Tag Archives: Family

Faithful Place by Tana French

Faithful PlaceTana French has a method to her mysteries: While all four of her titles are standalone thrillers, you’ll get more out of each if you read them in chronological order because each book’s protagonist is connected to the next. Rob opens the Dublin Murder Squad series with In the Woods, his partner Cassie takes control in The Likeness, her former boss Frank Mackey narrates this, Faithful Place, and his nemesis colleague Mick Kennedy stars in last year’s Broken Harbor.

If you choose to take Faithful on the run (as I’ve done with all the French titles so I can attest that the miles fly by), narrator Tim Gerard Reynolds adds just the right tinge of sinister, properly paced throughout. Interestingly enough, Faithful is one of Reynolds’ first-ever audiobooks … and he happens to have lived a “somewhat parallel [life]“ with Tana French, complete with geographic overlaps.

Digression aside, what makes protagonist Frank Mackey an effective detective also makes him a difficult (impossible?) husband and father. He’s managed to maintain a civil-enough relationship with his ex-wife, and his young daughter still loves him, although even she is growing wary of his unreliability. When Frank’s younger sister urgently calls him home to Faithful Place, a harsh working-class Dublin neighborhood Frank escaped as a teenager and expected to never look back, he’s forced to return – literally – to the baggage of his troubled past.

That recovered suitcase is Rosie Daly’s, who more than two decades before was Frank’s unrivaled first love, who vanished on the very evening the young lovers had planned to abandon their stifling lives and start afresh in England. Rosie never showed up for their journey out, so Frank walked away alone, his heart irrevocably shattered and rendered incapable of true love since.

Then a body is found. And Frank faces searing loss – over and over again: even the torture of that never-healed cardiac wound pales to what he has to face when he re-enters the confines of his estranged family. ‘Dysfunctional’ barely describes his bitter parents and his left-behind siblings. But determined detective that he is, Frank allows little to get in his way solving the latest murders (yes, the body count doesn’t stagnate) – not his desperate family, and not even his precious little girl.

While the whodunit surprises keep the pages (or tracks) moving swiftly, the most intriguing narrative twists belong in Frank’s head. As with her two previous protagonists, French is a master of mental manipulation, creating complicated, unpredictable characters who demand attention long after the case files get stamped and stored. ‘Scorcher’ Kennedy – I’m coming for you next!

Readers: Adult

Published: 2010

Leave a Comment

Filed under ..Adult Readers, .Audio, .Fiction, Irish

Anatomy of a Disappearance by Hisham Matar

Anatomy of a DisappearanceHisham Matar’s second novel (following his much-lauded, substantially-awarded debut, In the Country of Men) reads like a fast-moving dream, events jarringly, jaggedly forced together, and yet somehow managing to maintain a clear, thoughtful narrative. Narrator Steve West’s methodically-paced, calmly-controlled voice imbues Matar’s haunting story with dignity and gravitas.

Disappearance, absence, displacement loom large throughout Nuri’s life. Even as a young boy, what Nuri knows of his Cairo home is already a compromised existence-in-exile as a result of his father’s political past. When his mother dies, his father remarries a vibrant young woman named Mona whom the 12-year-old Nuri claims as his own upon first sight. Sent away to an exclusive English boarding school, Nuri is separated from all that is familiar, including the devoted servant girl who helped raise him.

And then his father disappears, in 1972 when Nuri is just 14. That loss becomes the single defining event of Nuri’s life; in the desperate, unending search to discover what happened, both Nuri and Mona learn as many truths about themselves, and each other, as about the distant, enigmatic man who once held them tenuously together.

The missing parent looms large in both of Matar’s titles, telling proof that he writes what he knows: Matar lost his own father, a Libyan dissident, to a politically motivated kidnapping in 1990; decades later, the elder Matar remains missing.

