What a Party! by Ana Maria Machado, illustrated by Hélène Moreau, translated by Elisa Amado

What a Party!In the same delightful, sequential fun of If You Give a Mouse a Cookie – if you do x, then y happens – Brazilian überauthor of more than a hundred books, Ana Maria Machado, puts on a party of epic proportions.

“If a few days before your birthday your mother should say, ‘I think I’m going to bake a cake and buy some juice. Why don’t you ask one of your friends to come over to play?’” You welcome your Mother’s suggestion, but ask for a little more: “‘Well, could Jack bring someone and maybe some food too?” When your distracted mother answers, “‘Of course. Invite anyone you’d like,’” well, then … there’s all the permission you ever needed! And you write the invitation just so: “Come to my party. It’s my BIRTHDAY. Bring along whoever you want and whatever you like to eat.”

Jack and his brother Larry bring cookies. Jack tells Beto and Antonieta who can’t bear to leave their parrot home, and arrives with pineapple, mangos, and passion fruit. Of course, Antonieta had to tell her best friend Fatima, who tells her brother Djamel, so their mother sends tajine with olives and pickled lemons. Tony will want to bring cousin Carlo, with pizzas and gelato to share. Which means Hannah and her little brother will come with their canary to meet Antonieta’s parrot, along with a Black Forest cake and springerle, too. Maria is their neighbor, so she shows up with her macaw, as well as flan and cod cakes. Carmen brings paella, and Tamio brings sushi. Along with so many friends and such festive eats, the backyard fills with salsa dancers and a reggae band … and suddenly, “your birthday party could turn out to be the craziest, wildest, funnest party ever!”

Author Machado, who won the 2000 Hans Christian Andersen Award – the world’s highest international recognition for kiddie book writers and illustrators – knows how to party, bringing together all the different friends, families, cuisines from around the world into one multi-culti celebration. Machado’s artistic comrade-in-colors, Hélène Moreau, gives delicious vibrance to every part of the party preparations, gathering friends, foods, animals, and eventually even the parents who just can’t stay away. Machado shows us just how easy every day could be party day … no excuses necessary to gather, laugh, and dance …!

Readers: Children

Published: 2013 (Canada, United States)

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Filed under ..Children/Picture Books, .Fiction, .Translation, South American

Avatar: The Last Airbender | The Search (Part One) created by Bryan Konietzko and Michael Dante DiMartino, script by Gene Luen Yang, art by Gurihiru, lettering by Michael Heisler

Avatar Search1To find out what prompts this eponymous ‘search,’ you’ll need to read the three-part Promise – which reveals how Aang and Zuko are actually family (surprise!), and why family matters so much. “Family is in essence a small nation, and the nation a large family … in treating a family with dignity, a ruler learns to govern his nation with dignity,” an elder expounds to a gathering of young leaders in the city of Yu Dao, “the prototype for a new kind of city, one that unites the four nations.”

Aang, of course, is there, as is Zuko … who is solemnly affected by the wise man’s words: “I put my father in a prison and my sister in an institution. My mother’s been banished for years. What does that mean for my nation?” Zuko questions. And so the all-important search begins … for answers, for family. [Speaking of family, how thrilled are we that 2006 National Book Award finalist Gene Luen Yang continues to script these all-new Avatar adventures?!!]

Once upon a time, Ursa and Ikem were in love, expecting to spend forever together. But then-Fire Lord Azulon had other plans, determined to bind his family line with that of then-Avatar Roku’s. And so the stage was set for destruction: Ursa wed Fire Prince Ozai, who forced her to cut off all ties to her family and her hometown of Hira’a. After Ursa bore two royal children, she disappeared without a trace.

Years later, Zuko is convinced that finding his mother is the only way to achieve lasting peace. He releases his violent, unpredictable younger sister Azula in exchange for vital information she has about their mother; at his request – and against their better judgment – Aang, Katara, and Sokka join the antagonistic siblings on a journey back to Hira’a … but answers, of course, are rarely obvious and family dysfunction is never easily overcome.

