Category Archives: Nonethnic-specific

Raven Girl by Audrey Niffenegger

Raven GirlInternationally renowned for her two bestselling novels, The Time Traveler’s Wife and Her Fearful Symmetry, Audrey Niffenegger is also a splendiforous artist with double the graphic titles to her lauded name. Her fourth and latest is “a new fairy tale” with origins that begin with movement: “Awhile ago, Wayne McGregor [resident choreographer of London's Royal Ballet] invited me to collaborate with him to make a new dance. … [H]e would make the dance, I would make the story,” she explains in her ending “Acknowledgements.”

As fairy tales go, Niffenegger weaves shocking originality between the seemingly (deceptively) formulaic opening and closing: “Once there was a Postman who fell in love with a Raven,” the story begins; “Once there was a Raven Prince who fell in love with a Raven Girl. And they lived happily together ever after,” the final lines resound. In between is a human daughter who is birthed from an egg, the Cat who reports strange occurrences to the unbelieving Court of the Ravens, a plastic surgeon who speaks about “chimeras” and builds wings before falling to his own death, the Detective Boy who is carried off and never seen again, and a half Raven/human family that considers movie offers and the circus until a crowned stranger knocks at their door.

Niffenegger’s intricate etchings gorgeously embellish her fantastical tale – the first full illustration as the Postman’s shadow encompasses the young Raven as she looks up in troubled wonder is a haunting, lingering image. The detailed realism of the ravens – every feather, every wrinkle on the talons – sharply contrasts the more suggested, less fleshed out human figures who appear almost unfinished in comparison to their avian counterparts.

Niffenegger’s illustrations question the imagined and the real, flipping our expectations with regularity. “Fairy tales have their own remorseless logic and their own rules,” she writes. Presented on the page in words and art, Raven Girl is “ready to undergo its own transformation into dance.” The curtain rose last week in London … oh, to have had the wings to carry me there …!!

Tidbits: Click here for an interview with Niffenegger about the Raven Girl-Royal Ballet collaboration.

Click here for my interview with Niffenegger for the November 2010 issue of Bookslut.

Readers: Adult

Published: 2013

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Filed under ..Adult Readers, .Fiction, .Graphic Novel/Manga/Manwha, British, Nonethnic-specific

eleanor & park by Rainbow Rowell

eleanor & parkWow, I sort of wondered … but now I don’t need to anymore, because author Rainbow Rowell has already answered a question (the question for certain readers like me?) that I hadn’t even gotten around to formulating just yet: “Why is Park Korean?” No spoilers here … you’ll have to read the book, then the post (preferably in that order), for yourself. In case you need more prodding to start already, here’s another recent affirming reason: eleanor & park just won the 2013 Boston Globe–Horn Book Award (one of the most prestigious kiddie book recognitions) for Fiction. And for those of you going aural, let me assure you that Rebecca Lowman and Sunil Malhotra take turns narrating this unlikely romance into heart-thumping, hand-wringing, convincing real life.

In 1986 Omaha, Nebraska, two very different 16-year-olds are about to fall in love for the first time in their young lives. Park, the local, is hapa Korean, gets embarrassed by his parents’ neverending displays of affection, loves punk rock, and used to date the school’s hottest girl back in middle school. Eleanor, the neighborhood newbie with the wild red hair and never-matching outfits, gets stuck sitting next to Park on the bus. She’s just been reunited with her mother and younger siblings, and must navigate through a crowded, unsettling new life trying to stay out of the way of her unpredictable stepfather-from-hell.

After a less-than-friendly start for the two forced-together seatmates, comic books – don’t ever let anyone tell you manga isn’t romance-inducing! – bring the odd couple together. But first love is never easy, especially when families – both inadvertently and intentionally – stand in the way.

Get ready to sigh and snicker, cringe and cry. Those awkward high school moments (decades later, why are they still so familiar??) are all in here, interspersed through an incongruously gorgeous love affair of swooning proportions. Rowell has written that versatile, ageless story with which teens will immediately identity, and oldsters will nostalgically recognize: to the final page and beyond, eleanor & park is one empathetic, adroit achievement.

