Category Archives: Australian

Where The Streets Had A Name by Randa Abdel-Fattah

Where the Streets Had a NameHere’s the seemingly simple story: When her grandmother falls ill, 13-year-old Hayaat decides that a jarful of her ancestral soil – a mere six miles away – will be the very thing that will make her grandmother well, so Hayaat grabs her best friend and goes off on her quest.

But … there’s always the ‘but’ … when home is a conflict zone, six miles might as well be 600. Hayaat is a Palestinian living inside heavily guarded walls in Bethlehem, her family forcibly displaced from her father’s home of many generations once filled with olive trees and open space. Now cramped into a tiny apartment, the family of seven is often at odds with one another, their movement restricted by long curfews. The family matriarch, Hayaat’s grandmother, has little left beyond her stories of another time and place, of family Hayaat can never meet except through the stories she never tires of hearing.

Hayaat bears the scars, both inside and out, of a childhood amidst guns, soldiers, and shifting borders. Her best friend Samy is a virtual orphan who lives with his aunt and uncle, having lost his father to prison and his mother to a heart attack soon thereafter. The intrepid pair venture forth through barriers, guard towers, and checkpoints – never mind not having any travel permits – and head toward Jerusalem with only a vague description of a long-ago neighborhood and a much-missed home. Their journey is aided by the kindness of strangers, including a peace activist couple, the husband a former Israeli Defense Force soldier who refused to finish his service in protest of the military mistreatment of Palestinians.

Randa Abdel-Fattah – Australian-born and domiciled, of Egyptian and Palestinian descent – offers a sobering novel about the harsh lives of children who inherit the consequences and tragedies of adult hostilities. In spite of childhoods stolen by violence, identities shaped by resentment and hatred, young people like Hayaat somehow manage to hold on to their humanity: “… so long as there is life there’ll be love … I’ll do more than survive … in the end we are all of us only human beings who laugh the same, and … one day the world will realize that we simply want to live as free people, with hope and dignity and purpose. That is all.”

Out of the mouth of babes …

Tidbit: Just as I finished writing this post, this link serendipitously landed in my inbox from a dear friend: “Books about Contemporary Palestine for Children” by Katharine Davies Samway. Timing really IS everything!

Readers: Middle Grade, Young Adult

Published: 2008, 2010 (United States)

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Filed under ..Middle Grade Readers, ..Young Adult Readers, .Fiction, Australian, Palestinian

The Bird King: an artist’s notebook by Shaun Tan

Bird KingWhenever I open a Shaun Tan book, my face just gets a goofy grin. It’s a Pavlovian reaction, guaranteed.

Although his latest doesn’t come with a straightforward narrative, it does manage to cleverly include tidbits and reminiscences from his entire oeuvre to create a whimsical portrait of an artist as a young man. From “inspiration,” to “artist’s block” to Paul Klee, Tan explains how even though most of his work “involves exhibited projects like books, films, and finished paintings, the primary material of all these … remains largely unseen, tucked away in folios.” Culled from those “folios, boxes, and sketchbooks,” this latest title ”present[s] a cross section of such material from the past twelve years, ranging from fairly precise drawings to scruffy scribbles.” All the drawings, by the way, were “generally completed in a single sitting of less than two hours.” Tan’s genius moves quickly, that’s for sure!

The book does, of course, have a method to its creative madness, neatly presented in four sections: every picture in “untold stories” – “[m]y stories generally begin with images rather than words” – is a tale waiting to be discovered, or even made up, by the beholder; examples of “source energy … a wonderful, embryonic vagueness” that fuel Tan’s various projects fill “book, theater, and film”; “a careful study of the real world” – including a most adorable rendition of bespectacled “Dad” and chubby toddler “me” – populate “drawings from life”; and “notebooks” is an on-the-road free-for-fall, with sketches both “observational” and “equivalent to daydreaming.” As an added bonus, brief descriptions are offered in a “list of works” in the book’s final pages.