Zuko’s about to discover the secret of his life (literally!) … and, of course, when he does, the volume ends (!) right there (!!!) and we’re forced back to waiting, and waiting. At least June is only a month away, harrumph. Who made the mistake of insisting patience is a virtue?

Readers: Middle Grade, Young Adult

Published: 2013

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Avatar: The Last Airbender | The Promise (Part Three) created by Bryan Konietzko and Michael Dante DiMartino, script by Gene Luen Yang, art by Gurihiru, lettering by Michael Heisler

Avatar Promise 3Okay, since this is the third and last part of this specific Avatar series, let’s go back and catch up here … and yes, order matters!

Part Three opens with war – in the pouring rain, wreaking havoc on earth, throwing around fire as lightning threatens, the air aswirl in chaos and destruction. The Fire colonies will not budge out of the Earth Kingdom, and the Harmony Restoration Movement is not even close to reaching peace.

Friendships and alliances are threatened and tested; worst of all, looms the titular ‘promise’ Aang made to kill Zuko, at his request, “if you ever see me turning into my father.” As tempers flare, Zuko finds himself battling his father’s demands, even as the former Fire Lord Ozai remains imprisoned. Torn and twisted, Aang must find a way to reclaim peace, even if it means challenging the ones he most loves and respects.

On the brink of vast, irreparable destruction, the Avatar teaches us, of course, that violence is never the answer – indeed, banding together for peace proves most powerful of all. If we can train young minds through such entertaining adventures now, surely the next generations will make that peace a lasting reality? I’ll willingly stick with that narrative …

Oh, and speaking of sticky – check out who and how boba tea got invented back in the day. Talk about an Uncle Iroh (who was voiced in the animated series by the legendary actor Mako before he passed away!) ahead of his time! So surprisingly sweet, indeed.

Readers: Middle Grade, Young Adult

Published: 2012

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Hello in There! A Big Sister’s Book of Waiting by Jo Witek, illustrated by Christine Roussey

Hello In ThereFor anyone with a child who will soon become an older sibling, this book is IT. And if that lucky elder happens to be a sister-in-waiting, this couldn’t be more perfect.

“You’re in there and I’m out here, outside Mama’s belly. I’m waiting for you!” the ineffable little girl announces to the bump that is her mother’s belly. As the pregnancy progresses, the colorful bulge on the left side of each double-page spread continues to grow; a small flap allows a growing peek into the sleeping, pink-cheeked bundle within as the little girl merrily demonstrates what a wonderful older sister she will be!

She offers a light in case the belly is too dark, is ready to share her favorite sweet surprises (as are the ants, ahem), draws bathtime pictures of possible family resemblances, sings songs, and announces her excitement: “You are already part of the family.” With her mother’s belly about to burst, she beckons, “… we’re all waiting for you. Come out and play!” with promises of all the adventures she’s planning to share.

Then, momentarily, the belly disappears (a blank page save for a few words) … until Mommy and Daddy’s legs walk back on the next page … and sure enough, “Hello, Baby! You’re finally here. And I am finally a Big Sister!”

Exuberant and charming, adorable and playful, imaginative and interactive, Hello is … well … literally perfect.

Readers: Children

Published: 2013 (United States)

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Filed under ..Children/Picture Books, .Fiction, .Translation, European, Nonethnic-specific

The Goddess Chronicle by Natsuo Kirino, translated by Rebecca Copeland

Goodness ChronicleAward-winning Japanese crime fiction writer Natsuo Kirino (Out; Grotesque) contributes to the latest installment of the “The Myths” series, originally published by Britain’s Canongate, in which contemporary writers retell myths. Previous volumes have included Margaret Atwood’s The Penelopiad: The Myth of Penelope and Odysseus and David Grossman’s Lion’s Honey: The Myth of Sampson.

Kirino here retells the eighth-century creation myth of Izanami and Izanaki – the original female and male gods whose union produced the Japanese islands – in a novel framing two sisters, one fated to become the next Oracle to serve the “realm of light,” the other who will serve the “realm of darkness.” Unwilling to accept her fate, Namima attempts an escape that damns her to Izanami’s Realm of the Dead. Readers will find echoes of Orpheus and Eurydice as well as Persephone and Demeter.

