sense of déjà vu reading this novel, that may be because, like me, you’re strongly reminded of another dual-timed story featuring a bold Englishwoman trekking through faraway lands whose expectations-be-damned!-uncommon-life-back-then is pieced together through left-behind words and pictures by a descendant living now. While more than one book might fit that description, the title I’m specifically recalling is Ahdaf Soueif‘s 1999 Booker Prize shortlisted The Map of Love

Here, ‘then’ belongs to 1923 and Evangeline English – who could not be more ironically named. Never far from her trusty bicycle, she finds herself traveling to Kashgar, East Turkestan (in today’s western China), where the sight of “a woman riding [said bicycle] is simply unimaginable.” She and her “unadventurous” younger sister Lizzie have escaped the “damp, phlegmatic dreariness of an English winter” to accompany the fiery Millicent Frost (oh these names!), a woman blinded by her missionary zeal, more arrogant bulldog than convincing emissary. Early into their journey, the trio discovers a young local girl, 10 or 11, “with a belly as ripe as a Hami melon.” Millicent delivers a tiny baby right there in the desert, but loses the young mother in childbirth. “[We] find ourselves in a situation,” Evangeline writes on the first page, one that eventually continues into “London, Present Day.”

In central London, peripatetic Frieda (take note of that name, as well) has just returned from her latest “research job”-assignment. In the wee hours of a lonely first night home, she gives up on waiting for her unreliable married lover, and instead finds a strange man sitting just outside her door. Instead of calling for help, she silently passes him a blanket and pillow; in the morning, she finds a drawing of a large bird she doesn’t recognize on the wall next to her door. Later that day, she will open her life to another complete stranger, the late Irene Guy who has inexplicably named Frieda her ‘next-of-kin,’ whose possessions Frieda must be clear out from her in-demand Council flat (subsidized government housing) within the week.

Dislocation, secrets, misconnections, legacies, incompatible pairings … and, mysterious birds (!), all play a part in this multi-pronged, multi-cultured, multi-perspective journey of discovery, even if questions outnumber eventual answers. I should also add that discovery might be best enjoyed unmitigated; narrator Susan Duerden gives Frieda an impossibly young, thoroughly grating persona which surely doesn’t exist on the page.

For would-be writers, Suzanne Joinson explains on her website “About” page how the purchase of “a box of letters from Deptford Market in London” led her to writing a short story about her “quest to find out who [the letters] belonged to.” The story won a prize generous enough to buy a laptop and provide a year’s mentoring which led to writing this debut novel. In both Map and Guide, connecting such mysterious letters are – no surprisingly – integral to the storytelling. Joinson herself adds a useful moral for literary wannabes: “go to flea markets! And car boots … and don’t get me started on the buried stories to be found in second hand and thrift shops.” Bestselling inspiration indeed.

Readers: Adult

Published: 2012

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Filed under ..Adult Readers, .Audio, .Fiction, British, Chinese, Middle Eastern

The Word Collector by Sonja Wimmer, translated by Jon Brokenbrow

Admiring Ana A. de Eulate’s The Sky of Afghanistan earlier this fall led me to Sonja Wimmer‘s spectacular art. Allow me a moment of WOW. I admit that finding only Wimmer’s name on the cover of this title was the initial reason I opened these pages, and how gleeful was I to discover that she’s incredibly facile with storytelling, as well … The Word Collector is perfect in so many ways.

“Luna was an extraordinary little girl,” the tale begins. Luna collects words: “funny words, that tickle your palate when you say them … friendly words that embrace your soul.” She’s surrounded by magical, delicious, crazy words … but “[l]ittle by little, the beautiful, magnificent and fun words began to disappear.”

The bird, clouds and travelers tell Luna how people are forgetting the words, losing them to non-use, considering themselves “too busy.” Luna devises an immediate plan that takes her “over seas and continents, mountains and cities,” armed with a suitcase filled with all her words: “Wherever there was hate and violence, she sowed words of brotherhood, love and tolerance within people’s hearts. Wherever there were people who were sad and lonely, she wove threads of warm words, words of friendship and compassion.”

Luna’s suitcase empties quickly. Her hard work proves joyously rewarding as she sees the people “throw letters to each other like balls” and invent new words, and give and share them. Luna is happy: “[a]fter all, what was the point of collecting something if you couldn’t share them?”

Wimmer’s story jumps off every double-page spread, each presented with swirling energy and unique perspective. Luna’s expressive kitty makes for an excellent sidekick, magical creatures float across the page, the too-busy people move from pulling hair and dumping soup to floating off with umbrellas and twirling with blissful abandon. To such whimsical images, Wimmer adds ever-changing text set in countless fonts and multiple sizes (and just in case you can’t find every word in exact order, the final spread is a type-only version of the whole story).

