Tag Archives: Amitav Ghosh

River of Smoke by Amitav Ghosh

Allow me to start with two immediate thoughts about content and delivery. Content: Today’s Mexican narcos, the Colombian cartels, the Afghan/Pakistani smuggling rings utterly pale in comparison to the British and American opium runners demanding access to 19th-century China. You might have studied the distant Opium Wars via textbook facts and figures, but you probably didn’t have the sort of visceral, being-there experience as Amitav Ghosh provides here.

Delivery: Read, do not bother listening to either of the two Ibis Trilogy titles (hope springs eternal for #3). Phil Gigante who voices Sea of Poppies gives the strangest accents to the characters, including an inexcusable ‘ching-chong’ for Baboo Nob Kissin. Thankfully, the man gets to speak fluently as narrated by Sanjiv Jhaveri in River of Smoke. BUT Jhaveri’s recitation of Robert Chinnery, the illegitimate mixed-race son of George Chinnery (the English painter, a historical figure, although Robert is seemingly Ghosh’s creation), is SOOOO riddled WITH (!!!) non-existent OVERpunctuaTION and flamBOYant OVERemphasis in his cadence as to make the young man sound like a grating stereotype on some failing teen drama. So really, get the books only and let your own voice give breath to Ghosh’s brilliant characters, unaided!

River begins “in a far corner of Mauritius,” where a now-elderly Deeti resides over her sprawling clan, telling stories from her adventurous life. Backtrack to 1938, when Sea of Poppies ended with a daring five-man escape from the Ibis. Of the Sea cast, Ah Fatt reunites briefly with his father, Bahram Modi, the shrewd merchant son-in-law of a powerful Bombay Parsi family; Ah Fatt manages to get the former Raja Neel Rattan Halder hired as Modi’s munshi (writing secretary) aboard his ship Anahita headed to Canton. Meanwhile, on Mauritius, Paulette finds both an employer and mentor in botanist Fitcher Penrose who was an admirer of her late father. She joins Penrose on his ship Redruth as he sets course for China to collect rare plant specimens.

Convergence happens in Canton’s foreign quarter, Fanqui-town, a lively cosmopolitan enclave (although no foreign women allowed). River‘s narrative follows Bahram Modi’s journey with a loaded cargo that should be enough to buy his freedom from his greedy in-laws, and the lively experiences of Paulette’s childhood friend Robert Chinnery who is sent to Fanqui-town in Penrose’s employ to track down the mythical “Golden Camellia.” The foreign traders are most anxious about their overstocked opium, awaiting permission to unload. What’s illegal in their own countries demands to be dumped in China in the name of free trade … but the Chinese government has had enough and are finally ready to reclaim their addicted country. Let the war begin … literally.

Ghosh combines history and fiction here with seamless grace as he meticulously weaves actual documents, people, and events with his own unforgettable characters. The result is entertaining and astonishing … and will surely leave you impatient for more. Yes, book 3 is coming … although it can’t here soon enough for some!

Readers: Adult

Published: 2011

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Sea of Poppies by Amitav Ghosh

Get to know these characters well – they will surely prove to be worth every page of their three-book investment: Deeti, the young wife of a detached opium addict whose startling grey eyes see well beyond her vision; Zachary Reid, a mixed-race freedman from Baltimore whose ‘passing’ appearance helps him rapidly master life on the high seas; Serang Ali, an experienced seaman with a mysterious past, inexplicably determined to help Reid succeed; Paulette Lambert, the orphaned child of a peripatetic French botanist, and Azad Naskar – known always as Jodu – a servant’s son who grows up by Paulette’s side as her brother; Baboo Nob Kissin, whose spiritual obsessions will lead him to unexpected destinations; Kalua, a gentle giant of a young man, unjustly abused by the more powerful around him; and Raja Neel Rattan Halder, a pampered patriarch of one of the most notable families of Bengal, whose fortunes are about to crumble [his painstakingly detailed "Chrestomathy" at book's end is also quite the literary bonus].

Master storyteller Amitav Ghosh introduces each member of this epic cast in the first volume of his Ibis Trilogy as if choosing the most fascinating fibers for the most intricate tapestry. Each of these seemingly disparate strands will somehow commingle and converge on the deck of the former slave ship Ibis on its 1838 voyage from India to Mauritius, while legendary Canton looms beyond the black waters on the eve of the First Opium War. The tumultuous journey proves to be a microcosmic mix of caste, race, status, and power.

