Category Archives: African American

The Known World by Edward P. Jones

Known WorldWell, I’ve done it now. I’ve finished every Edward P. Jones book ever written … and I see no signs that more are forthcoming anytime soon. Anyone out there who knows otherwise, please do share!

Not to play favorites, but among Jones’ three indelible titles, his single (thus far) novel gets the preferred spot. I’m definitely in collusion with others as it won the 2003 National Book Critics Circle Award, the 2004 Pulitzer Prize for Fiction, and the 2005 International IMPAC Dublin Literary Award (which, with its €100,000 prize, is one of the most generous in the world). With such lauded original text, the audible version – most expertly read by Kevin Free and oh so highly recommended – naturally won a 2004 Earphones Award, too.

World begins and ends with death, one peaceful, the others horrifically violent. In between the almost-400 pages (or 14+ hours stuck in the ears), the (very) nonlinear narrative falters once during Counsel Skiffington’s hallucinogenic wandering after he burns down his plantation. The rest is, indeed, history … of a not-so-well-known phenomenon of slave-owning African Americans in the South. Within the World‘s first five words, the “master” is dead: in July 1855, Henry Townsend, 31, leaves behind a wife … and a plantation of more than 50 acres which he owned, together with 33 human beings that were also his property. Henry himself was a former slave, whose freedom was bought by his parents when he was still a child, and yet whose allegiance and loyalty to his former owner, William Robbins, never wavers. Robbins, no less a complex character, is a white farmer who owns the largest plantation in fictional Manchester County, Virginia, who lives a double life – one with his white wife and daughter, the other with his slave mistress, and their two young children.

Jones’ storytelling jumps decades backwards and forwards, from before Henry’s birth, well into the next century with references to future historians working in the 1950s and even 1970s. Jones moves sometimes unpredictably between characters and experiences, between generations and social classes. He is not always patient, and doesn’t wait for the reader to make immediate connections, and yet he is partial to certain repetitions, including the reappearance of Tessie’s doll made by her father Elias which she will hold onto through her final hour at age 99, and the reunion of Minerva and her sister after 20 separated years marked by her sister’s reaction that begins “‘You done growed.’”

In spite of the movement in time, place, and people, the pieces merge together to create a Known World that haunts, shocks, and long-after resonates with the fates of a disparate community. Henry’s death sets in motion inevitable changes and unexpected events in the lives of his parents, his wife, his in-laws, his friends, his former master, and especially his slaves, as the intricate mosaic that once defined Henry’s existence shifts, transforms, and disappears.

Readers: Adult

Published: 2003

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Filed under ..Adult Readers, .Audio, .Fiction, African American

Mudbound by Hillary Jordan

MudboundI think I was somehow predestined to read Mudbound when I did: just after I finished Barbara Kingsolver‘s mightily disappointing Flight Behavior, I turned next to Hillary Jordan‘s 2008 debut novel. While searching for an image of the book cover to load here, I noticed the golden sticker – an award nod for being the “winner of the Bellwether Prize for Fiction.” Timing is everything, right? – because the Bellwether (which morphed into the PEN/Bellwether Prize for Socially Engaged Fiction in 2012) was founded and funded by none other than Kingsolver herself.

In case you’re starting to wonder, here’s the verdict: Mudbound is the far better title on the page, and stuck in the ears, as well. You’ll find no anemic, strangely accented, self-narration here; instead, a full cast voices the multiple narrators, with especially effective performances by Kate Forbes as the controlled Laura, Ezra Knight as desperately proud Ronsel, Brenda Pressley as the stalwartly tragic Florence. Mudbound proves to be one of the those rare assured debuts that send you instantly looking for more: luckily, Jordan has another title I’ve already iPod-loaded.

Mudbound opens with death: two brothers, Henry and Jamie, are digging their father Pappy’s grave. The power of a dead man to ooze such vitriolic hate over the 300-plus pages that follow is a horrific reminder of the worst in mankind. World War II is over, and the Americans who return home are both victorious and maimed, most deeply by scars invisible to the eye. In the deep South of the Mississippi Delta, the McAllan cotton farm – owned by land-loving Henry and his city-raised wife Laura – welcomes two veterans, Henry’s much younger brother Jamie and Ronsel Jackson, the oldest son of Henry’s tenant sharecropper. Ronsel’s father Hap works Henry’s land; his mother Florence helps Laura in the rustic farmhouse. Both Jamie and Ronsel are decorated war heroes, and yet Ronsel’s dark skin will damn him to abusive treatment without cause.

Jamie, Laura, Ronsel, Henry, Florence, and Hap each take narrative turns, and yet the story is driven by Pappy’s inescapable hate … with heinous consequences. The last few chapters of the book are unrelenting nightmares, once read/heard/imagined, never to be erased. And yet somehow, with Pappy finally in the ground, hope might prevail: “Might even find something like happiness. That’s the ending we want, you and me both. I’ll grant you it’s unlikely, but it is possible.”