In a January 2010 article for the UK’s Guardian, Matar wrote about learning that his father was seen “‘[f]rail, but well’” in 2002 in a secret prison, although the news took eight years to reach the surviving family: ” … weeks from finishing that novel [Anatomy], I learn that my father, who disappeared 20 years ago, might be alive … Uncanny how reality presses against that precious quiet place of dreaming. As if life is jealous of fiction.” Fictional as Anatomy claims to be, echoing his literary stand-in Nuri, Matar holds on to his father’s coat waiting for his someday-return. “Maybe it still fits him,” he muses.

Readers: Adult

Published: 2011

2 Comments

Filed under ..Adult Readers, .Audio, .Fiction, Arab, British, Egyptian, European, Middle Eastern

Truck Stop by Anne Rockwell, illustrated by Melissa Iwai

Truck StopWhen our son broke his little toddler wrist (one of those moments parents will always remember in slow motion), he was so attached to his truck-of-the-moment that his chubby fingers never let go of this mini-vehicle even during his x-ray. Now that he’s almost ready to drive, of course, his four-wheels of choice sit under a pickup, egads!

Welcome to Truck Stop: “Early each morning the sun isn’t up when we get busy at our truck stop, Mom and Dad and me,” a young boy explains. He’s in charge of squeezing the fresh orange juice as his parents prepare the favorite foods for the many truck drivers about to roll in. “I know each and every one of the regulars that comes to our truck stop,” he explains: Sam with his 18-wheeler needs Mom’s bacon and eggs over easy; Milk Tank Maisie likes doughnuts with her coffee; and Diligent Dan with his moving van prefers sausage and pancakes with plenty of syrup.

As the truck stop fills up with “good smells” and good friends, the boy prepares for school. On his way aboard the yellow bus, he spots missing Green Gus, and knows just what to do to help him get rolling along. Everyone has places to go … that is, until tomorrow, when they will all gather back at the truck stop to say “good morning” and start another traveling day.

Illustrator Melissa Iwai uses her signature whimsical style to create a showcase of all sorts of trucks that fill both inside covers, in addition to the adorable pages within. She presents a multi-culti community of caffeine-seeking drivers, happy for the company of others (can’t you just smell that freshly-brewed java?). Author Anne Rockwell offers just enough excited anticipation over finding broken-down Gus, then shows how a community quickly comes together to help a friend in need. Here’s to enjoying the nicest truck stop for miles and miles, for sure!

Readers: Children

Published: 2013

Leave a Comment

Filed under ..Children/Picture Books, .Fiction, Japanese American, Nonethnic-specific

I Am an Executioner: Love Stories by Rajesh Parameswaran

I Am an ExecutionerTo put a word so violent as Executioner next to a muzak-soundtrack-inducing subtitle like Love Stories, on a cover sporting a cutesy, heart-shaped tiger’s tail is exactly the sort of unsettling experience you can expect from Rajesh Parameswaran‘s uniquely original debut story collection.

Animals take control of their narratives in a third of the nine stories here: in “The Infamous Bengal Ming,” a tiger newly smitten with his zookeeper unintentionally becomes a gory killer than a gentle lover; in “Elephants in Captivity (Part One),” a captive pachyderm’s hurriedly penned (trunked?) memoir is presented in translation from its original “Englaphant,” with more footnoted annotations than original text; in “On the Banks of Table River (Planet Lucina, Andromeda Galaxy, AD 2319),” the vicious mating rituals of oversized insects with each other, as well as humans, are revealed in churning detail.

While love among different species might be less than compatible, cavorting with one’s own kind is also no guarantee of ‘happily ever after.’ In the eponymous “I Am an Executioner,” the titular protagonist works desperately to start a relationship with his shocked new wife In “Demons,” a wife’s deathly wish towards her overbearing husband shockingly comes true – and then what is she to do? In “Narrative of an Agent 97-4702,” spouses can only share lives of half-truths and repeated deceptions.

