Tag Archives: Death

Carry the One by Carol Anshaw

Carry the OneA couple of months ago, one of my trusty literary friends with whom I often share must-read titles told me about seeing ‘everyone’ carrying this novel around last fall. So she decided to see for herself what the hubbub was about. Once she started, she confessed, she couldn’t put One down.

“[O]n a windless night in the summer of 1983,” the accidental death of a 10-year-old girl who was inexplicably walking on a dark country road far past bedtime, alters lives forever. Nick, in the front passenger seat, is the first to see her but says nothing, cocooned in his drug-induced haze. His sister, Alice, is the one who futilely goes for help. Their sister Carmen, whose wedding the siblings have just left, is the one to witness the aftermath. “‘Because of the accident, we’re not just separate numbers. When you add us up, you always have to carry the one.’”

Over the decades that follow, “the one” is never far. Nick, a brilliant astrophysicist, will alternate between being a rock-star academic and a pathetic addict. Alice, who becomes a world-renowned artist even as she hides away her very best work, desperately cleaves to the fickle lover she met on that fateful night. Carmen, who avoided the fatal physical impact, still can’t escape the death-does-not-part haunting, as her 1983 marriage falls apart, and all her devoted activism is never enough to melt her overly-self-sufficient (lonely) shell. Named after opera characters by a father who wanted to “show off his erudition,” the siblings are seemingly predestined to play out larger-than-life fates.

Go ahead, call me a ‘me, too’-lemming’: once I started, I greedily kept the headset stuck in my ears (Renee Raudman narrates with just the right balance of gentleness and urgency). Thanks to extra (running) miles and too many loads of laundry, I only needed a day to finish, but this will be one to carry for a while yet to come.

Readers: Adult

Published: 2012

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Filed under ..Adult Readers, .Audio, .Fiction, Nonethnic-specific

Revenge: Eleven Dark Tales by Yoko Ogawa, translated by Stephen Snyder

RevengeWhat are the chances …?? So having just finished Hikikomori and the Rental Sister – an absolutely phenomenal read you should not miss! – I opened to the first story in Yoko Ogawa’s latest Stateside collection to find another parent mourning a young dead son. Talk about eerie and creepy, as if some darker power is directing my book choices (and more?). And then – and then (!) – not quite 2/3 of the way through Revenge, another freaky déjà-vu repeat: a lovers’ scene with a haircut on the balcony. I keep thinking: just what are the chances??

Some (most?) of you will be glad to know, that goosebumpy chill will stay with you all the way through to the final page and beyond (my fingers are getting cold just typing!).

Okay, so you’ve got 11 “dark tales” here. They’re interrelated, but in quite an ingenious way as to keep you focused (on alert? on edge?) from story to story. And yes, most definitely, these need to be read in order to get the full effect. No sloppy skipping allowed.

In the shudder-inducing opening story, “Afternoon at the Bakery,” a mother marks what would have been her late 6-year-old’s 18th birthday by buying strawberry shortcake; that “strawberry cake covered in a thick layer of whipped cream” reappears in the next story, “Fruit Juice,” about a schoolgirl who takes along a classmate to have a fancy lunch with her estranged, powerful, famous father. At story’s end, “Fruit Juice” highlights “enormous heaps of kiwis” … kiwis that just might have come from the fruit trees – mostly kiwis – that open the next story, “Old Mrs. J.”

From tale to tale, details carry over – beginning with something minor like pieces of fruit, to whole paragraphs transcribed from one story (“Old Mrs. J” again) into another in a very, very different context (the final tale, “Poison Plants,” about the relationship between a wealthy widow and an aspiring musician). The spooky particulars range from five-fingered carrots to murder, from a mis-placed heart to custom bags, from a dead hamster to a pet Bengal tiger, proven-to-be-used instruments of torture to a dead writer, all ending pretty much where it started – a curled up corpse in an abandoned refrigerator! And you’re thinking, ‘how did she dooooo that?’!!!

You must, of course, read the collection in full to make all the connections … your hairs will just continue to stand on end as you piece together the multi-layers. I just noticed my fingertips are turning purple-ish blue at the ends … proof indeed of a frightfully successful Revenge.

Tidbit: In case you can’t get enough of Yoko Ogawa, check out The Housekeeper and the Professor, which appears as one of my “Absolute Favorites” on BookDragon. Others also had high praise for Hotel Iris (shortlisted for the 2010 Man Asian Literary Prize, for example), but me, definitely not so much (reviewed for San Francisco Chronicle).