Readers: Young Adult, Adult

Published: 2013

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Filed under ..Adult Readers, ..Young Adult Readers, .Audio, .Fiction, Hapa, Korean American, Nonethnic-specific

Nothing Can Possibly Go Wrong by Prudence Shen, illustrated by Faith Eric Hicks

Nothing Can Possibly Go WrongWelcome to Hollow Ridge High School … that name is probably going to stick with you throughout these pages. Let’s just agree that those hormone-driven years during grades 9-12 are perhaps not the most sincere time during young lives …

If anyone is remotely ‘normal’ at Hollow Ridge, that might be Charlie. His girlfriend Holly dumps him via text in the second panel, his best friend (and next-door neighbor) Nate nearly kills him on the drive home. He comes home to an empty house; dinner is a box of cereal without even any milk. Before you feel toooo sorry for him, Charlie’s still the captain of his basketball team, he’s well-liked and definitely popular, and rather well-adjusted in spite of his missing parents (Dad travels for work, and Mom ran off to San Diego four years ago for good).

Maybe because he’s so easy-going, Charlie isn’t exactly in control of his own life – and literally overnight, he gets stuck in the middle of a raging battle for school funding. Holly and her posse want sexy new cheerleading uniforms; Nate and his nerd buddies are expecting to go to the national robotics competition. Both figure out that whoever wins the class elections will get control of the necessary school dollars, so Nate declares his candidacy while Holly declares … Charlie’s. Yup, the glam girls are going all out to install a puppet president they can control.

When the elections turn into a personal smear campaign, the principle’s had enough: “This is school politics, not U.S. politics.” She’s cutting both sides off! Once the shock dulls, Nate devises a most excellent plan … but both the nerds and the glam girls will actually have to work together, with Charlie again smack back in the middle. Somehow along the way, he’s also got to deal with his estranged parents … especially after he takes his father’s car all the way to Atlanta – without that minor detail of, uh … getting permission!

Debut writer Prudence Shen has high school high jinx all figured out, and found the perfect partner in Faith Erin Hicks (Brain Camp) who knows exactly how teenage faces have a propensity to … uh … over-emote (not to mention politicians-in-training, but that’s a different book!). Hicks’ never-static expressions are absolutely priceless. From dysfunction avoidance at home to Machiavellian machinations at school, Charlie’s going to have to learn a life lesson or two about losing, loyalty, and (of course) love.

Readers: Middle Grade, Young Adult

Published: 2013

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Filed under ..Middle Grade Readers, ..Young Adult Readers, .Graphic Novel/Manga/Manwha, Chinese American, Nonethnic-specific

Yellow Birds by Kevin Powers

Yellow BirdsPerhaps I just need to stay away from award-winning bestsellers. But sometimes, my curiosity over all those stickers, prizes, and multiplying sales just can’t be contained … and then I get trapped in a vacuum of disappointment and tedium from which I’m stubbornly unable to extract myself. A problem of my own making, I realize, and still I haven’t learned my lesson, egads!

For those of you aren’t yet convinced about picking up this massively-hailed debut novel, allow me to suggest these recent war narratives as preferable choices: Nadeem Aslam’s The Wasted Vigil or The Blind Man’s Garden, Stephen Dau’s The Book of Jonas, or even Harry Mazer and Peter Lerangis’ Somebody, Please Tell Me Who I Am for young adult readers. In comparison, Yellow Birds is a testosterone-fueled rant lacking the elegance, nuance, and subtlety that define other, exceptional titles. [For those who choose the audible route, narrator Holter Graham fuels the 'angry young man'-role with convincing relish.] That said, Birds is surely the latest necessary testimony to the hopeless waste of war; perhaps that reason alone is spiking its sales.

Two soldiers are headed to Iraq, having enlisted in a faraway crusade they don’t fully understand. In a moment buzzing with high emotion just before deployment, the narrator, John Bartle, makes an impossible promise to the mother of a younger soldier, Daniel Murphy, that he would take care of her son. At 21 and 18, respectively, Bartle and Murph, are as yet barely grown men – their struggle to survive the brutal warzone will prove to be an even greater battle to hold on to their humanity.

The opening epigraph – and titular inspiration – perfectly encapsulates the unrelenting contents that follow: “A yellow bird / With a yellow bill / Was perched upon / My windowsill // I lured him in / With a piece of bread / And then I smashed / His f**king head … / — Traditional U.S. Army Marching Cadence.” For the wary, that might have been enough warning to choose an alternative read. Clearly, I wasn’t paying enough attention from the very beginning … I mindlessly marched on toward grave consequences.