When love morphs into power-play, tragedy inevitably ensues, from a failing computer salesman posing as a medical doctor in “The Strange Career of Dr. Raju Gopalarajan,” to a railway employee marrying up in “Four Rajeshes,” to a production designer’s desire to claim directorial control in “Bibhutibhushan Mallik’s Final Storyboard.”

Parameswaran’s imagination makes startling twists and manages to achieve unanticipated feats of bizarre fancy. A little shock to our jaded systems can only be a good thing – uncomfortable laughter, sudden squeamishness, unrestrained gasps all included!

Readers: Adult

Published: 2012

Leave a Comment

Filed under ..Adult Readers, .Audio, .Fiction, .Short Stories, Indian American

The Blind Man’s Garden by Nadeem Aslam

Blind Man's GardenWho needs films when writers like Nadeem Aslam can create such eloquent canvases that no celluloid could ever hope to project? Blind Man’s Garden takes you deep into the tragic ‘war on terror’ and shows you the very lives of the individuals who must live through (or not) the shattering decisions of faraway leaders, governments, and regimes.

Mikal and Jeo grow up as brothers in a small town in Pakistan – Jeo is the son of former schoolmaster Rohan who takes in Mikal and his older brother Basie when they lose their own parents. When Jeo, training to be a doctor, secretly decides to go to Afghanistan in hopes of caring for the human collateral damage from the post-9/11 U.S. invasion of Afghanistan, Mikal immediately decides to join him.

Both young men leave behind their shared family, including the same beloved, Naheed – she who loved Mikal first, but married Jeo at last. The brothers embark on a Odyssean journey to nowhere fueled by a fierce hope to return home. With all their fates unknown, Naheed mourns and waits, her mother Tara desperately fights what she believes is inevitable, and Rohan attempts to save another man’s young boy as he was unable to save his late wife from eternal damnation. The family, splintered by ideologies and violence gone awry, will never be the same again … and yet somehow, a much-transformed new family will inevitably survive …

In spite of needing to finish Aslam’s fourth and latest novel because of a looming interview deadline (I know, lucky me!), I lost all my usual reading alacrity as I approached book’s end, so as to avoid actually reaching that final page. Now as I ready myself for the authorly exchange, I’m bereft that that preparation cost me any lingering comfort of knowing I still had more Aslam to read. Alas, I must settle into waiting mode for his next novel; and patience was never, ever my virtue.

Readers: Adult

Published: 2013

Leave a Comment

Filed under ..Adult Readers, .Fiction, Afghan, British Asian, Pakistani

A Tale for the Time Being by Ruth Ozeki

A Tale for the Time BeingYou might choose to read Ruth Ozeki‘s latest novel as another engrossing, original story – because it clearly is. And if you decide to stick the novel in your ears, you’ll be thrilled and grateful to know that Ozeki herself reads to you – her recitation is crisp, measured, and exacting.

The novel’s dual protagonists take turns revealing the eponymous ‘tale’: Nao, short for Naoko, is a bullied Tokyo teenager dealing with her suicidal, unemployed father while whose closest confidante is her 104-year-old Buddhist nun great-grandmother; Ruth is a hapa Japanese American novelist living on a tiny island off the coast of Canada’s British Columbia. The two women are connected via the vast Pacific waters when a Hello Kitty lunchbox containing mementos of Nao’s life – including a journal retrofitted inside the cover of an aptly chosen Marcel Proust classic, À la recherche du temps perdu (Remembrances of Things Past) – washes up on the island’s shoreline, quite possibly a vestige from Japan’s 2011 Tōhoku earthquake and tsunami. [Note to self: Tale pubbed exactly two years and one day after the tragedy, and a full decade minus two days after Ozeki's last novel, All Over Creation.] While Ruth attempts to reconstruct Nao’s past from the lunchbox remnants, she also works desperately to find Nao’s present.