Conveniently compact, colorfully intriguing, and invitingly ingenious, this delightful notebook is all about potential. For Tan, the contents here produced multiple bestselling books, an Oscar-winning film, and countless awards and honors (including the 2011 Astrid Lindgren Memorial Award, the coveted prize known as “The World’s Largest Children’s Literature Award” for the five million Swedish krona, or $800K+, that comes attached with it!). For his lucky audience willing to invest just a bit of imagination – regardless of age! – Tan’s notebook can take you from simple entertainment to whole new worlds. Who doesn’t want to be a part of that?!

Readers: All

Published: 2013

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Filed under ..Adult Readers, ..Children/Picture Books, ..Middle Grade Readers, ..Young Adult Readers, .Fiction, .Graphic Novel/Manga/Manwha, Australian

The Perfect Flower Girl by Taghred Chandab, illustrated by Binny Talib

Perfect Flower GirlAwww … who doesn’t love a joyous wedding? In this delightful cross-cultural Muslim marital fest, Amani is determined to be the best flower girl ever for her Aunty Sarah. Even when her little sister Mariam won’t join her, Amani practices her flower girl walk diligently and regularly: “‘It’s a very important job, leading the bride and groom,’” she admonishes her distracted sister. “‘It must be perfect.’”

The preparations are many (and hunger inducing – I can practically smell that kibbeh!), and the excitement builds as the festive date gets closer. A special dinner, the glamorous dress fittings, and Aunty Sarah’s laylia (a no-men-allowed party complete with fabulous fashion show during which Amani and Mariam get to don “spectacular belly-dancing costumes”) make the time pass quickly. Soon enough, the katb il kitab – the marriage ceremony performed by a sheikh the night before the wedding party – is already here … with more of Tayta (grandmother)’s cooking, oh be still my belly! The next morning with tummies all aflutter, the celebrations are about to begin … will Amani be the perfect flower girl?

Australian author Taghred Chandab (currently living in the United Arab Emirates) continues her goal of “promoting better understanding between Anglo-Australian culture and Islamic culture in Australia” through her writing. Thanks to our global markets, that understanding doesn’t have to stay limited to Down Under … we certainly can always use more Stateside – glittering sequins, swirling henna patterns, rose petals, and all. Here’s to many, many love-filled celebrations across borders.

Readers: Children

Published: 2012 (United States)

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Filed under ..Children/Picture Books, .Fiction, Australian, Lebanese

Captain Long Ears by Diana Thung

Captain Long EarsSo enthralled by Diana Thung‘s August Moon earlier this week, I immediately ordered Captain (her first and only other title thus far), and was delightfully tickled to find a blurb on the back cover from Gene Luen Yang (of first-ever National Book Award graphic novel finalist-fame for American Born Chinese): “Goofy and endearing with a touch of Taiyo Matsumoto.” Always comforting to come across graphic agreement (I, too, commented on that Matsumoto-channeling in Moon).

The connection here is even visually stronger: Thung’s titular Captain Long Ears pays homage to both brothers who star in Matsumoto’s TEKKON KINKREET, sporting Black’s goggles and White’s animal hat (which resembles a tiger through most of TEKKON, but at story’s end a bonus drawing of the boys as toddlers shows White wearing .. well … long ears!). No worries, however, about encountering something derivative; Thung’s got a captivating style all her own.

Somewhere in space, Captain Big Nose has gone missing. Captain Long Ears, together with his most trusted companion, Cap’n Jam – a giant purple gorilla with self-reported “32 perfectly, perfect sparkling white teeth” – prepare to head out to Space Ninja headquarters (also known as Happy Land). There they hope to find some answers about Captain Big Nose’s “top secret reconnaissance mission that will take a long, long time to accomplish,” as reported by Mum, who also insists calling Captain Long Ears “Michaeeel …”

All is not well at headquarters: the fearless Space Ninja pair are threatened by a “cannibalistic blob witch,” get attacked by flesh-eating piranhas, are trapped in the revolving prison, and must rescue a baby elephant. All the while, the dynamic duo are not any closer to finding Captain Big Nose – who seems to look a lot like Daddy – who remains elusive, always waving goodbye, no matter how much Captain Long Ears begs him to come back.

