Tag Archives: Chitra Banerjee Divakaruni

Author Interview: Chitra Banerjee Divakaruni

Sharing Humanity: A Talk with Chitra Banerjee Divakaruni about Her Latest Novel, One Amazing Thing

Over the last decades, tragedies – both human-made and those wrought by an ever-angry Mother Nature – seem to be coming at humankind with fast and furious regularity. The latest oil spill devastating the Gulf of Mexico promises to be the worst disaster of its kind in history. This short year alone, horrific earthquakes, erupting volcanic plumes, and tumbling mud slides have not stopped their violent paths.

And yet, somehow, Chitra Banerjee Divakaruni manages to craft some of the worst tragedies into memorable, haunting stories of human connection. The last long conversation I shared with Divakaruni became a featured cover article for the November/December 2004 issue of TBR. Her just-published novel at the time was Queen of Dreams, which she wrote as a direct personal response to 9/11, haunted not only by the vivid images of what happened, but also by the repercussions felt throughout the country, especially in the South Asian American community.

In February of this year, bookstores across the country lined their bookshelves with One Amazing Thing, the latest from Divakaruni, an award-winning, multi-platform writer of short stories (Arranged Marriage, The Unknown Errors of Our Lives), poetry (Black Candle, Leaving Yuba City), middle grade/young adult titles (Neela: Victory Song and the three-volume Brotherhood of the Conch trilogy), and adult novels (including The Mistress of Spices, The Vine of Desire, Sister of My Heart). At the core of Divakaruni’s new novel is a violent earthquake in an unnamed U.S. city, its aftereffects almost a character itself. Incredibly, the book was written long before the too-recent tragic earthquake disasters in Haiti, then Japan, Chile, and China. Divakaruni’s timing proved presciently shocking.

In One Amazing Thing, nine men and women are trapped in the basement visa office of an Indian consulate, and must gather their strength, both physically and mentally, in order to survive the devastating earthquake that wipes out all contact with the outside world. Two characters emerge as the group’s leaders: Cameron, an African American Vietnam veteran still fighting demons, is the most qualified to deal with the group’s physical safely, while Uma, an Indian American graduate literature student inspired by the heavy copy of The Canterbury Tales she carries in her backpack, turns to storytelling to distract the group’s growing anxiety. “‘We can take our stress out on one another,’” Uma admonishes after a desperate incident, “‘… or we can focus our minds on something compelling … we can each tell an important story from our lives.’” Uma assures her audience, “‘I don’t believe anyone can go through life without encountering at least one amazing thing.’”

And so the stories unfold: Grandmother Jiang’s first love in the Chinese quarter of Calcutta, Mr. Pritchett’s beloved kitten that shuts down his little-boy heart, Malathi’s gleefully brave revenge on an abusive wealthy woman, Tariq’s firsthand experience of post-9/11 injustice against his innocent family, Lily’s discovery of her prodigious musical talent, Mangalam’s emotional destruction, Mrs. Pritchett’s longing to escape her overprivileged life … and finally Cameron’s desperate search for a lost child and Uma’s own need to understand true, lasting love.

As the waters rise, the gas leaks, and disappointments prove almost crippling, nine strangers who once expected to change their lives in faraway India, share a life-altering experience right here at home. [... click here for more]

Author interview: “Sharing Humanity: A Talk with Chitra Banerjee Divakaruni about Her Latest Novel, One Amazing Thing,” The Bloomsbury Review, Summer 2010

Readers: Adult

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One Amazing Thing: A Novel by Chitra Banerjee Divakaruni

When the “big one” (for me) hit on October 17, 1989 at 5:04 p.m., I was alone in our house, which sat on Blueberry Hill near the base of the Santa Cruz Mountains. I was barely a few miles from the epicenter of the 7.1 Loma Prieta earthquake. I don’t know how I got out of the house, but I did tumble into our street. I was reading (and never stopped clutching) Maxine Hong Kingston’s Tripmaster Monkey which will forever be my “earthquake book. By December, we had not only left California, we had left the country, settling in for the first of our two London adventures.

Reading Chitra Divakaruni‘s latest was a visceral, haunting experience. A violent earthquake in an unnamed U.S. city looms large, its aftereffects and aftershocks almost a character itself. Amazingly enough, the book which debuts today, was written long before the too-recent tragic earthquake disaster in Haiti. As Divakaruni wrote her novel, Queen of Dreams, in response to 9/11, she imagined One Amazing Thing after surviving Hurricane Rita: “I saw people around me responding in many different ways,” she writes in a Q&A sent with the book from the publisher. “The pressure brought out the worst in some and the best in others. Some were toting guns, snarling at people; others were sharing their meager supplies of water and snacks. That’s when I knew I’d have to write about this phenomenon.”