Readers: Adult

Published: 2013 (United States)

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Filed under ..Adult Readers, .Fiction, .Short Stories, .Translation, Japanese

Hikikomori and the Rental Sister by Jeff Backhaus

Hikkomori and the Rental SisterI’m facing a bit of a conundrum with this book: just how little can I tell you and still entice you to check out this astonishing debut novel by emerging-fully-formed-like-Athena, new author Jeff Backhaus?

Hmm … might this work? Drop everything and read this book NOW.

Still not convinced? Okay, let’s try examining the title. Unless you know something about contemporary Japanese subculture, you probably aren’t familiar with the social phenomenon of hikikomori, or reclusive shut-ins. The book’s back cover explains, “literally pulling inward; refers to those who withdraw from society.” Then we have “the rental sister” – she’s a counselor hired by the hikikomori’s family to try to draw him (most are male) back into the world.

Backhaus’s dual narrative is subtly, hauntingly constructed like musical counterpoint, harmonious and independent both. His two protagonists, promised in the title, cannot ignore an important third whose presence continuously looms just beyond. And then there are the spectres …

Thomas Tessler has lived alone in his New York City room for three years. “‘I have never heard of an American hikikomori,’” his potential ‘rental sister’ remarks when she is asked to visit him by her downtown boutique employer, who in turn has been sought out by Thomas’ desperate, waiting, still-hopeful wife Silke. Megumi, a recent immigrant from Japan, is much more than a ‘rental’; her real-life experience with her own hikikomori brother makes her almost an expert.

Thomas and Megumi’s relationship begins with a letter, delivered by Silke under his door. When conversation doesn’t initially work through the locked barrier, Megumi tries pushing through an origami penguin which Thomas admires then pushes back out. But even in the exchange of offering and rejection, the tiniest promise of communication emerges … and inevitably grows.

To tell you anything more about missing children, a lost sibling, Japanese violence against Koreans, not to mention the wrenching disconnect (and reconnect) of our contemporary lives, would surely be giving away too much.

Some secrets must remain within these pages … and their discovery needs to be on your own. Go, already, go!

Tidbit: After – let me say that again – AFTER you finish this breathtaking novel, check out the 2006 New York Times article, “Shutting Themselves In,” for further fascinating, illuminating, investigative reading.

Tidbit2: On February 15, Jeff Backhaus (really! in the “twitterflesh,” as he describes it – he’s @jeff_backhaus, FYI) sent this: “@SIBookDragon Check out my new short story, about an American immigrant in Korea, either on tumblr or on an e-reader. http://bit.ly/WutTGB.” Since I’m such a Luddite, when asked, he sent these directions: “@SIBookDragon If you want to read them in order start from the bottom left. Then just keep clicking ‘PREV POST.’ Or just skip around.” As for his next novel, he reveals this: “The next novel is still a pile of notebooks, but I’m working hard.” Amazing what can happen on Twitter! Gawwww.

Readers: Adult

Published: 2013

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Filed under ...Absolute Favorites, ..Adult Readers, .Fiction, Japanese, Nonethnic-specific

Oxygen by Carol Cassella

OxygenA busy Seattle hospital. Hip, young doctors. Desperate patients. Administrative hierarchies. Sound familiar? I heard the latest Carol Cassella title (Healing) even has a character named Addison!

I started (because of an alma mater connection), then stopped watching Grey’s Anatomy after the first season (although I’ve had to revisit it in spurts with my teenage daughter since she discovered it last fall), but that limited exposure was enough that I can’t help but compare Cassella’s debut medical drama with the over-the-top primetime soap. That said, unlike the untrained actors populating that make-believe set, Cassella is a real-life, practicing anesthesiologist tightly controlling the narrative. And, best of all, you’ll find far more believable heart-thumping on the page (or stuck in your ears – this is one of those few titles I chose for the narrator (!) Jennifer Ikeda) than on the flattened screen (as always).

Dr. Marie Heaton became an anesthesiologist for all the right reasons: “‘I like helping people through a critical time.’” With reassuring words, she eases them into deep sleep, and wakes them gently when the cutting, repairing, stitching are over. “‘I love figuring out how to take away somebody’s pain.’”

She can only put such heartfelt thoughts into words when she can no longer be helpful, when her anesthesiologist’s license is under grave threat: During what should have been a routine surgery on a healthy young girl, the child inexplicably dies in the operating room. What is initially accepted by the hospital administration as a faultless tragedy quickly devolves into a malpractice suit and far, far worse.