Throughout her action-filled debut, Thung presents the powerful ability of a child’s imagination to make sense when no answers can be found. Young Michael’s escapist world – complicated, adventurous, exciting – in which he’s never alone, provides a necessary antidote to a loss too difficult to bear … for now. Michael will return to the so-called real world soon enough, but first he’ll need to draw on his Space Ninja superhuman strength to get through the challenges ahead.

Readers: Middle Grade, Young Adult

Published: 2010

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Filed under ..Middle Grade Readers, ..Young Adult Readers, .Fiction, .Graphic Novel/Manga/Manwha, Australian, Indonesian

August Moon by Diana Thung

Get ready for surreal delight.

When a mysterious creature with an imbedded bullet turns up, Fi and her scientist father head to the town of Calico – linked “to the rest of the country! and the world!” by a single bridge. They’ll be staying with Fi’s Uncle Simon, the younger brother of Fi’s late mother.

Insulated by headphones, Fi seems to distance herself from what’s going on around her. Her vision of the world is mitigated by one of those pre-digital age instant cameras, watching the photographs slowly develop into something other than what’s visible right in front of her.

In Calico, Fi meets Jaden, a young boy everyone knows but who doesn’t seem to belong to anyone, although he has a special relationship with Grandmama, an elderly food cart vendor who keeps him well supplied with her delicious bao (steamed buns). Jaden is no ordinary child – he has seemingly imaginary friends, he can fly, and he just might be able to save the world from the corporate out-of-towners who are snapping up all the empty spaces of unsuspecting Calico.

With elements of save-the-planet, good-vs.-evil, reclaiming the mother-daughter bond, celebrating heritage, and even a hint of Totoro-like faith in the impossible (while visually reminiscent of Taiyo Matsumoto’s dystopic TEKKON KINKREET: Black & White), Indonesian-born Australian artist Diana Thung creates a magical, mystical adventure for all ages.

Intrigued? How could you not be?

Readers: Young Adult, Adult

Published: 2012 (United States)

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Filed under ..Adult Readers, ..Middle Grade Readers, ..Young Adult Readers, .Fiction, .Graphic Novel/Manga/Manwha, Australian, Indonesian

The Perfect Mile: Three Athletes, One Goal, and Less than Four Minutes to Achieve It by Neal Bascomb

Neal Bascomb is a consummate storyteller: he can unravel a tale with an ending you already know, set it at a heart-thumping pace, and never let you rest until you hit that final page. Unless you’ve been in total seclusion your entire life, you probably know that the four-minute mile barrier was broken quite a few decades ago. [I'll save you a Google search: as of today, the world record of 3:43.13 (OMG!) by Morocco's Hicham El Guerrouj remains unchallenged since 1999.]

Just how that four-minute barrier was finally overcome gets breathtaking (bestselling!) treatment from Bascomb on the page; and in case you were wondering, the stuck-in-the-ears version incites even more excitement as read by Nelson Runger, who adds a welcome, old-time sportscaster enthusiasm to his narration. [One of my biggest gripes with audible books has been the laziness of producers with casting/directing for proper pronunciation. Why is basic respect for the author's words so much to ask for??!! Here's shocking (pathetic that it is so shocking!) news about thisproduction: Both Bascomb and one of the book's major subjects get a shout-out of "grateful acknowledgement" for their help in "researching certain pronunciations in this book"!! Really, how hard was that??!!]

But back to the pursuit of perfection … Mile by mile, race by race, Bascomb follows three young athletes around the world as each devotes himself to be the first to achieve the deemed-impossible sub-4:00 goal: British Roger Bannister, an Oxford-educated medical doctor-in-training; Australian John Landy, a Melbourne University track hero; and American Wes Santee, who had to battle his critical father for the chance to run (and be educated!). Their backgrounds are vastly different, their training plans at times antithetical to proven regimens, their lifestyles bear little resemblance to each other … and yet their shared goal never wavers, and ultimately, one man breaks that elusive tape.