Readers: Adult

Published: 2012

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Filed under ..Adult Readers, .Audio, .Fiction, Iraqi, Nonethnic-specific

Her: A Memoir by Christa Parravani

HerHere’s another tiny-world overlap that convinces me that some higher power is directing my reading choices: first-time author Christa Parravani is married to Gulf War veteran author Anthony Swofford (Jarhead) – ‘Tony’ in Her – who appeared in the 2008 Oscar-nominated documentary, Operation Homecoming: Writing the Wartime Experiencewhich was directed by Richard E. Robbins, who recently directed Girl Rising (currently in theaters, so please go!), for which I was the writer wrangler! We really are all so intricately connected, six degrees and less!

I can’t sugarcoat my reaction: Her is a brutal, difficult read. That the audible version is narrated by the author herself adds an even greater immediacy that lingers and haunts.

“I used to be an identical twin. I was Cara Parravani’s twin. I forgot who I was after my sister died,” opens this wrenching memoir of irrevocable loss and excruciating recovery. At 28, Cara overdoses, unable to recover from a horrific rape four years earlier after which her life “unravel[ed].” With Cara gone, Christa saw only Cara when she looked at herself, a “common experience among identical twinless twins.” Still alive, Christa became a “breathing memorial for [Cara's] lost self,” eliding her own existence in an overpowering search for her missing half.

Born to an abusive father and a mother who took one less-than-supportive partner after another, the Parravani twins found refuge in their own exclusive world. While men came and went, they always had each other, bonded within a tumultuous relationship that left little room for individuality. When oneness is suddenly thrust upon her, Christa flounders violently through self-abuse (starvation, drugs), meaningless relationships that leave her further damaged, and can’t escape the lure of attempting suicide. Her life is a race against statistics: she “… read somewhere that 50 percent of twins follow their identical twin into death within two years. … Flip a coin: Those were my chances of survival.” Her harrowing journey proves as self-destructive as it is ultimately life-affirming.

While both twins were blessed with artistic souls, Christa gives over her own love of words to Cara in college and picks up a camera instead: Christa’s remarkable twin-photographs, called “Kindred,” appear on her website and provide an unforgettable visual enhancement to her memories. Here in Her, by claiming both words and pictures, wholeness finally becomes possible.

Readers: Adult

Published: 2013

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Filed under ..Adult Readers, .Audio, .Memoir, .Nonfiction, Nonethnic-specific

The Homecoming of Samuel Lake by Jenny Wingfield

Homecoming of Samuel LakeJenny Wingfield seems to be a bit of serial first-hit wonder. That’s actually not a judgment but an observation: her first film she wrote, The Man in the Moon, was glorified by the late Roger Ebert, gave Reese Witherspoon her screen debut, and was the last film the legendary Robert Mulligan (To Kill a MockingbirdSummer of ’42) ever directed; this, her first (and so far only) book remains a highly-rated, all-around reader favorite.

My oldest-friend-in-the-world’s mother – with whom I gleefully share similar literary preferences – recommended Samuel when it debuted, and of course I realize now that I should have clicked ‘play’ sooner! For others who might go audible, rest assured that narrator Catherine Taber floats effortlessly, but no less effectively, between youthful innocence and adult terror.

Samuel Lake is like that – seamlessly moving between extremes in 1950s rural Arkansas, where the Moseses and the Lakes have intertwined into a single sprawling family since the marriage of Willadee Moses and Samuel Lake. The annual reunion which always begins the first Sunday in June extends indefinitely when the good Reverend Lake doesn’t get assigned a new congregation by the Methodist powers-that-be. Untethered from the spiritual world, the prodigal Lake family is unexpectedly home to stay.

In a spectacular act of self-violence, patriarch John Moses is dead, and his bereaved wife Calla just hopes their daughter Willadee won’t make the same relational mistakes she did. Calla’s World War II veteran son Toy – a powerful man so different from his ironic nickname – is blinded by his unrequited adoration for his wife Bernice who still pines for her true love Samuel, who only has eyes for his feisty wife Willadee. Meanwhile, over at the farm next door, Ras Ballenger is busy terrorizing and abusing his family; protecting the oldest Ballenger son, Blade, becomes the Lakes’ middle-child Swan’s life mission, even at the cost of her own safety.

Seen mainly through the perspective of 11-year-old Swan (yes, Swan Lake really is her name!), the extended-family saga proves to be an un-put-down-able epic, thriller, mystery, tragedy, coming-of-age multi-generational tear-jerker all in one. Pass the Kleenex already!

Readers: Adult

Published: 2011

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Truck Stop by Anne Rockwell, illustrated by Melissa Iwai

Truck StopWhen our son broke his little toddler wrist (one of those moments parents will always remember in slow motion), he was so attached to his truck-of-the-moment that his chubby fingers never let go of this mini-vehicle even during his x-ray. Now that he’s almost ready to drive, of course, his four-wheels of choice sit under a pickup, egads!