Trapped in the basement visa office of the Indian consulate, nine men and women gather their strength, both physically and mentally, in order to survive the devastating earthquake that wipes out all contact with the outside world. Two characters emerge as the group’s leaders: Cameron, an African American Vietnam veteran still fighting demons, is the most qualified to deal with the group’s physical safely, while Uma, an Indian American graduate literature student inspired by the heavy copy of The Canterbury Tales she carries in her backpack, turns to storytelling to distract the group’s growing anxiety. “‘We can take our stress out on one another,’” she admonishes after a desperate violent incident, ‘… or we can focus our minds on something compelling … we can each tell an important story from our lives.’” Uma assures her desperate audience, “‘I don’t believe anyone can go through life without encountering at least one amazing thing.’”

And so the stories unfold … Grandmother Jiang’s first love in the Chinese quarter of Calcutta, Mr. Pritchett’s beloved kitten that shuts down his little-boy heart, Malathi’s gleefully brave revenge on an abusive wealthy woman, Tariq’s first-hand experience of post-9/11 injustice against his innocent family, Lily’s discovery of her prodigious musical talent, Mangalam’s emotional destruction, Mrs. Pritchett’s longing to escape her overprivileged life … and finally Cameron’s desperate search for a lost child and Uma’s own need to understand true, lasting love.

As the waters rise, the gas leaks, and disappointments prove almost crippling, nine strangers who once expected to change their lives in faraway India, share a life-altering experience right here at home …

One tiny quibble … someone please let me know if I’ve read this incorrectly on page 5, about Uma’s parents: “They had come to the United Sates some twenty years back as young professionals, when Uma was a child.” And then further down on the same page describing Uma’s parents reverse immigration back to India: “Together, heartlessly, they had rented out their house (the house where Uma was born!) and returned to their hometown of Kolkata.” So Uma is an Indian-born immigrant, or she’s an American-born native? Seems to somehow be both, no?

Tidbit: Chitra Banerjee Divakaruni is our very first confirmed guest for SALTAF 2010 [South Asian Literary and Theater Arts Festival]. This year, the fabulous event happens on Saturday, November 13. Mark your calendars now. No excuses! We’ll be expecting you!

Readers: Adult

Published: 2010

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Queen of Dreams by Chitra Banerjee Divakaruni + Author Interview [in The Bloomsbury Review]

queen-of-dreamsResponding with Hope to 9/11: A Talk with Chitra Banerjee Divakaruni About Her Latest Novel, Queen of Dreams

Three years after the tragic events of 9/11, Chitra Banerjee Divakaruni remains haunted not only by the vivid images of what happened, but also by the repercussions felt throughout the country, especially in the South Asian American community. Indeed, in a report released by the National Asian Pacific American Legal Consortium six months after the attacks, aptly titled “Backlash: When America Turned on Its Own,” the APA community witnessed a sudden spike in anti-Asian violence, especially against those of South Asian descent. Resembling the enemy literally became a threat to one’s life.

Divakaruni, author of such best-selling books as The Mistress of Spices and Arranged Marriage, uses her latest novel, the magical Queen of Dreams, to capture some of her confusion, fear, and sadness surrounding the events. Ultimately, though, the novel underscores human resilience through the power of hope and forgiveness. Queen is the story of a South Asian American artist in Berkeley who tries to come to terms with the people closest to her heart: her elusive dream-teller mother, her silent father, her growing daughter, and her enigmatic ex-husband. Divakaruni admits it’s her favorite of her own novels thus far.

“I want to touch people, to have them think about issues they haven’t considered before, to make them more compassionate towards other people,” she says. “That was my major intention with writing this book after 9/11: If I could make the pain and the hope powerful enough in the book, then maybe I might stop some of the prejudice out there, and have some sort of countereffect to what followed 9/11.” Divakaruni drew on her own experiences of being “other,” even as she has been in America for almost three decades: “I find that when I really care about a character from a particular background, when I look at those people in my own real life, then I feel differently about them. I feel more compassionate. And that’s my hope for Queen and for my community.” …[click here for more]

Author interview: The Bloomsbury Review, November/December 2004

Readers: Adult

Published: 2004

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Queen of Dreams by Chitra Banerjee Divakaruni + Author Interview [in AsianWeek]

queen-of-dreamsResponding With Hope to Sept. 11

Three years after the tragic events of 9/11, Chitra Banerjee Divakaruni remains haunted not only by the vivid images of what happened, but also by the repercussions felt throughout the country, especially in the South Asian American community. Indeed, in a report released by the National Asian Pacific American Legal Consortium six months after the attacks, aptly titled “Backlash: When America Turned on Its Own,” the APA community witnessed a sudden spike in anti-Asian violence, especially against those of South Asian descent. Resembling the enemy literally became a threat to one’s life.