Sometimes that possibility is all that keeps us going …

Readers: Adult

Published: 2008

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Filed under ..Adult Readers, .Audio, .Fiction, African American, Nonethnic-specific

Lost in the City: Stories by Edward P. Jones

Lost in the CitySo first off, I read backwards (see yesterday’s post) … which seemed to have worked out okay, but I still wish I could time travel back to read in the ‘correct’ order: this, Lost in the City, first, THEN All Aunt Hagar’s Children. If you haven’t read either, take my advice, start here first. Also, if you choose to stick Lost in the ears, rest assured that a talented ensemble of multiple narrators take turns bringing Edward P. Jones’ tales of the capital city to life.

MacArthur “Genius” Jones began his lauded literary career with these 14 stories, all set in Washington, DC, in which he captures the every day, what might be called ordinary, lives of African American residents through the decades of the 20th century. Some are native DC-born, while others are transplants who have come north seeking, if not rebirth, then at least improved opportunities.

A young girl raises pigeons on her roof in the aptly named “The Girl Who Raised Pigeons,” a wayward young man gets and keeps a job at “The Store” run by an initially acerbic owner, a highly successful woman who has just received news of her mother’s death climbs into a cab hoping to get “Lost in the City,” and an aging woman agrees to record her life’s remembrances on a series of cassette tapes in “Marie.”

Certainly, Lost stands magnificently on its own. But  – and what a ‘but’! – here’s the gawwww-inducing kicker: the 14 stories here line up with All Aunt Hagar‘s 14 stories, written 14 years apart. What do I mean by line-up? Here’s an example: story #2 here, “The First Day,” and story #2 in All, “Spanish in the Morning,” are both about a young girl’s first day of school. Be assured, these are not rewrites of each other, but expertly aligned companion pieces. If literature has but seven basic plots (others insist on less, still others more), then they’re represented multiple times throughout Jones’ stories in both collections, albeit with resonance and grace, each uniquely presented beyond fleeting moments of familiarity.

So here’s a partial key – how horrible would I be if I spoiled all your ‘aha’-moments?! If you’re like me and don’t want to know anything more, then stop right here … and go get both books already. If you need just a few hints, try this: #4s’ Caesar; #8s’ Georgia and the daughter “who would have earned more than all her ancestors put together”; #11s’ blind woman. Good start for you? Now go discover the rest … your own ‘gawwww’ will start soon enough!

Readers: Adult

Published: 1992

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Filed under ..Adult Readers, .Audio, .Fiction, .Short Stories, African American

All Aunt Hagar’s Children: Stories by Edward P. Jones

Aunt Hagar's ChildrenEdward P. Jones takes up little space on library shelves. Over the last 20+ years, he’s published three books: two story collections and a single novel. Proving the adage ‘quality over quantity,’ Jones’ awards are considerably more extensive, from the PEN/Hemingway Award for his first title, to the Pulitzer, National Book Critics Circle Award, and IMPAC Dublin Award for his second, and his PEN/Faulkner finalist nod for this, his latest. In between, Jones also earned a coveted MacArthur “Genius” Fellowship in 2004.

In a random moment of browsing through my overflowing shelves, I opened up All Aunt Hagar’s Children; once I started, of course, I kept going. Fourteen stories later (some of them stuck in ears, impeccably read by actor James Peter Francis), here I am … only to realize that I should have read Jones’ 1992 debut, Lost in the City, first because the two titles are actually companions to each other. Published 14 years apart, both collections contain 14 stories set in Jones’ home city of Washington, DC, with each story correspondingly connected to a story in the other book – that is, the first story in Lost and the first in All are a matching pair, just as Lost‘s 14th and All’s 14th are linked. Here’s hoping I can make the connections backwards.

A marriage begins to fall apart “In the Blink of God’s Eye” with the discovery of an abandoned baby tied up in the trees, while a family flounders because of illness, distance, and even religion in “Resurrecting Methusalah.” A single gesture – misinterpreted – destroys the last of an ex-prisoner’s already strained faith in his family in “Old Boys, Old Girls,” and a Korean veteran returns home in the titular “All Aunt Hagar’s Children” and must solve the murder of longtime family friend’s errant son.

In “Root Worker,” a young doctor takes her mother back to North Carolina in search of a local healer to exorcise the older’s woman’s witches. In “Common Law,” a once independent woman succumbs to the charms, and then to violence, at the whim of a man she can’t seem to let go. A woman inexplicably loses her sight in ”Blindsided,” while an elderly widower loses virtually everything in “A Rich Man.” In “Tapestry,” the final story – and my personal favorite – the not-lived life of a just-married young woman is interrupted by the life she’s just begun.

Jones, thankfully, is not a superficially tidy writer: his stories are not about artificial assurances, predictable narratives, easy endings. Each story is a microcosm to ponder and process; collected together, they weave together a diverse, dynamic tapestry – to borrow the final story’s title – of every day, seemingly ordinary African American life through a quickly evolving, unexpectedly changing 20th-century Washington, DC.

As rewarding as All proves to be, I admit I’m looking forward to getting Lost, already convinced I’m about to experience even greater enhancement and enrichment. I’ve just started Lost … stay tuned – I’ll be back in 14 stories.