Verdict: Although inventive, the double narrative of sisters and gods – the former freeing, the latter bound to centuries-old history – never quite meshes, often feeling clumsily forced. Still, bestselling Kirino’s many devotees will likely provide a ready audience

Review: “Fiction,” Library Journal, May 1, 2013

Readers: Adult

Published: 2013 (United States)

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Religion for Atheists: A Non-Believer’s Guide to the Uses of Religion by Alain de Botton

Religion for AtheistsI refer to myself as a ‘recovering Catholic,’ and yet I can’t stay out of churches for long. I enter as a tourist – admiration for architecture seems to be genetically coded into our extended family – but I linger to breathe deeply, clear the mind temporarily, and just be. While I may have discarded most of the religious tenets from youth, I still find precious moments of peace in these so-called holy spaces.

Here in his penultimate title, the ever-irreverent Alain de Botton recognizes that power of religious architecture, and suggests that even better would be to create secular temples with similar goals: “they would all be connected through the ancient aspiration of sacred architecture: to place us for at time in a thoroughly structured three-dimensional space, in order to educate and rebalance our souls.” Build and we will come, for sure!

Beyond holy architecture, in the vein of ‘don’t throw the baby out with the bathwater,’ de Botton wants to “reverse the process of religious colonization: … to separate ideas and rituals from the religious institutions which have laid claim to them but don’t truly own them.” While fundamentalists might be ready to issue a fatwa, de Botton’s message is hardly threatening: ignore the dogma and let’s find ways to be better people living better lives.

Divided into revealing one-word chapters – “Kindness,” “Tenderness,” “Perspective,” and so on – de Botton uses his usual charming erudition to reclaim the best of religion: “many of the problems of the modern soul can successfully be addressed by solutions put forward by religions … Religions are intermittently too useful, effective and intelligent to be abandoned to the religious alone.” Ready to learn? Choose the page; while Kris Dyer’s excellent narration can’t be faulted, you won’t want to miss the photos and illustrations – many of them are downright illuminating, ahem!

Of de Botton’s mutiplying shelf of philosophically questioning, cleverly revealing treatises, Religion is perhaps not among his strongest – it’s lighter in research and depth than many of his others. His choice to draw on just three religions (“primarily Christianity and to a lesser extent Judaism and Buddhism”) feels a bit as if he’s avoiding that other elephantine monotheistic faith (did I mention fatwa?); his explanation as to why he chose those three among the “world’s twenty-one largest religions” doesn’t quite convince. That said, if you want to tickle and expand your brain, you can never go wrong with de Botton. Trust me; have faith.

Tidbit: Make sure to check out de Botton’s “A Manifesto for Atheists: Ten Virtues for the Modern Age” in full. While you’re waiting for the page to load, here’s an abridged version to get you started …

  1. Resilience. Keeping going even when things are looking dark.
  2. Empathy. The capacity to connect imaginatively with the sufferings and unique experiences of another person.
  3. Patience. We should grow calmer and more forgiving by getting more realistic about how things actually tend to go.
  4. Sacrifice. We won’t ever manage to raise a family, love someone else or save the planet if we don’t keep up with the art of sacrifice.
  5. Politeness. Politeness is very linked to tolerance, the capacity to live alongside people whom one will never agree with, but at the same time, can’t avoid.
  6. Humour. Like anger, humour springs from disappointment, but it’s disappointment optimally channelled.
  7. Self-Awareness. To know oneself is to try not to blame others for one’s troubles and moods; to have a sense of what’s going on inside oneself, and what actually belongs to the world.
  8. Forgiveness. It’s recognising that living with others isn’t possible without excusing errors.
  9. Hope. Pessimism isn’t necessarily deep, nor optimism shallow.
  10. Confidence. Confidence isn’t arrogance, it’s based on a constant awareness of how short life is and how little we ultimately lose from risking everything.