Final confession: I don’t do well with series. Especially the good ones, because waiting for the next book is achingly difficult for my restless brain. Having read numerous previous titles by Ghosh, I well suspected Ibis would be of not-to-be-missed caliber. So in order to circumvent my usual impatience, I decided I would wait (HA!) for all three titles to be out before commencing. I only got 2/3 through the actual waiting … and now that I’m deep into River of Smoke (Ibis, part 2), I am soooo dreading the delay until I can get my eyeballs on the concluding installment …

Readers: Adult

Published: 2008

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The Hungry Tide by Amitav Ghosh

When Firdous Bamji – a veteran narrator – reads Amitav Ghosh‘s haunting novel in his ‘normal’ voice, he’s hardly memorable. But as soon as he ‘becomes’ the searching Piya, the sophisticated Kanai (“‘[s]ay it to rhyme with Hawaii’”), the contemplative Nirmal, the grounded Nilima, and the many, many other characters, Ghosh’s already lyrical, dazzling prose becomes truly transporting.

Piya, a young American marine biologist detached from her Indian heritage, and Kanai, a middle-aged Lothario translator from Delhi, meet over spilled tea on a train from Kolkata to Canning. They are both en route to the isolated Sundarbans, also known as the tide country, an archipelago of hundreds of islands in the Bay of Bengal held together by a vast mangrove forest. Piya hopes to secure the permits that will allow her to research rare river dolphins; Kanai has been summoned by his elderly Aunt Nilima to claim a package left for him by her late husband Nirmal.

What might have been a brief encounter lasts throughout the sweeping, wondrous novel. Piya’s first attempt at tracking her rare dolphin ends in near fatal disaster, and she’s rescued by a reticent local fisherman, Fokir, and his young son. They deliver her to Nilima, a ubiquitous presence in the unpredictable tide country. There on Lusibari, Piya finds Kanai poring over an aged notebook in which his late Uncle Nirmal recorded his experiences during the tumultuous, tragic clashes between the government and the refugee inhabitants of the tide country. Piya’s research in the surrounding rivers and other islands overlaps with Kanai’s quest to better understand his uncle’s troubled past, not to mention his own growing interest in Piya. Piya, in turn, finds herself strangely drawn to the nearly silent – and married – Fokir.

Ghosh remarkably manages to weave politics, history, folklore, research on rare animals and their delicate ecosystems, and even the devastating December 2004 tsunami into an exquisite, heart-thumping adventure … perfect company on the run, by the way. I confess that I so missed Kusum, Horen, Moyna, and the many others, that I now have Bamji reading Ali Sethi’s The Wish Maker to me. Stay tuned … literally.

Readers: Adult

Published: 2005

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The Glass Palace by Amitav Ghosh

Glass PalaceA startlingly complex novel, The Glass Palace opens with a literal bang, as British cannons thunder over the noise of a busy Burmese marketplace in 1885. A historical work that sweeps over a century through Burma, Mandalay, and India, Palace introduces Rajkumar, an 11-year-old orphan presciently named “Prince” by his dead mother. As the British storm Burma, overtaking the famed Glass Palace, home of the final Burmese king, Rajkumar has a chance encounter with Dolly, a 10-year-old royal servant. Years later, as a man made wealthy by the Burmese teak trade, Rajkumar seeks and marries Dolly.

While the first part of the novel reads like a major epic – you can just imagine the violin scores and the hero riding off in the sunset! – the second half turns intellectual and overtly political, almost didactic with characters like Arjun, an officer in the British Army, the product of the mighty British Empire cloning themselves in Indians who are only Indian in color and name. Arjun is in sharp contrast to his fellow officer Hardy, who, in spite of his ironic nickname, is the less polished, the less Anglicized, even defective version of the Imperial clone. But then it’s Hardy who’s ready to desert the Empire and free India from British rule.

Not surprisingly, when Ghosh was recently named the Eurasia regional winner for the 2001 Commonwealth Writers Prize, he asked that his name be withdrawn, due to objections he had about the classification of books like his under the term “Commonwealth Literature,” explaining, “[I]t is completely unlike any other literary term (would it not surprise us, for instance, if that familiar category ‘English literature’ were to be renamed ‘the literature of the Norman Conquest’?).” He’s got quite the point there, not to mention a matching sense of humor to go with!

Review: “Bolo! Bolo! Tell Me! South Asian writers move into the literary spotlight,” aMagazine: Inside Asian America, June/July 2001

Readers: Adult

Published: 2001

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