Remember that stinging childhood rhyme: ‘Sticks and stones may break my bones, but names will never hurt me’? Rethink that: here’s proof of the power of words to heal, fix, enjoy, and share with others.

Readers: Children

Published: 2012 (United States)

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Filed under ..Children/Picture Books, .Fiction, European, Nonethnic-specific

Unspoken: A Story from the Underground Railroad by Henry Cole

In our hyper-connected world of constant chatter, quiet is a difficult-to-access, precious commodity. Take a sweeping look around you, take a few minutes to turn everything off, and grab a copy of this spectacular, wordless book. That’s right – no words, beyond the author’s dedication (to a librarian!) at book’s beginning, and his illuminating note at book’s end. Yet in between, you’ll find a young heroine’s story that speaks volumes …

As a young girl goes about her daily chores on the family farm, she notices small details that make her look once, twice, and again. Her initial fear turns into courage by the light of her lantern, as she offers a hidden biscuit, then a slice of pie and a drumstick to an unseen visitor in the dark barn. Through a peephole under the stairs, she witnesses the angry soldiers who promise a reward to betray a human life, but her unspoken vigilance proves to be the best reward of all.

Unspoken, which pubbed just last week, has already been named one of New York Times Best Illustrated Children’s Books of 2012. Even without that latest (well-deserved) honor, if creator Henry Cole‘s name or his illustrations seem familiar to you, that’s probably because one of his dozens of books happens to be And Tango Makes Three, which he illustrated for authors Justin Richardson and Peter Parnell. For all the wrong reasons, Cole has practically been an annual household name especially during Banned Books Week: Sweet Tango led the “Top ten most frequently challenged books of 2010,” was at the top of the list for five years in a row (with a respite at #2 in 2009), but then was conspicuously absent in the latest 2011 list (oh, how fickle the naysayers!)!

Having experienced only too well that sort of censored silence beyond his control, Cole’s decision to create a silent book – and such a marvelous one at that! – surely resounds with a sense of sweet victory. In his “Author’s Note,” he shares highlights from his family’s long-ago history on their Virginia farm during the Civil War, and adds, “I wanted to tell – or show – the courage of everyday people who were brave in quiet ways.”

What did I say about speaking volumes?!!

Readers: Children

Published: 2012

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Filed under ...Absolute Favorites, ..Children/Picture Books, .Fiction, African American, Nonethnic-specific

The Girl Who Leapt Through Time by Yasutaka Tsutsui, translated by David Karashima

Déjà vu: If the title seems at all familiar to you even though the book’s U.S. pub date happened this fall, don’t be surprised because you’ve probably, already seen various iterations of the story on other multiple platforms. While this is the original 1967 bestselling Japanese novel translated for the first time into English, the story has had many, many lives through the decades, including television dramas, three live-action movies, an anime film (which, amazingly, you can watch in full with a dubbed English soundtrack here!), and at least three manga series! Talk about prolific longevity!

On the printed page, the actual book offers two stories. In the titular ”Girl,” middle schooler Kazuko is sharing clean-up duties in the science lab with two of her classmates, Goro and Kazuo. She thinks she momentarily sees a stranger’s shadow, smells a mysterious liquid from a broken test tube, and promptly passes out. When her friends find her, she seems okay enough … for now. That night, an earthquake hits in the middle of the night, and her friend Goro’s house is threatened by a small fire. The next morning, running late because of the near-sleepless excitement, she and Goro narrowly miss a fatal truck collision. And yet Kazuko wakes up in her own bed again …! Was it a dream? What really happened?

In the second – totally unrelated – story, “The Stuff that Nightmares Are Made of,” Bunichi frightens his school friend Masako with such surprise and horror that Masako finally decides to bravely confront some of those fears head-on, literally going to new heights and traveling far and wide to solve her personal mysteries.

Considered one of Japan’s most prolific and lauded writers, author Yasutaka Tsutsui‘s translated-into-English titles are slowly growing in the West. How ironic, however, that derivative-”Girl”-works were so plentiful Stateside long before the original.

“Girl” is clearly the iconic piece here, with “Stuff” (somewhat oddly) not even mentioned on the back cover or the inside first page. “Girl” proves to be the more thought-provoking piece, and you’ll certainly be thinking about the futuristic machinations long after you leap through “Stuff.” And now that I’ve enjoyed the page, I’m looking forward to going backwards to check out that six-years-ago anime. Time is all relative, right?

Readers: Middle Grade, Young Adult

Published: 1967 (Japan), 2011 (United Kingdom), 2012 (United States)

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Filed under ..Middle Grade Readers, ..Young Adult Readers, .Fiction, .Translation, Japanese