Even more unbearable than the legal battle is Marie’s agony over her young patient’s death. Marie is jolted awake from her comfortable existence – her medical title and successful career having been her personal anesthetic cocktail of privilege, prestige, and hard-earned routine – and suddenly she must face uncontrollable emotions and damaged relationships in the midst of fighting for her professional life. To save herself, Marie must confront her difficult past, her estrangement from her elderly father, her questionable bond with her best friend and colleague (and more?), and the specter of a dead young girl and her ever-grieving mother.

Next time you grab for that remote in search of Seattle Grace, get yourself Oxygen instead. Got choice? Go for the book. Always.

Readers: Adult

Published: 2008

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Filed under ..Adult Readers, .Audio, .Fiction, Nonethnic-specific

The Unlikely Pilgrimage of Harold Fry by Rachel Joyce

Unlikely Pilgrimage of Harold FryAt 65, Harold Fry is a quiet, solitary old man, retired from the brewery where he worked much of his adult life. Although he married Maureen – his one and only love – decades later, their days, weeks, years together are rather lonely and withdrawn. He doesn’t talk to or about their son David. And then “[t]he letter that would change everything arrived on a Tuesday.”

From the other end of the British Isle, Queenie Hennessy is writing to say goodbye … she’s dying of cancer. Harold hasn’t heard from her in 20 years, but their briefly shared past is enough to elicit the strongest emotions he’s had in a very long time. He writes Queenie a quick response – “Dear Queenie, Thank you for your letter. I am very sorry. Yours Best wishes—Harold (Fry)” – and walks down the hill towards the nearest postbox, but keeps walking. And walking … and walking, determined that somehow his walking will keep Queenie alive if he can just deliver himself.

Harold Fry’s “unlikely pilgrimage” will take him 627 miles from Kingsbridge in southwest England to Berwick-upon-Tweed on the Scottish border. What happens during his 87 days on the road is a revelatory, eloquent, transforming experience … and one that needs to be personally discovered for every reader. The less you know, the better your read.

I hit ‘play’ knowing only two things: 1. I recognized the title from countless awards and best-of lists; and 2. the phenomenal Jim Broadbent narrates. The one other pre-reading tidbit I highly recommend (no worries, no spoilers) is debut (!!!) novelist Rachel Joyce‘s essay on “Writing Harold Fry,” about the story’s pre-book incarnation as an award-winning radio play she wrote for her dying father. Her official bio mentions she’s written over 20 “original afternoon plays.” Here’s hoping more of that prodigious output transfers to the printed page (or stuck in my ears!).

Readers: Adult

Published: 2012

4 Comments

Filed under ..Adult Readers, .Audio, .Fiction, British

Love Anthony by Lisa Genova

Love AnthonySo enthralling was Lisa Genova‘s Still Alice, I immediately went and got myself her other titles and hit ‘play’ one after the other. I don’t remember the last time I read three books by the same author in such immediate succession. That I got through all three in less than a week proves to me that Genova can write; she’s absolutely capable of crafting gorgeous, expressive prose. And yet after the stupendous originality of Alice, near-perfect sentences were not enough to save Love Anthony and Left Neglected from ultimate disappointment.

[Might I interrupt for a moment with an odd observation: something in Genova’s bio – that the first line mentions “valedictorian,” “Ph.D. in Neuroscience from Harvard” perhaps? – tells me that she’s definitely Type A (not a judgment, just an observation; takes one to know one, ahem!). Interestingly enough, all three of her books deal with A-conditions: Alzheimer’s in Alice, Adultery and Autism in Anthony, and ADHD and Accident in Left Neglected (which is her only title without A-named characters, and instead includes Peanuts-inspired Charlie, Lucy, and Linus … but I’m jumping too far ahead).

Love Anthony, Genova’s latest, is the story of two women whose paths cross unknowingly on a Nantucket beach in the “Prologue” and then again with recognition almost at book’s end. If you choose to stick the novel in your ears, Debra Messing’s narration is okay enough in the beginning, but she never stops sounding like … well … Debra Messing, which proves to be a liability as the story clearly calls for some distinction between the two very different protagonists.

Beth Ellis asks her bartender husband to leave when she finds out he’s been cheating for a year with the restaurant’s pretty young hostess; with the help of her book club buddies, especially her new-agey, spiritually in-touch best friend, she reclaims the true self she thought she had to give up when she became a wife and mother. New to the island, Olivia Donatelli is recently separated from a husband she still loves, trying to heal from the sudden death of their young son who had autism. Beth writes a novel about a boy she’s never met but is all too real to her; Olivia takes family portraits, capturing other people’s stories – sometimes true, other times made up. Words and pictures will bring these women together, and then set each of them free.