All that is reason enough to read the novel and be done. But I dare you NOT to keep thinking long after you reach that final cover. The names will surely keep you challenged: just for starters, might I mention Nao/now, ‘Naoko’ meaning honest child in Japanese and the ‘truth’ she writes or doesn’t write in a work of fiction, her last name Yasutani (which might mean ‘peaceful valley,’ the ironic opposite of Nao’s complicated young life) which also happens to be the name of renowned Zen Buddhist priest Yasutani Haku’un, not to mention the fictional and real-life Ruths, both with husbands named Oliver.

If the names don’t spark further interest about reliable narrators, notions of reality, the art of fiction, the cover could inspire further volumes. Allow me to share a couple of the multi-layers to consider. In the third line down of the story’s opening page is this description: “A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.” That explanation transforms the title into at least a double entendre, as in ‘a story for now,’ or ‘a story for Nao.’ Add the subtitle, “a novel,” and the author’s name, and you’ve grown a labyrinth of meanings, from ‘a novel story for now by Ruth,’ to ‘Ruth’s novel about Nao,’ and so much more.

I might quibble that by the final pages, a few of the narrative threads were a bit too ‘deus ex machina‘-ly resolved, but I also find myself insisting that sometimes endings just need to be happier than not. That sort of magical thinking perhaps doesn’t make for a perfect novel, but it’s a small price to pay for attempting to redeem humanity through the healing power of sharing words and telling stories.

Readers: Adult

Published: 2013

Leave a Comment

Filed under ..Adult Readers, .Audio, .Fiction, Japanese, Japanese American

Three Years and Eight Months by Icy Smith, illustrated by Jennifer Kindert

Three Years and Eight MonthsParents with young children: please take caution in sharing this book with your youngest readers. Although the narrator is “only a 10-year-old boy,” what he witnesses, endures, and survives during the titular ‘three years and eight months’ of the Japanese occupation of Hong Kong during World War II is brutal, horrific, and inhumane. As in all wars, women, the elderly, and children always suffer most.

Choi lives with his widowed mother and his Uncle Kim in a “rundown apartment building in crowded Hong Kong.” Dismissed from school early one day, he watches his mother dragged away by Japanese soldiers. On Christmas, 1941, Japan takes official control of the island; for its citizens, occupation means destruction, starvation, imprisonment, and death.

Up in the mountains searching for firewood, Choi meets Taylor, the hapa son of Uncle Kim’s friend; Taylor’s American mother went to visit her California family and has been unable to return to Hong Kong since Japan bombed Pearl Harbor. The two boys trade wood for food when they can, which leads them to meet a kind Japanese soldier who teaches them enough Japanese to give them a job at the military station. The boys’ entry there provides access to information, food, and even medical supplies they can pass on to Uncle Kim …

Award-winning author and publisher Icy Smith – whose last book detailed war’s atrocities in Half Spoon of Rice – clearly channels her own family background here. Her opening dedication is a harrowing warning: “This book is dedicated to my father, uncle, and grandmother, who lived the reality of Hong Kong during the Japanese occupation. My uncle was forced to work for the Japanese military and transported prisoners to death camps. … My father was a slave boy who witnessed the Japanese brutalities … My grandmother was victimized by Japanese soldiers for three long years and became a nun after the end of World War II.” Hopefully, the single, kind ‘enemy’ soldier was also a part of Smith’s ancestral past. Decades later, Smith bears witness, first with personal story, then with “Remembering History” at book’s end with dates, facts, numbers, and period photos.

As much as Smith’s words capture this true story, Jennifer Kindert‘s illustrations vividly enhance the chilling experience. Kindert, a Texas-based Thai adoptee of Swedish parents, has a lush style that fills each page with careful, intimate details which bring readers immediately into each scene: the distant worried look of a young mother with two small children she carries balanced in a basket, the treasures local residents have brought the Japanese troops to trade for a few cups of rice, the upturned face of an imprisoned woman momentarily distracted from her heavy labor, the portrait of Emperor Hirohito on the wall with his head symbolically truncated from view as a group of soldiers initially hear the news of the first atomic bombing. Every picture reveals and intensifies both the horror and the humanity.