I knew how it would end, and yet I often couldn’t pull the earphones off my head: “shhh, he’s on the fourth lap,” I’d admonish the hubby, or “just a sec, he’s about to break another record,” I’d tell a whining child, or “we’ll talk in a minute, they’re gonna announce the official time,” I’d hang up the cell call as it interrupted my iPod function. With Bascomb’s addictive step-by-step retelling, knowing the ending never diminished the wanting to know happened next.

Confession time: I’m not delusional enough to ever think I’ll ever come close to run the perfect mile, but thanks to someone Bascomb and I know in common, I’m out there running a bunch of my own (albeit much slower!) perfect miles – yesterday morning, the exact time I had visualized actually flashed up on the board as I crossed the finish line of a local race. Not that I’m bragging (well … only a little bit), but my miracle-making coach has managed to make me an ultra-athlete (yeah, me!). So here’s the best sneak-peek news for ultra-wannabes: come next spring, the wisdom of that impossible coaching will be available to anyone and everyone when my ultimate ultracoach’s first book hits shelves next spring. Watch this space for details.

Readers: Young Adult, Adult

Published: 2004

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Filed under ..Adult Readers, ..Young Adult Readers, .Audio, .Nonfiction, Australian, British, Nonethnic-specific

People of the Book by Geraldine Brooks

Remember that gorgeous film, Red Violinwhich tells the story (backwards) of the creation and fantastical 300-plus-year-history of the eponymous instrument? People of the Book uses a similar structure to reveal the story of a 500-year-old illuminated manuscript known as the Sarajevo Haggadah. That haggadah is very real; the novel, however, as Geraldine Brooks explains in her “Afterword,” “… is a work of fiction … While some of the facts are true to the haggadah’s known history, most of the plot and all of the characters are imaginary.”

What Brooks does with her Book is exactly what her contemporary protagonist, a Harvard PhD-ed Australian rare books expert, wishes for: “I wanted to give a sense of the people of the book, the different hands that made it, used, protected it. I wanted it to be a gripping narrative, even suspenseful.” Lucky readers are we to get the full story …

In 1996, young Dr. Hanna Heath – rather a bit angry at the world, seemingly alone by choice – agrees to travel to war-torn Sarajevo, still smoldering from the tragic destruction of civil war. She’s agreed to conserve a 15th-century Hebrew manuscript found in a safe-deposit box of the shell-shocked city’s central bank. In between her work with the Sarajevo Haggadah, Hanna’s own story takes shape … her unavailable famous mother, her never-known missing father, her far-flung relationships, her growing attachment to a man she barely knows.

From fragments Hanna discovers in the holy book – an insect’s wing, the imprint of missing clasps, a wine stain, salt crystals, and a single white hair – she begins to reconstruct what might be the book’s peripatetic history of survival through a half-millenium of war and suffering. In the midst of centuries bloodied with violence – tragically, ironically, all in the various names for god – the people who created, protected, and preserved the book are of all faiths and span multiple countries and cultures. The book is a reminder of the strength of human faith over the age-old destruction wrought (again and again) in the name of religion; it becomes the proof of “the survival of our multiethnic ideal.”

Before I close, allow me this rant: Narrator Edwina Wren is a grating reminder of why not to affect various accents. While she does just fine as the Australian protagonist (Wren herself is Australian), she’s eyeball-rolling annoying with the Hogan’s Hero-esque German, the ridiculously affected lisp of one brother’s Spanish (“thorry” for “sorry” – which is just plain wrong because the z and c (after e or i) get the ‘th’ (ceceo)-inflection in some Spanish dialects, but not s!!) while the other brother doesn’t get the marbles-in-mouth treatment, the tedious Godfather-inspired Italian, etc. etc.

Okay, so you get the general message about this Book: read on the page, period.