See-through characters? Too many. Predictable storylines? Definitely. Unbelievable ending? Yup. Although if you can suspend your raised-eyebrow-no-way!, what I’ll just call the ‘Anthony-connection’ is perhaps the most heartfelt, authentic part of the story. Oh, the irony, the irony.

Did the commute pass more quickly? Were the miles easier on the legs? I’d say ‘yup … enough’ – enough to turn Left, unNeglected. Stay tuned.

Readers: Adult

Published: 2012

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Filed under ..Adult Readers, .Audio, .Fiction, Nonethnic-specific

Vietnamerica: A Family’s Journey by GB Tran

VietnamericaBoth the inside and outside covers here are exactly the same: a mostly well-ordered, three-generation family tree … except for the bottom right corner in which the youngest member – the book’s author/creator GB Tran – is desperately attempting to complete the thus-far neatly organized tree. Under one arm, Tran holds his matching portrait with his initial-ized American name slightly askew, while desperately reaching out to grab the placard that bears his full Vietnamese moniker “Gia-Bao” which is falling just out of his reach. Scattered below him are unnamed portraits that don’t seem to have a designated destination in the familial constellation.

Tran’s pictures throughout this extraordinary graphic memoir speak proverbial volumes. As the only U.S.-born member of his scattered Vietnamese family, he is clearly the ‘odd man out,’ attempting to bridge his American ‘GB’ self with his inherited ‘Gia-Bao’ heritage. Thirty years after his family fled their war-torn country, Tran joins his parents on his first journey to his ancestral home. Packed into his luggage is a high school graduation gift his father gave him – a book about the Vietnam War that got tossed in unread with his comics and PlayStation controls – inscribed with a dedication quote from Confucius: “A man without history is a tree without roots.” Now in his late 20s, death convinces Tran to meet his surviving extended family after both his grandmothers die within months of each other, each on either side of the world. “There’s a lot about your parents you don’t know,” his paternal grandmother had warned shortly before her passing. “And they won’t be alive forever to answer your questions.”

Page by page, Tran pieces together his extended family’s violent, brutal past on both sides of a moving border that divided a war-torn Vietnam and what they had to do to survive, how his parents, three older siblings, and grandmother were able to narrowly escape the devastating Fall of Saigon in April 1975, all the while interweaving his own challenging youth as the youngest son of refugee immigrants who began uncertain new lives in South Carolina and his eventual adulthood as a culturally disconnected young artist. His return ‘home’ to a country and family he’s never met is a revelatory experience, eloquently expressed through vivid, spirited panels filled with memories, dreams, regrets, hopes, and a few answers. Halfway through, Tran’s drawings are interrupted by a single page of collaged photographs that offers a momentary glimpse of his parents’ lives before they were his parents: still-young lovers who have endured so much but seem contentedly unaware of the difficulties and challenges yet to come …

So remember the identical inside and back covers mentioned above? That sameness won’t be an option by the time you reach the final page. As you read from one cover to the other, the portraits at book’s beginning will stop being of strangers from whom you can turn away …  after sharing Tran’s illuminating journey, they’ll be just like family, too.

Readers: Young Adult, Adult

Published: 2010

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Filed under ..Adult Readers, ..Young Adult Readers, .Graphic Novel/Manga/Manwha, .Memoir, .Nonfiction, Vietnamese, Vietnamese American

The End of Your Life Book Club by Will Schwalbe

End of Your Life Book ClubThe Japanese word, kokoro, means ‘heart’ … seeing the single word used as a chapter title in Will Schwalbe‘s The End of Your Life Book Club made mine go aflutter because this is a book about books, which meant the chapter must be a reference to the Japanese classic of the same name. And then the name “Edwin McClellan” appears – Schwalbe first read the “remarkable novel” Kokoro by Natsume Sōseki, in a college course taught by the book’s translator. And in the midst of what proves to be an extraordinary mother/son journey of fully, gratefully, mindfully living while dying, my heart bursts more than a little for the late Edwin McClellan, my beloved PhD advisor, who years later, I still mourn (and celebrate) in the most unexpected moments. For that memory and so much more, Book Club turns out to be a magnificent gift.