Readers: Adult

Published: 2012

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Filed under ..Adult Readers, .Audio, .Nonfiction, British, Nonethnic-specific

Pot-San’s Tabletop Tales by Satoshi Kitamura

Pot-San's Table Top TalesWay back in the day, when I fancied myself at least a part-time potter, I used to think I put some tangible personality into my pieces, especially my dancing tea cups and goofy tea pots. So how delighted I was to discover adorable Pot-san – he with a handle for one ear, a spout for the other, his rosy-cheeked face sporting a jauntily-rounded red-topped top-hat – and share some of his dishy adventures.

Pot-san – the Japanese equivalent to “Mr. Pot” – welcomes newly-arrived Teacup to the table, enjoying their first cup of hot tea together with smiles and happiness. He has a “horrible dream” trying to save Teacup, but wakes just in time for Cheese Cake’s visit. He flies off-table with friends on a magic tray, only to injure delicate Teacup! Last, but hardly least, Pot-san helps Miss Salt feel inclusively needed when he introduces her to Chips Bigbowl who would love nothing more than to share a toothsome sprinkling.

Relying on colorful, fun, everyday objects, lauded author/artist Satoshi Kitamura cleverly addresses some of today’s stressors on young children. Pot-san shares the anxiety of new situations, how to be a good friend, how risky behavior can have serious consequences, and how sticking up for and enabling friends are both necessary and rewarding.

So while the kiddies cheer through valuable life lessons with charming Pot-san, we oldsters could take a moment to indulge in a cup of tea, too … and pass the Cheese Cake, please!

Readers: Children

Published: 2013 (United States)

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Arcadia by Lauren Groff

Arcadia.GroffAlthough I haven’t read any actual reviews, I know from seeing this title included in so many Best-of-2012 lists that the lauded reactions have reflected both quantity and quality. Leave it to me to take a somewhat contrary position: while I went through the whole gamut of emotions with Arcadia (narrator Andrew Garman begins with just enough wide-eyed youthful innocence that gently morphs into a middle-aged resignation), by title’s end, I still preferred Lauren Groff‘s 2009 collection, Delicate Edible Birds and Other Storiesand I could certainly name other 2012 titles that I would give more substantial kudos.

Arcadia follows some four decades in the life of Bit Stone, named so because he “is tiny, a mote of a boy.” His claim to local fame is that he’s the first child born on the 1960s commune in upstate New York called Arcadia – initially known as Ersatz Arcadia before the proper Arcadia House is built. The book’s first half follows Bit’s boyhood as he introspectively observes the ecstatic hope of founding a utopian society, and its inevitable demise through too much drugs and sex, and not enough objective leadership.

Fast forward suddenly to Bit as a father, cuddling his young daughter Grete who is not yet sleepy. Absent is Bit’s wife, she who was Helle – wild, troubled, and lost again – the daughter of Arcadia’s wayward leader. On the wall across from their daughter’s bed is a mural, as yet unfinished, that captures Bit’s memories of an Arcadia that no longer exists, a time still heady with beauty and potential. All grown up and out in the ‘real world,’ Bit is a professor of photography; he tries to keep his splintered family together, be both parents to his only child, keep up with a few scattered friends, and teach his students. When a tragic emergency calls him back to Arcadia where his father went gone off-the-grid years ago, Bit is led back to his past … and finally begins to envision a future.

While the whole book is gorgeously written – Groff conjures intimate details with such evocative precision as to place you right there on every page – the two halves read like opposites: the first half is predictably foreseen, the second half unexpectedly fresh. That said, to fully appreciate (sigh and sniffle over) the latter, you’ll need to patiently invest 150 pages in the former. For me, no regrets; curiosity would not have let this book go unread.

Readers: Adult

Published: 2012

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Six Suspects by Vikas Swarup

Six SuspectsFirst word of advice: read the page. Don’t bother sticking this novel in your ears: narrator Lyndam Gregory’s uneven cadences and random slurring will guarantee you won’t get through the 17.5 hours of listening, not to mention his grating attempt at Texas twang might cause unwanted murderous thoughts, as well.