Readers: Adult

Published: 2008

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Filed under ..Adult Readers, .Fiction, Arab, Australian, European, Jewish

Caleb’s Crossing by Geraldine Brooks

I haven’t picked up a Geraldine Brooks title since her 2001 debut novel, Year of Wonders, which promptly became an international bestseller. I definitely had that sense of ‘wow’ when I finished, but then I inexplicably ignored the rest of her titles … until I recently noticed Jennifer Ehle’s name on the audible version of Brooks’ latest (if you were lucky enough to see Ehle on stage in Tom Stoppard’s The Real Thing, you couldn’t resist her narrating allure; her controlled, even narration doesn’t disappoint here for sure!). My iPod’s now loaded with the rest of Brooks’ novels, although I can already warn that People of the Book should be read, not listened to (narrator Edwina Wren grates incessantly with caricatures of various European accents).

Oh, but I do digress. But bear with me for just another second: when you start reading Caleb’s Crossing, ignore all urges to research any of the book’s characters or their history. What little information is available is enough to diminish the pleasure of discovery. Trust in Brooks’ most excellent storytelling to reveal the story. Address any curiosity only after you’ve finished the novel’s final page; Brooks’ “Afterword” also offers plenty of post-novel information.

Here’s a minimal overview: The Australian-born and bred Brooks, now a resident of Martha’s Vineyard, came across a few facts about one of the Vineyard’s 17th-century Native residents, Caleb Cheeshahteaumauk, who was a member of the Wôpanâak tribe of Noepe (now Martha’s Vineyard), and was Harvard’s first Native American graduate in 1665. “The character of Caleb as protrayed in this novel is, in every way, a work of fiction,” Brooks explains in her opening “Author’s Note.” “I have presumed to give Caleb’s name to my imagined character in the hope of honoring the struggle, sacrifice and achievement of this remarkable young scholar.”

Crossing is told through the perspective of Bethia Mayfield, the daughter of the minister of a small colonial population living on the island. She is an inquisitive, intelligent girl, daring to steal an education during a time when women were systematically denied access to knowledge. Quiet and determined, Bethia learns quickly the Wampanoag language of the island’s native residents, and the Latin her father struggles to impart to her less-than-talented older brother Makepeace. She meets young Caleb when they are still children, virtually unencumbered with the expectations of their respective communities. Their mutual love of their island – and their deep respect for one another – bind them for life.

When Caleb shows great promise as a scholar, he is sent to the mainland for further study in Cambridge with Makepeace and Joel Iacoomis, another native son, to prepare them for a Harvard education; Bethia, perhaps most brilliant of them all, ironically accompanies them as a servant at the boys’ school. There, Bethia’s sharp, caring eyes are witness to Caleb’s crossing – not only from his home, but from his community and his culture – into a less-than-welcoming, challenging new life.

While the title honors the pioneering, real-life Caleb, Bethia is undoubtedly the hero here. Her unwavering determination to feed her mind despite her 17-century constraints is a timely reminder to her 21st-century readers of the absolute need for access to education for every girl around the world.

Tidbit: This much I need to share from my post-read google-ing: Last year, in May 2011, Tiffany Smalley became the first member of the Wampanoag (spelling different, yes) tribe of Martha’s Vineyard since Caleb Cheeshahteaumauk to receive a Harvard degree. Also, while Brooks was researching her novel as a Radcliffe fellow, archeologists began excavating the foundation of Harvard’s Indian College. Brooks is quoted in a 2011 Harvard Magazine article: “My dream is, they find a shard of pewter with CC carved in the bottom of it.” Oh, if only!

Readers: Adult

Published: 2012

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Filed under ..Adult Readers, .Audio, .Fiction, Australian, Native American

I Am the Messenger by Markus Zusak

I probably shouldn’t have been so surprised when a wonderful literary friend (who is also a children’s literature expert, professor, and recent judge for one of those major book awards) remarked that in Markus Zusak‘s native Australia, this and his unforgettable The Book Thief were initially not released as children’s titles. Definitely an ‘aha!’-moment, as both deal with difficult, wrenching subjects, but certain passages in Messenger contain more graphic sex and violence that seem better suited for older readers. Age-appropriate suggestions aside, both Zusak books are insistently recommended, neither should be missed.

“The gunman is useless,” Messenger begins. The narrator, Ed Kennedy, and his “best mate” Marvin are lying facedown on the floor of a bank, wishing the gunman would just hurry up; Marv’s most worried about getting a parking ticket. Ed – 19, an “underage cabdriver,” an underachieving bibliophile who’s “read more books than I should” – manages to inadvertently foil the gunman and become a local hero.