Schwalbe’s mother is dying of pancreatic cancer. Mary Anne has lived a remarkable life – more than half a century ago, she listened well to the words of her high school headmistress who “always said, ‘Girls, you can have a husband and a family and a career – you can do it all.”’ And when she went back years later to tell her headmistress she “‘had, indeed, managed to have it all … but that [she] was tired all the time,’” her headmistress replied with “‘Oh, dear – did I forget to mention that you can, indeed, have it all, but you need a lot of help!’” A story she told often, Mary Anne would always also add that “help could come in many forms” – family, spouse, friends, community.

Mary Anne’s ‘all’ included graduating from Radcliffe, where she eventually became the Director of Admissions at Harvard and Radcliffe, and the first woman president of the Harvard Faculty Club. She returned to New York where she became the founding director of the Women’s Refugee Commission and an advisor to the International Rescue Committee, traveling the world to difficult, decimated regions: “I couldn’t get Mom to admit that she’d ever been courageous,” her son writes, “The people she thought were brave were the people she sought to help and serve.” Throughout her illness, she never stopped helping and serving: her final project was to build a library in Afghanistan.

Books, Mary Anne knows, are integral to life: “‘When I think back on all the refugee camps I visited, all over the world, the people always asked for the same thing: books. Sometime even before medicine or shelter – they wanted books for their children.’” Books prove integral to her relationship with Schwalbe:  ”Mom had spent so much time in war zones, she said, that she was drawn to books that dealt with dark themes, as they helped her understand the world as it is, not as we wish it would be.” Their book club, which begins officially over mocha during one of Mary Anne’s chemo treatments at Memorial Sloan-Kettering Cancer Center, will sustain them both in the time that is left: “Reading is not the opposite of doing; it’s the opposite of dying.” In spite of the death you know from the title is inevitable, Book Club is perhaps one of most uplifting books you’ll ever read. It’s an open-hearted love letter from a child to his mother, a profound thank-you missive from an outstanding human being for a life exceptionally well-lived, an erudite appreciation for all kinds of literature, and perhaps a bit of unintended reminder of how to cherish and “practice gratitude” in our own daily lives.

“She never wavered in her conviction that books are the most powerful tool in the human arsenal, that reading all kinds of books, in whatever format you choose – electronic (even though that wasn’t for her) or printed, or audio – is the grandest entertainment, and also is how you take part in the human conversation. Mom taught me that you can make a difference in the world and that books really do matter: they’re how we know what we need to do in life, and how we tell others. Mom also showed me, over the course of two years, and dozens of books, and hundreds of hours in hospitals, that books can be how we get closer to each other, and stay close, even in the case of a mother and son who were very close to each other to begin with, and even after one of them has died.”

If books equal power, then books with kokoro will save the world. Something tells me that somehow, somewhere, Mary Anne and McClellan are working on that …

Tidbit: If you choose to stick Book in your ears, Jeff Harding makes for a heartfelt narrator overall, although some of his affected accents are … well, affected. Ironically, Schwalbe mentions that he “loathe[s]” most public readings because of “the phony, singsong reading voice that most writers adopt, a kind of spooky incantatory tone that implies they are reading a holy text in a language you don’t understand.” Well, Harding does a little of that – especially when quoting from Daily Strength for Daily Needs, which indeed includes holy text! – so be warned. If you choose on the page (as Mary Anne would have), the final pages list every book and author mentioned in the first 329 pages, in case you want to join the discussion. One tiny error that shook me a bit that no one else will probably even notice … Professor McClellan’s name, previously spelled correctly, is missing a letter on the penultimate page. He was not one to suffer mistakes (he threw me out of seminar once for starting to doze off), but he never held on to annoyance or anger for long (he filled me in when I slunk back into class, noted he had opened a window during my absence, and brusquely asked if I was okay, before continuing on). Another memorable lesson in kokoro …

Readers: Adult

Published: 2012

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Filed under ...Absolute Favorites, ..Adult Readers, .Audio, .Memoir, .Nonfiction, Nonethnic-specific

Chopsticks by Jessica Anthony and Rodrigo Corral

The words “A Novel” adorn the top of the cover of Chopsticks – but that’s definitely a debatable label. No such limits necessary here! A hybrid creation by novelist/short story writer Jessica Anthony and book designer/creative director (for Farrar, Straus, Giroux, who is not Chopsticks‘ publisher, in case you were wondering) Rodrigo CorralChopsticks melds together photographs, tchotchkes and mementos, pictures and paintings, music scores, letters, and texts to create an enticing narrative that might or might not be reliable … [You can also further extend your reading/listening experience with videos and more on the book's dedicated website, too!]