Too much of our history is filled with tragedy… perhaps bearing witness, even in childhood, is one way to combat the nightmarish repetition. Hope springs eternal, right?

Readers: Children (with caution), Middle Grade

Published: 2013

2 Comments

Filed under ..Children/Picture Books, ..Middle Grade Readers, .Nonfiction, Chinese, Chinese American, Japanese

On Sal Mal Lane by Ru Freeman + Author Interview

On Sal Mal LaneAllow me to start with the simple end: Ru Freeman’s On Sal Mal Lane is stupendous. I’ll even embellish that verdict and add that it is actually fan-huththa-tastic... the tmetic meaning of which should encourage you to go get your own copy and check the “glossary” at book’s end. You’ll surely find some choice vocabulary there to aptly describe your own reading experience.

As in Freeman’s absorbing 2009 debut, A Disobedient Girl, the intricate lives of young children take center stage in On Sal Mal Lane. In 1979, the titular Sal Mal Lane is a small cul-de-sac on the outskirts of Sri Lanka’s largest city and former capital, Colombo; in spite of the diverse households, the residents live in relative peace. If they are not exactly friendly, then they certainly live as tolerant neighbors one and all. The Herath family of two parents, four young children – Suren the musician, Rashmi the singer, Nihil the cricketer, and baby Devi the favored – and their servant move into the quiet enclave, reshuffling friendships and alliances throughout the lane.

The Heraths are educated and cultured, and their four children, whose ages range from 7-and-a-half-year-old Devi to 12-year-old Suren, “were different from all the others who had come and stayed for a while on Sal Mal Lane.” In addition to each being neat and clean, well-mannered and talented, their devotion to one another – ”the way they stood together even when they were apart … every word uttered, every challenge made, every secret kept, together” – is a gift to behold.

Even as the Heraths’ lives intertwine with that of their neighbors, beyond the safety of their small street, the rest of the country is at an impasse. Ethnic, religious, and political differences among a population with a long history of divisions, colonizations, and suppressions foment through the years, leading up to a coming civil war that will break out in 1983 and last over a quarter-century. “Everyone who lived on Sal Mal Lane was implicated in what happened … the Tamil Catholics and Hindus, the Burgher Catholics, the Muslims, and the Sinhalese, both Catholic and Buddhist. Their lives were unfolding against a backdrop of conflict that would span decades … And while this story is about small people, we must consider the fact that their history is long and accord them, too, a story equal to their past.”

Freeman surely doesn’t disappoint. As she unwinds what happened – with prose both lingering and breathtaking – the children, even the lane’s bully who could have been different with just the occasional kindness, will charm you, tease you, play with you, and when they leave you, they’ll shatter your heart. “To tell a story about divergent lives, the storyteller must be everything and nothing,” Freeman’s prologue concludes. “If at times you detect some subtle preferences, an undeserved generosity toward someone, a boy child, perhaps, or an old man, forgive me. It is far easier to be everything and nothing than it is to conceal love.”

What possessed you to write this novel? How did it come about?
First, I had been a little down about a magazine piece that did not work out. [The article] had to do with the end of the war [the Sri Lankan Civil War – July 23, 1983, to May 18, 2009], and the editor wanted a very pared-down story with easily identifiable villains and saints. I wanted to write a more nuanced story. Second, I didn’t set out to write this novel, in particular. I was just dabbling with this and that, sketching out some anecdotal bits about growing up down a lane like this one. It was one of my brothers, Malinda, who nudged me down this road. He started chatting back with me – via Google Chat – reminiscing about that time and there it was – the novel I wanted to write. This story that was the one I had been trying to put into that magazine article, the one that was not easy but faceted and brittle and gentle and layered. [... click here for more]

Author interview: “Feature: An Interview with Ru Freeman,” Bookslut.com, May 2013

Readers: Adult

Published: 2013

Leave a Comment

Filed under ...Absolute Favorites, ...Author Interview/Profile, ..Adult Readers, .Fiction, South Asian, South Asian American, Sri Lankan, Sri Lankan American

Hello in There! A Big Sister’s Book of Waiting by Jo Witek, illustrated by Christine Roussey

Hello In ThereFor anyone with a child who will soon become an older sibling, this book is IT. And if that lucky elder happens to be a sister-in-waiting, this couldn’t be more perfect.