Divakaruni, author of such best-selling books as The Mistress of Spices and Arranged Marriage, uses her latest novel, the magical Queen of Dreams, to capture some of her confusion, fear, and sadness surrounding the events. Ultimately, though, the novel underscores human resilience through the power of hope and forgiveness. Queen is the story of a South Asian American artist in Berkeley who tries to come to terms with the people closest to her heart: her elusive dream-teller mother, her silent father, her growing daughter, and her enigmatic ex-husband. Divakaruni admits it’s her favorite of her own novels thus far.

“I find that when I really care about a character from a particular background, when I look at those people in my own real life, then I feel differently about them. I feel more compassionate. And that’s my hope for Queen and for my community.”

AsianWeek: You taught writing for years in the Bay Area and recently moved to Houston . … What’s that experience been like?
Chitra Divakaruni: I love teaching at the University of Houston. It has the second best creative writing program in the nation. The program is very international, very multicultural with students from all over world. In a small way, I think my presence makes a difference to the students here. In the Bay Area, which is already so multicultural, you don’t have to push for diversity – basically, people agree on its importance. Here in Texas, you have to push, so maybe my presence here is more important than in the Bay Area.

AW: How did Queen come about?
CD: 9/11 happened and that affected me strongly on many levels – there was the national tragedy itself, and then there were the effects on my own community. Those of Sikh background really suffered. I knew I had to write about it but wasn’t sure how to do so.

I also wanted to explore the sense of mystery about the universe. Reality is not as objective as we like to think it is. Reality is subjective: different people come out of the same event seeing and feeling different things. [And] 9/11 is such an example: Some reacted with great fear, others with violence.

For Rakhi [the book’s central character] and her mother, reality operates very differently. The novel questions how we arrive at our notion of reality and [asks], ‘Can we say there is just one reality?’ That sense of mystery and magic is very important in this novel. …[click here for more]

Author interview: “Responding With Hope to Sept. 11,” AsianWeek, September 24, 2004

Readers: Adult

Published: 2004

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Series Profile: The Girls of Many Lands

girls-of-many-landslined-up1

Isabel: Taking Wing by Annie Dalton
Cécile: Gates of Gold by Mary Casanova
Spring Pearl: The Last Flower by Laurence Yep
Minuk: Ashes in the Pathway by Kirkpatrick Hill
Neela: Victory Song by Chitra Banerjee Divakaruni

Move over, Barbie … Say hello to The Girls of Many Lands, a book and doll series brought to you by Pleasant Company, renowned for the American Girl series of books, dolls and paraphernalia. Now the company is branching out globally as they introduce this month five new girls from faraway lands and faraway times.

“Although girls today have a great deal of exposure to other cultures in school and through the media, our world is still often filled with misunderstanding and mistrust of those who are different,” says Girls of Many Lands editor Tamara England. “By learning and identifying with the Girls of Many Lands characters, we hope girls will not only expand their cultural awareness but grow intellectually and emotionally in understanding, tolerance and compassion for others – something desperately needed in our world today.”

The five new Girls are all 12-years-old, each living in a time of great historical change. They are all independent, spunky, non-conformist and unwilling to spend their lives trapped in what society declares is so-called proper behavior.

The oldest, historically, is Isabel, an independent young girl living in 1592 London. In Isabel: Taking Wing, written by award-winning British author Annie Dalton (Night Maze, The Afterdark Princess), Isabel is banished from her beloved home for sneaking out to the theater – something unheard of at the time for girls of fine families. She is sent to live with a maternal aunt in the countryside, which proves to be a fortuitous experience.

“We have all these mental photofit pictures of what an English man (or woman) is like, and what I love is that the Elizabethans gloriously undermine and contradict every one!” laughs Dalton. “They were not in the least buttoned up or repressed. They were actually far more like our cultural stereotype of Italians – passionate, volatile, feuding and scheming, exuberantly in love with the arts and with life itself.” In that spirit, Dalton created Isabel. “Isabel is absolutely a child of her times, [which] is the greatest source of her conflict. … [but[ her spirit rebels against the deadly tedium of domesticity. Taking Wing shows how she finds a way to fly free within the confines of a 16th-century female life.”

Cécile: Gates of Gold,, the next in historical order, goes back to 1711 France and King Louis XIV’s Palace of Versailles. Brought to life by award-winning author Mary Casanova (Stealing Thunder, The Hunter), Cécile dreams of a life at court, away from the deprivation of life in her outlying village. But once her dreams come true and she enters the service of the King’s sister-in-law, her fairytale expectations of palace life are not at all what she expected amidst the rigid rules and inner politics of all the subjects vying for the King’s good favor.

“Court life was sumptuous, complicated and scandalous – full of intrigue and treachery,” says Casanova. “By stepping into the shoes of Cécile who comes from the countryside to court, from peasantry to royal surroundings, I found my way into a distant time through a character whose story begged to be told.”