Without giving too much away (because the book is truly a journey of discovery …), allow me to offer a skeletal overview of the story. “World famous pianist Glory Fleming is missing,” shouts the breaking news a few double-page spreads into the book. The wayward teenager has escaped from Golden Hands Rest Facility, “an institution for musical prodigies,” according to a follow-up newspaper clipping which then leads to “18 months earlier” towards the who, what, where, why, and how … all of which you’ll have to piece together through remnants and clues, memories and expressions.

Glory is talented. Her medium is the piano. She doesn’t have a mother, but she does have a lonely, demanding, protective father. She thinks she’s found a soulmate in the newly arrived boy-next-door, Francisco, who’s moved to New York from Argentina. Francisco is talented, too – especially with blank canvases and color (as well as black and white), not to mention compiling fascinating mix-tapes (on CDs, as this is the 21st century after all). He’s struggling with academics and social life at his new school where his only welcome sign is a scrawled “Go Home Spic” taped across his locker.

Even more talented are the lovers’ creators. The theme song throughout is “Chopsticks” – which starts with the repetition of two notes together, F and G, then moves outward until the fingers eventually come back together. Are you getting this? The possible variations – together and apart, apart and together, repeat, repeat – are endless.

Francisco and Glory, Glory and Francisco: their resulting love story proves to be quite the mystery … perhaps one you may never quite solve. Did I mention something about variations? You’ve been warned. Now go experience their story for yourself …

Readers: Young Adult

Published: 2012

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Filed under ..Young Adult Readers, .Fiction, Nonethnic-specific, South American

Equal of the Sun by Anita Amirrezvani

Equal of the Sun“Based on the life of Princess Pari Khan Khanoom” seems to be the dominant short-hand description (even on its own back cover) of Anita Amirrezvani‘s historical novel set in 16th-century Persia, now modern Iran. Some might find that description misleading, and expect this to be Princess Pari’s story, told in Pari’s voice. The narrative actually belongs to her chief eunuch and advisor, Javaher, who Amirrezvani reveals in the “Author’s Note” is one of several “invented characters.” Lest you feel deprived, don’t: Javaher makes for an excellent protagonist (especially as voiced by a perennial audible favorite, Simon Vance). He takes immediate control with the very first words – “I swear to you …” – as he declares his unwavering intention to “set down the truth about the princess.” He explains, “As Pari’s closest servant, I not only observed her actions but carried out her orders. I realized that upon my death, everything I know about her would disappear if I failed to document her story.”

Scant documentation survives about Princess Pari who was the favored daughter of Tahmasb Shah (1514-1576), the second ruler of the Safavi dynasty which reigned over one of the most significant Persian empires. In Sun, the few known major events of Pari’s royal existence are a vehicle for Javaher to share his enthralling, detail-laden experiences – and Amirrezvani makes exceptional use her fictional freedom – both inside the carefully-guarded harem and considerably beyond the palace gates.

Javaher joins Pari’s service, personally chosen by the revered, celebrated Shah. In order to prove his loyalty to the same royal court that accused and executed his father on distorted charges, Javaher has shockingly emasculated himself as a young man – much later than his fellow eunuchs who were made so in early boyhood. Javaher is determined to reclaim both his shattered family’s honor … and their former power. When the Shah dies unexpectedly without naming his chosen heir, Pari (and much of the court) knows that as his favored protegé, she is by far the best prepared, most knowing successor … if only she were not a woman. More and more, Pari’s brilliant, dangerous machinations rely on Javaher’s silence, his devotion, his intelligence, and his access to outside connections.

Because this is Javaher’s story, Sun moves beyond his royal service with intriguing subplots that include his personal quest to seek revenge on his father’s accuser, his determination to save his younger sister from their greed-driven aunt, and (with enough detail to make one blush at least a few shades of grey) his surprising romantic liaisons (birth control measures not required). Untethered by recorded facts, Amirrezvani’s fictional hero is a fascinating creation, fully aware of his Machiavellian choices, unbending in his determination to succeed: “If this book were discovered by the wrong man, I could be executed, for I have committed monstrous deeds and made mistakes that I would prefer not to reveal – although what man hasn’t?” he muses. “Man is flawed by his very nature. His ears hear only what they wish; God alone knows the absolute truth.” Amen to that.

Readers: Adult

Published: 2012

8 Comments

Filed under ..Adult Readers, .Audio, .Fiction, Iranian, Iranian American, Persian