Tag Archives: Dave Eggers

Zeitoun by Dave Eggers

ZeitounClearly I waited too long to read this book, even though it sat ready on my shelves and on my iPod for years. Before I lament further, you should know that if you choose to go audible, Firdous Bamji doesn’t disappoint; he remains one of the very few narrators whose name will make me pick up a book over that of the title and author.

So why the whinge-ing? I’m one of those readers who doesn’t like family trees in the beginning of books because I don’t want to know that Tom and Sally get married before they’re even born. I don’t like maps with the route clearly marked because then I’ll know that Joe got out of Dodge but didn’t make it to Paradise. What’s the point of reading to the final page if you already know what happens?

All that means that if you read the news, then you might already know what happens after the events contained in Dave Eggers‘ ‘best of’-lists-making, much lauded, true (-enough) Katrina title, Zeitoun. If you are one of the blessed few who know nothing, then please do NOT start a google search! I fervently wish I could have read this without bias …

As a story, Zeitoun is exciting and engaging, with only a few minor faltering moments (a few too many pages of waiting – for Katrina, for news, for answers). A Syrian Muslim by birth, an American citizen by choice, a successful New Orleanian businessman by tenacity, Abdulrahman Zeitoun, who is known by his easier-to-pronounce last name, runs a painting contracting company with his American wife Kathy, who became a hijab-wearing convert to Islam before she met Zeitoun. The company’s ubiquitous logo sports a rainbow – the significance of which was originally unknown to Zeitoun – which inadvertently attracted gay clients, although other potential clients stayed away and a few workers even left the company. Once made aware of the symbolism, Zeitoun stayed firm: “Anyone who had a problem with rainbows, he said, would surely have trouble with Islam.”

When Katrina hit, Kathy and the couple’s four kids had already left New Orleans. Zeitoun stayed back to keep an eye on the business, the family’s home, and their many other properties. He boarded his canoe in the disastrous aftermath helping others, saving the lives of both people and pets. And then, without cause or warning, he was arrested in one of his own rental houses. He was held in the Greyhound bus station-turned-makeshift-jail without being charged for three days, then sent to Hunt Correctional Center – a maximum-security prison – for 23 more, where he was not allowed even a single phone call.

Meanwhile, Kathy and the kids were in Phoenix with Kathy’s childhood best friend, desperately searching for any news about Zeitoun, all the while fielding frantic worrying from Zeitoun’s internationally dispersed family. The personal losses Zeitoun suffered after Katrina were exponentially magnified by the theft of his basic civil rights as an American citizen fueled by post-9/11 paranoia at the hands (fists, feet, pepper-spray) of the very people the U.S. Government sent to protect the disaster victims. Lest you think Zeitoun was a lone target, Eggers includes even more “absurd” stories, topped by the arrest of Merlene Maten, a 73-year-old diabetic woman held at Hunt’s sister prison for retrieving a sausage out of her own cooler from her own parked car.

Zeitoun should have been a moving tale about a local hero within a shared witnessing of outrage against the miscarriage of justice in the wake of a natural disaster. If the story could have ended in 2009 when the book was published, it surely would have remained a beacon of hope and inspiration. Alas, history (or should I say, ‘his story’) will prove otherwise.

Ironically, in this morning’s New York Times‘ leading article about yesterday’s horrific tragedy, “Blasts at Boston Marathon Kill 3 and Injure 100,” an unnamed “Saudi man” gets two mentions as having been singled out, in spite of repeated claims that no suspects are yet in custody. Over at the Times‘ Op-Ed page, in “Living Through Terror, in Rawalpindi and Boston,” a medical resident writes, “And then, as we worked our way through the dazed throngs in Back Bay, I realized that not only was I a victim of terror, but I was also a potential suspect. As a 20-something Pakistani male with dark stubble (an ode more to my hectic schedule as a resident in the intensive-care unit than to any aesthetic or ideology), would I not fit the bill?” Any doubts? Read Zeitoun.