Vicky Rai – playboy, entrepreneur, murderer – is dead. No one is particularly upset: “He was the poster boy for sleaze.” And yet, because of the elevated lives of the rich and famous – “Not all deaths are equal. There’s a caste system even in murder” – Rai’s death is headline news. He was shot in his own farmhouse just outside Delhi, while celebrating his latest undeserved acquittal.

The eponymous six suspects are found on site, each with a possible murder weapon: a formerly high-ranking government official who thinks he’s Gandhi; Bollywood’s most beloved actress who longs to hear from her estranged family more than any devoted fan; an unworldly “tribal” young man desperate to recover a sacred stone; a former cell phone thief who uncovers a fortune in a dustbin; a dirty politician who happens to be Rai’s father; and a Texan who thinks he’s about to get married to the mail-order bride of his dreams. Murder and mayhem indeed!

Six Suspects is Vikas Swarup‘s follow-up to his bestselling debut, Q & A, which morphed into the international film sensation, Slumdog Millionaire [as almost always, the book is even better!]. While an enhancing blend of ironic satire and grim reality illuminated Q & A, Swarup isn’t quite able to pull off the same success here. The back-and-forth from near-screwball comedy to the corrupt tragedy of excessive violence and the power-elite’s dismissive lawlessness, is more disturbingly jarring than it is potentially thought-provoking. The narrative ultimately feels forced at best, confused and contrived at worst.

To reach the denouement – expertly unexpected as it is – requires perhaps too great a commitment at almost 500 pages of whodunit. As unique and surprising (some might say preposterous) as specific story details might be – spirit possession in drag, a hijra with a heart of gold, a blind Bopal gas disaster poster child-now-adult, and so much more – the novel’s multi-layered plot never quite emerges from its derivative shadow: think Agatha Christie’s play, The Mousetrap (still playing since 1952 in London’s West End, making it the longest running play in modern history!), or perhaps even that dastardly boardgame Clue.

I confess that some sort of blind loyalty to Q & A kept me turning the pages, as well as the thought I was ‘earning’ the right to read Swarup’s third title, The Accidental Apprentice, which recently pubbed across the oceans, although a Stateside release date remains unknown. Yes, just that potential was enough to get me through, albeit not without the occasional grumbling.

Readers: Adult

Published: 2009 (United States)

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Filed under ..Adult Readers, .Audio, .Fiction, Indian

Nini by François Thisdale

NiniCreated by the illustrator of the mesmerizing, award-winning The Stamp CollectorNini may be François Thisdale‘s most personal story – it’s directly inspired by his experience about the adoption of his own daughter. “It was a wonderful challenge, having to say intimate things with words and images,” he reveals in an interview for IQ Magazine, available on his website.

‘Intimate’ is exactly the word that describes this exquisite, profound journey of how a family comes together across oceans and cultures. On one side of the globe, a baby hears an unseen voice tell her of “many mysterious things,” of rice patties and lotus flowers, of a little house with a pointed roof, of golden fields and jagged mountains. “Warm and safe, she listened carefully to all [the voice] said.” When she enters the world, “The first face she saw was the sweet face that belonged to the voice. The first hands she felt were the soft hands of love.” But all too soon, the baby finds herself not in the little pointed-roof house, but in a very large building filled with many rooms. In spite of “friendly hands” that feed her, keep her clean, “they were not the soft hands that had first held her.”

Thousands of miles away, a woman “rubbed her womb” and waits for a baby that will never be. But soon she’s sent a “precious gift” – a picture filled with promise: “From the moment the man and woman saw that photo, the baby became part of them. They carried her in their hearts.” As the family comes together, they will carry her in their arms, as she will forever carry the “distant echoes” that join past and present, “like a bridge that connects one place to another.”

Evocative and stirring, almost every spread is filled with sumptuous wonder. [I add that 'almost' because of one somewhat eerie close-up baby image that gave me pause.] Thisdale’s multilayered images that combine watercolors, photos, stamps, Chinese characters, and more, create a resplendent backdrop to a story so filled with longing and love. More than just another adoption tale, Nini is stunning testimony to the power of family.

Readers: Children

Published: 2009, 2011 (Canada, United States)

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Filed under ..Children/Picture Books, .Fiction, .Translation, Canadian, Chinese