Ed is what you might call a slacker, whose life thus far amounts to a self-described “[n]othing.” He rents a cheap shack he shares with an ancient dog named Doorman. His gentle (alcoholic) father is six months gone, his mother is angry and bitter, his siblings scattered and uninvolved. He spends most of his free time with Marv and their other friend Ritchie. He pines endlessly for damaged Audrey who has replaced love with too much casual sex, but never with Ed because she actually cares for him. Then Ed gets the first message: “It changes everything.”

The Ace of Diamonds arrives with Ed’s junk mail, with three addresses scrawled across the card. One after the other, three more Ace cards will follow, each suit with a set of different clues – a single phrase, dead writers, and film titles. Card by card, Ed’s got multiple messages to decipher and deliver, including to an elderly woman still mourning her husband killed in action decades earlier, to a devoted priest trying to keep his slum parish going against all odds, to a large family trying to make ends meet, to that best mate Marv whose young life stalled early over a wrenching loss …

The one detail Ed can’t figure out is who could possibly be sending the cards … all he knows is that a couple of violent henchmen like to make unexpected visits bearing in-between missives in person. No matter what challenges he faces, Ed turns out to be quite a real hero after all. Message by message, he proves ”[m]aybe everyone can live beyond what they’re capable of …” We should all be such accomplished slackers …!!

Readers: Young Adult (with caution), Adult

Published: 2002, 2005 (United States)

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Filed under ..Adult Readers, ..Young Adult Readers, .Audio, .Fiction, Australian

The Book Thief by Markus Zusak

After two books on the horrors of North Korea, two memoirs about the Palestinian occupation, another about a Lost Boy of Sudan, still another highlighting Hindu/Muslim massacres in Kashmir – all one after the other (what was I thinking??!!) – I picked up Markus Zusak‘s The Book Thief, only because it came with my teenage daughter’s insistent recommendation. In spite of the Thief‘s countless (major) awards and accolades – it’s one of those rare titles with deservedly unanimous approval – I had managed to somehow bypass its celebrated pages for six years.

That the book is about a young girl during the Holocaust whose story is narrated by Death, gave me an initial shudder of terror, having already caused myself regular literary nightmares. But as read by Allan Corduner (who sounds uncannily like Jeremy Irons), the audible production is a transcendent experience of one of the best books I’ve encountered in years. And yes, I wholeheartedly endorse both handheld and stuck-in-the-ear formats together: if you choose only the not-to-be-missed audible route, you’ll miss the wrenching illustrations available only on the page. This is when the library comes in handy for experiencing both … how fitting as the book is so much about books, after all.

Liesel Meminger arrives in the small town of Molching, Germany, to become the foster daughter of Hans and Rosa Hubermann who live at 33 Himmel Street [Himmel means "heaven"; 33 is also deliberate]. The year is 1939, and Liesel is just about to turn 10. All around her, the Führer’s abominable doctrines are fueling what will be remembered as history’s worst war.

Hans, who plays the accordion like no one else, whom Liesel will love “the most,” will teach her to read, which will ultimately save her life. Rosa, who hides her enormous heart under impatient curses, will demand that Liesel call her new parents Mama and Papa and will love her unconditionally into forever. Rudy, her next-door neighbor and soon-to-be best friend, will finally get his kiss too late. And Max, who comes to live in the Hubermann basement, will give her the gift of writing … and of everlasting friendship.

In a book about the redemptive power of words, storytelling, and books, I can’t seem to find the right vocabulary to describe the utter brilliance of Thief. Just know that Zusak’s writing is so affecting and glorious that you’ll smile, hope, mourn, laugh, weep … and thoroughly, unabashedly, savor this extraordinary treasure.

Readers: Young Adult, Adult

Published: 2006 (United States)

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Filed under ...Absolute Favorites, ..Adult Readers, ..Young Adult Readers, .Audio, .Fiction, Australian, European, Jewish