Readers: Adult

Published: 2009

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Filed under ..Adult Readers, .Audio, .Nonfiction, Syrian American

What Is the What: The Autobiography of Valentino Achak Deng by Dave Eggers

First things first: Let’s try to clear up some of the oxymoronic labels. Although this title is classified as a novel written by Dave Eggers (he of bad boy-genius fame for his debut, A Heartbreaking Work of Staggering Genius, and, of course, the mini-empire that is McSweeney’s), it’s also got “Autobiography” in the title. Yes, Valentino Achak Deng is a real person. And all the proceeds from this book go to Deng’s eponymously-named foundation, established in 2006 to improve the lives of Sudanese in Sudan and elsewhere. Yes, it’s written by Eggers in first person, that is, in Deng’s voice. The book opens with an important preface, signed by Deng in 2006, in Atlanta: “This book is the soulful account of my life …” But he also explains, “… over the course of many years, I told my story orally to the author. He then concocted this novel, approximating my own voice and using the basic events of my life as the foundation. Because many of the passages are fictional, the result is called a novel … though it is fictionalized, it should be noted that the world I have known is not so different from the one depicted within these pages.” [An expanded preface, written a year later by Deng, is available online here.]

Given some of the recent memorably-outed memoirs (James Frey’s A Million Little Pieces probably being the most high-profile, Greg Mortenson’s Three Cups of Tea being the most devastating), perhaps Eggers wanted to be especially careful. His own Staggering Genius had some hiccups in spite of catapulting him into literary stardom: his sister Beth’s public comments about accuracy (and then her sort-of retraction, followed by her shocking, tragic suicide), and the fact that later editions added a lengthy pre-book of multiple sections including a preface that begins, “For all the author’s bluster elsewhere, this is not, actually a work of pure nonfiction. Many parts have been fictionalized in varying degrees, various purposes.” Which is all reason enough why this Autobiography gets classified as a novel; it even garnered a “fiction finalist” honor for the 2006 National Book Critics Circle Awards. So we’re all clear now, right?

With the labels figured out, readers may well wish this was fiction, given the horrific nature of Deng’s experiences, and even more so the inhumanity as we humans prey upon one another, again and again and again.

“I have no reason not to answer the door so I answer the door,” the novel beings. There Deng finds an African American woman, asking to use his phone because her car broke down. His Good Samaritan trust will get him robbed, beaten, gagged, and bound for many hours. He’ll sit through a careless interview with the distracted police. He’ll be kept waiting for hours in an empty emergency room. He’ll walk the many miles to his early morning job at a health club where he will be lectured for getting into a fight by his boss. All during this ordeal, he will recount his wrenching life story in bits and pieces, speaking silently to the too-many uncaring strangers he encounters.

Deng is one of the Lost Boys of Sudan. He escaped widespread death and destruction in his small village in Sudan, spent 13 years wandering then surviving the refugee camps in Ethiopia and Kenya, and arrived in the U.S. as a refugee with virtually nothing. For most of his young life, Deng did not know the fate of his family. He watched his friends just sit down and die. He witnessed unspeakable violence. He experienced deprivation and suffering for which words cannot suffice. And yet in the midst of the neverending nightmares, he also recalls laughing with his friends, falling in love, being part of a caring makeshift family-of-circumstance, and is blessed with an especially nurturing bond with a Japanese aid worker in the Kenyan camp who keeps extending his African stay until he can see Deng safely on his way to the U.S. Even as he finally escapes, Deng’s new American life is hardly easy (crime and even murder doesn’t disappear), and yet he manages to hold on to hope … and, as always, survives.

“Even when my hours were darkest, I believed that some day I would share my experiences with readers, so as to prevent the same horrors from repeating themselves,” Deng concludes. “This book is a form of struggle, and it keeps my spirit alive to struggle. To struggle is to strengthen my faith, my hope, and my belief in humanity.” Readers: take note … that word again – humanity. Share the story, grab this book, reclaim humanity.

Readers: Adult

Published: 2006

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Filed under ..Adult Readers, .Audio, .Fiction, .Memoir, African, African American