“You’re in there and I’m out here, outside Mama’s belly. I’m waiting for you!” the ineffable little girl announces to the bump that is her mother’s belly. As the pregnancy progresses, the colorful bulge on the left side of each double-page spread continues to grow; a small flap allows a growing peek into the sleeping, pink-cheeked bundle within as the little girl merrily demonstrates what a wonderful older sister she will be!

She offers a light in case the belly is too dark, is ready to share her favorite sweet surprises (as are the ants, ahem), draws bathtime pictures of possible family resemblances, sings songs, and announces her excitement: “You are already part of the family.” With her mother’s belly about to burst, she beckons, “… we’re all waiting for you. Come out and play!” with promises of all the adventures she’s planning to share.

Then, momentarily, the belly disappears (a blank page save for a few words) … until Mommy and Daddy’s legs walk back on the next page … and sure enough, “Hello, Baby! You’re finally here. And I am finally a Big Sister!”

Exuberant and charming, adorable and playful, imaginative and interactive, Hello is … well … literally perfect.

Readers: Children

Published: 2013 (United States)

Leave a Comment

Filed under ..Children/Picture Books, .Fiction, .Translation, European, Nonethnic-specific

Arcadia by Lauren Groff

Arcadia.GroffAlthough I haven’t read any actual reviews, I know from seeing this title included in so many Best-of-2012 lists that the lauded reactions have reflected both quantity and quality. Leave it to me to take a somewhat contrary position: while I went through the whole gamut of emotions with Arcadia (narrator Andrew Garman begins with just enough wide-eyed youthful innocence that gently morphs into a middle-aged resignation), by title’s end, I still preferred Lauren Groff‘s 2009 collection, Delicate Edible Birds and Other Storiesand I could certainly name other 2012 titles that I would give more substantial kudos.

Arcadia follows some four decades in the life of Bit Stone, named so because he “is tiny, a mote of a boy.” His claim to local fame is that he’s the first child born on the 1960s commune in upstate New York called Arcadia – initially known as Ersatz Arcadia before the proper Arcadia House is built. The book’s first half follows Bit’s boyhood as he introspectively observes the ecstatic hope of founding a utopian society, and its inevitable demise through too much drugs and sex, and not enough objective leadership.

Fast forward suddenly to Bit as a father, cuddling his young daughter Grete who is not yet sleepy. Absent is Bit’s wife, she who was Helle – wild, troubled, and lost again – the daughter of Arcadia’s wayward leader. On the wall across from their daughter’s bed is a mural, as yet unfinished, that captures Bit’s memories of an Arcadia that no longer exists, a time still heady with beauty and potential. All grown up and out in the ‘real world,’ Bit is a professor of photography; he tries to keep his splintered family together, be both parents to his only child, keep up with a few scattered friends, and teach his students. When a tragic emergency calls him back to Arcadia where his father went gone off-the-grid years ago, Bit is led back to his past … and finally begins to envision a future.

While the whole book is gorgeously written – Groff conjures intimate details with such evocative precision as to place you right there on every page – the two halves read like opposites: the first half is predictably foreseen, the second half unexpectedly fresh. That said, to fully appreciate (sigh and sniffle over) the latter, you’ll need to patiently invest 150 pages in the former. For me, no regrets; curiosity would not have let this book go unread.

Readers: Adult

Published: 2012

2 Comments

Filed under ..Adult Readers, .Audio, .Fiction, Nonethnic-specific