In Spring Pearl: The Last Flower, veteran young adult author Laurence Yep (Dragonwings, Dragon’s Gate), captures 1857 Canton caught in China’s Second Opium War against the British and French. Spring Pearl, newly orphaned, is sent to live with the wealthy merchant family of Master Sung, an acquaintance of her famed artist father. Yep relied on the stories of his Chinatown “Aunties” to bring the story to life. “All of them … were tough, resourceful women who not only survived but flourished.”

Unlike most girls of her era, Spring Pearl not only reads and writes Chinese, she can also manage some English as well – a talent which proves extremely beneficial when she and a resourceful servant boy must go rescue Master Sung from corrupt government officials. Says Yep, “Spring Pearl has [my Aunties’] toughness, their compassion, the resourcefulness and above all, their sense of humor.”

In Minuk: Ashes in the Pathway, Kirkpatrick Hill (Toughboy and Sister, Winter Camp) introduces a Yup’ik Alaskan native village in 1890, whose simple life is on the verge of cultural collision with white foreigners. Minuk, who lives with her family on the Kuskokwim River, encounters missionaries who not only bring Christianity and western medicine but books, tortuous clothing (the corset!) and strange new foods. Tragically, they also bring influenza, which decimates the native population, including much of Minuk’s family.

“I love Alaskan history,” says Hill, a resident of the Alaskan bush for the last 30 years, “and the most interesting aspect of that history to me is the process of acculturation. … What could it have been like to have your way of life, your ideas, turned upside down in days, weeks? The most amazing thing to me is the way people absorb all this innovation without missing a beat … they just go on, matter-of-fact. But my, the pain of seeing old ways dying, old values, old beliefs.”

The final title in the series is Neela: Victory Song by award-winning Chitra Banerjee Divakaruni (Arranged Marriage, The Unknown Errors of Our Lives). Neela, who comes of age in 1939 India, becomes inadvertently embroiled in India’s growing Independence Movement from Great Britain when she steals away from her village home in search of her father who is being held in a Calcutta jail. “Quite a bit of information is from my mother, who was a girl in 1939 in Calcutta,” says Divarakuni. She applauds the series, in that “… children can learn about and identify with girls of other cultures, especially as many of those cultures have strong immigrant communities here. In the wake of 9-11, everything we can do to promote cross-cultural understanding is crucial.”

Besides, these Girls of Many Lands are “a good addition to the Barbies and Kens, don’t you think?” adds Divakaruni. Indeed, each of the girls of the Many Lands series must face their own challenges and restrictions, regardless of their homeland, their history, their family. And each of them prevails.

Says editor England, “… as girls grow into young womanhood and face changes and the increasing complexities of life, we want to offer them stories and dolls that connect them with other girls also in the process of change, of facing new challenges, of becoming their more grown-up selves.” That three more Girls are forthcoming next fall is only more good news.

Series profile: The Bloomsbury Review, November/December 2002

Tidbit: Laurence Yep was a guest at the Smithsonian Asian Pacific American Program’s literary event, “Three Chinese American Children’s Book Authors,” on November 6, 2005, together with Belle Yang. Da Chen had also been scheduled to attend – hence the three authors, ahem – but had to cancel at the last minute, alas.

Readers: Middle Grade

Published: 2002

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The Unknown Errors of Our Lives by Chitra Banerjee Divakaruni

Unknown Errors of Our LivesThank goodness for reliable standbys: Chitra Banerjee Divakaruni‘s latest is a wonderful short story collection that deals poignantly, patiently, remarkably with the ten­sions between old world and new. The collection opens with “Mrs. Dutta Writes a Letter,” about an Indian woman who has come to the U.S. to live with her son and daughter-in-law, and who is trying to figure out how to tell her best friend at home about her new life without letting her know how out-of-place and lonely she feels. In the title story, “The Unknown Errors of Our Lives,” a young woman struggles to come to terms with her fiancé’s past indis­cretion, which literally lands on her front door just before her wedding.

Review: “Bolo! Bolo! Tell Me! South Asian writers move into the literary spotlight,” aMagazine: Inside Asian America, June/July 2001

Readers: Adult

Published: 2001

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Arranged Marriage: Stories by Chitra Banerjee Divakaruni

Arranged MarriageA collection of 11 short stories about young Indian and Indian American women, some married, some single, in various stages of claiming independence from their well-meaning but suffocating families and their oppressive patriarchal heritage. Strong and determined, many of Divakaruni’s heroines establish themselves with new beliefs, new goals, and new identities in the U.S.

Review: “Asian American Titles,” What Do I Read Next? Multicultural Literature, Gale Research, 1997

Readers: Adult

Published: 1995

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