Welcome to Truck Stop: “Early each morning the sun isn’t up when we get busy at our truck stop, Mom and Dad and me,” a young boy explains. He’s in charge of squeezing the fresh orange juice as his parents prepare the favorite foods for the many truck drivers about to roll in. “I know each and every one of the regulars that comes to our truck stop,” he explains: Sam with his 18-wheeler needs Mom’s bacon and eggs over easy; Milk Tank Maisie likes doughnuts with her coffee; and Diligent Dan with his moving van prefers sausage and pancakes with plenty of syrup.

As the truck stop fills up with “good smells” and good friends, the boy prepares for school. On his way aboard the yellow bus, he spots missing Green Gus, and knows just what to do to help him get rolling along. Everyone has places to go … that is, until tomorrow, when they will all gather back at the truck stop to say “good morning” and start another traveling day.

Illustrator Melissa Iwai uses her signature whimsical style to create a showcase of all sorts of trucks that fill both inside covers, in addition to the adorable pages within. She presents a multi-culti community of caffeine-seeking drivers, happy for the company of others (can’t you just smell that freshly-brewed java?). Author Anne Rockwell offers just enough excited anticipation over finding broken-down Gus, then shows how a community quickly comes together to help a friend in need. Here’s to enjoying the nicest truck stop for miles and miles, for sure!

Readers: Children

Published: 2013

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Filed under ..Children/Picture Books, .Fiction, Japanese American, Nonethnic-specific

Hello in There! A Big Sister’s Book of Waiting by Jo Witek, illustrated by Christine Roussey

Hello In ThereFor anyone with a child who will soon become an older sibling, this book is IT. And if that lucky elder happens to be a sister-in-waiting, this couldn’t be more perfect.

“You’re in there and I’m out here, outside Mama’s belly. I’m waiting for you!” the ineffable little girl announces to the bump that is her mother’s belly. As the pregnancy progresses, the colorful bulge on the left side of each double-page spread continues to grow; a small flap allows a growing peek into the sleeping, pink-cheeked bundle within as the little girl merrily demonstrates what a wonderful older sister she will be!

She offers a light in case the belly is too dark, is ready to share her favorite sweet surprises (as are the ants, ahem), draws bathtime pictures of possible family resemblances, sings songs, and announces her excitement: “You are already part of the family.” With her mother’s belly about to burst, she beckons, “… we’re all waiting for you. Come out and play!” with promises of all the adventures she’s planning to share.

Then, momentarily, the belly disappears (a blank page save for a few words) … until Mommy and Daddy’s legs walk back on the next page … and sure enough, “Hello, Baby! You’re finally here. And I am finally a Big Sister!”

Exuberant and charming, adorable and playful, imaginative and interactive, Hello is … well … literally perfect.

Readers: Children

Published: 2013 (United States)

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Filed under ..Children/Picture Books, .Fiction, .Translation, European, Nonethnic-specific

Religion for Atheists: A Non-Believer’s Guide to the Uses of Religion by Alain de Botton

Religion for AtheistsI refer to myself as a ‘recovering Catholic,’ and yet I can’t stay out of churches for long. I enter as a tourist – admiration for architecture seems to be genetically coded into our extended family – but I linger to breathe deeply, clear the mind temporarily, and just be. While I may have discarded most of the religious tenets from youth, I still find precious moments of peace in these so-called holy spaces.

Here in his penultimate title, the ever-irreverent Alain de Botton recognizes that power of religious architecture, and suggests that even better would be to create secular temples with similar goals: “they would all be connected through the ancient aspiration of sacred architecture: to place us for at time in a thoroughly structured three-dimensional space, in order to educate and rebalance our souls.” Build and we will come, for sure!

Beyond holy architecture, in the vein of ‘don’t throw the baby out with the bathwater,’ de Botton wants to “reverse the process of religious colonization: … to separate ideas and rituals from the religious institutions which have laid claim to them but don’t truly own them.” While fundamentalists might be ready to issue a fatwa, de Botton’s message is hardly threatening: ignore the dogma and let’s find ways to be better people living better lives.

Divided into revealing one-word chapters – “Kindness,” “Tenderness,” “Perspective,” and so on – de Botton uses his usual charming erudition to reclaim the best of religion: “many of the problems of the modern soul can successfully be addressed by solutions put forward by religions … Religions are intermittently too useful, effective and intelligent to be abandoned to the religious alone.” Ready to learn? Choose the page; while Kris Dyer’s excellent narration can’t be faulted, you won’t want to miss the photos and illustrations – many of them are downright illuminating, ahem!

Of de Botton’s mutiplying shelf of philosophically questioning, cleverly revealing treatises, Religion is perhaps not among his strongest – it’s lighter in research and depth than many of his others. His choice to draw on just three religions (“primarily Christianity and to a lesser extent Judaism and Buddhism”) feels a bit as if he’s avoiding that other elephantine monotheistic faith (did I mention fatwa?); his explanation as to why he chose those three among the “world’s twenty-one largest religions” doesn’t quite convince. That said, if you want to tickle and expand your brain, you can never go wrong with de Botton. Trust me; have faith.

Tidbit: Make sure to check out de Botton’s “A Manifesto for Atheists: Ten Virtues for the Modern Age” in full. While you’re waiting for the page to load, here’s an abridged version to get you started …

  1. Resilience. Keeping going even when things are looking dark.
  2. Empathy. The capacity to connect imaginatively with the sufferings and unique experiences of another person.
  3. Patience. We should grow calmer and more forgiving by getting more realistic about how things actually tend to go.
  4. Sacrifice. We won’t ever manage to raise a family, love someone else or save the planet if we don’t keep up with the art of sacrifice.
  5. Politeness. Politeness is very linked to tolerance, the capacity to live alongside people whom one will never agree with, but at the same time, can’t avoid.
  6. Humour. Like anger, humour springs from disappointment, but it’s disappointment optimally channelled.
  7. Self-Awareness. To know oneself is to try not to blame others for one’s troubles and moods; to have a sense of what’s going on inside oneself, and what actually belongs to the world.
  8. Forgiveness. It’s recognising that living with others isn’t possible without excusing errors.
  9. Hope. Pessimism isn’t necessarily deep, nor optimism shallow.
  10. Confidence. Confidence isn’t arrogance, it’s based on a constant awareness of how short life is and how little we ultimately lose from risking everything.

Readers: Adult

Published: 2012

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Filed under ..Adult Readers, .Audio, .Nonfiction, British, Nonethnic-specific

Arcadia by Lauren Groff

Arcadia.GroffAlthough I haven’t read any actual reviews, I know from seeing this title included in so many Best-of-2012 lists that the lauded reactions have reflected both quantity and quality. Leave it to me to take a somewhat contrary position: while I went through the whole gamut of emotions with Arcadia (narrator Andrew Garman begins with just enough wide-eyed youthful innocence that gently morphs into a middle-aged resignation), by title’s end, I still preferred Lauren Groff‘s 2009 collection, Delicate Edible Birds and Other Storiesand I could certainly name other 2012 titles that I would give more substantial kudos.

Arcadia follows some four decades in the life of Bit Stone, named so because he “is tiny, a mote of a boy.” His claim to local fame is that he’s the first child born on the 1960s commune in upstate New York called Arcadia – initially known as Ersatz Arcadia before the proper Arcadia House is built. The book’s first half follows Bit’s boyhood as he introspectively observes the ecstatic hope of founding a utopian society, and its inevitable demise through too much drugs and sex, and not enough objective leadership.

Fast forward suddenly to Bit as a father, cuddling his young daughter Grete who is not yet sleepy. Absent is Bit’s wife, she who was Helle – wild, troubled, and lost again – the daughter of Arcadia’s wayward leader. On the wall across from their daughter’s bed is a mural, as yet unfinished, that captures Bit’s memories of an Arcadia that no longer exists, a time still heady with beauty and potential. All grown up and out in the ‘real world,’ Bit is a professor of photography; he tries to keep his splintered family together, be both parents to his only child, keep up with a few scattered friends, and teach his students. When a tragic emergency calls him back to Arcadia where his father went gone off-the-grid years ago, Bit is led back to his past … and finally begins to envision a future.

While the whole book is gorgeously written – Groff conjures intimate details with such evocative precision as to place you right there on every page – the two halves read like opposites: the first half is predictably foreseen, the second half unexpectedly fresh. That said, to fully appreciate (sigh and sniffle over) the latter, you’ll need to patiently invest 150 pages in the former. For me, no regrets; curiosity would not have let this book go unread.

Readers: Adult

Published: 2012

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Filed under ..Adult Readers, .Audio, .Fiction, Nonethnic-specific