Readers: Adult

Published: 2006

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Filed under ..Adult Readers, .Audio, .Fiction, .Short Stories, African American

The Lions of Little Rock by Kristin Levine

Lions of Little Rock1958, Little Rock, Arkansas: A year has passed since nine courageous African American students – history’s “Little Rock Nine“ – integrated Central High School. Just days before the new school year is scheduled to begin that September 15, then-Arkansas Governor Orval Faubus closed the city’s three high schools rather than adhere to the U.S. Supreme Court’s ruling to continue integration.

Not directly affected herself, Marlee, 12, starts middle school. She’s gifted with numbers, but has trouble with words … especially when she has to speak them out loud. Her excruciating shyness keeps her voice locked inside: “… I’m not stupid, I’m scared.” Then she meets Liz, the new girl, who immediately stands up to the class queen bee, but with such delightful aplomb that she is instantly everyone’s friend, including Marlee. In the midst of working on a school project – which Liz has convinced Marlee that Marlee can and will present to the whole class in her own voice! – Liz disappears. The truth is highly disturbing: Liz is barred from school … because in spite of her light skin, she is black. Marlee learns the ugly reality of “passing.”

Life at home becomes increasingly unstable. Her older brother has left home for college. Her older sister – and greatest ally – has been sent to live with their grandmother so she can continue high school elsewhere. Her parents are fighting more and more – seemingly arguing opposite sides of the integration divide. Citing her safety in an already volatile situation, both parents forbid Marlee from any contact with Liz. Then the family’s maid’s teenage son gets arrested for a crime he didn’t commit – and Marlee knows he’s innocent because she knows who’s really guilty. Little by little, she realizes that doing the right thing sometimes means you’ve got to start with doing more wrong.

Kristin Levine – whose mother was born in Little Rock – has constructed a remarkable novel, so intricately layered and yet perfectly pieced together. Beyond its feat of page-turning storytelling (track-whooshing, too, if you choose to listen to Julia Whelan’s excellent narration), Lions also is an outstanding history lesson, made even more extraordinary by its lack of finger-pointing judgment. Beyond the huge public moment in 1957 that was Little Rock integration, Levine returns to the citizens’ everyday experiences after the national news cameras turned off: “Many citizens of Little Rock were embarrassed that the world saw only the hate and bigotry in their town,” she writes in the “Author’s Note” at book’s end. “In contrast, by 1958-59, some people in Little Rock had started to speak out … when the city seemed to find a voice.” That voice Levine entrusts to young Marlee, who learns to use it with deliberate tenacity and unswerving courage.

Readers: Middle Grade, Young Adult

Published: 2012

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Etched in Clay: The Life of Dave, Enslaved Potter and Poet by Andrea Cheng, woodcuts by the author

Etched in Clay Absolute details surrounding the life of Dave the Potter are limited and uncertain. What remains of his life story almost two centuries later, is scattered with uncertain words, including ‘sometime,’ ‘about,’ ‘believed to be,’ ‘might,’ ‘possibly,’ and other such noncommittal qualifiers. The few surviving documents prove an enslaved teenager was bought by the Drake family, co-owners of Pottersville Stoneware Manufactory in Edgefield, South Carolina, in whose service he became a talented potter whose creations have survived, in small numbers, and become museum-worthy art pieces.

As if paralleling the sparse details of Dave’s life, Andrea Cheng replicates that sparseness in her slim novel-in-verse; she echoes the poetic etchings Dave added to his pottery by enhancing her verse with etched woodblock prints of her own. The result is a gorgeous, contemplative, artistic memorial to a creative life that survived unspeakable hardship while creating lasting, even subversive, beauty.

Dave’s considerable skill – recognized and lauded … and exploited – cannot save him from the horrors of slavery. His first wife was sold, and later his second wife and her two sons taken from him, as well. He himself is bought and sold within the Drake and related Landrum families. And yet, although literacy is illegal among slaves, Dave is taught to read and write, which enables to etch his name (his objections, his miseries, his screams) into the wet clay and the guarded words he can never say out loud: “horses mules and hogs – / all our cows is in the bogs – / where they will ever stay – / till the buzzards take them away =.”

As much as I’ve appreciated, learned from, and enjoyed Cheng‘s titles over the years (I think I’ve read all but four of her almost two dozen books), this, her latest, is clearly, undoubtedly, most definitely my favorite thus far. Here’s the irony: the subject of Etched in Clay just might be the furthest from her personal experience. Cheng has written numerous books inspired by her Hungarian heritage (Marika, The Lace Dowry, The Bear Makers), although she’s better known for her titles highlighting the Chinese American experience (she’s been part of a hapa Chinese American family since college) including The Key Collection, Shanghai Messenger, Only One Year, and The Year of the Book; Clay is definitely her first, and thus far her only, book with the history of American slavery at its core. So much for ‘write what you know.’ Every so often, talent just trumps all.

Tidbit: In the ending “Author’s Note,” Cheng credits Leonard Todd and his book for adults, Carolina Clay: The Life and Legend of Slave Potter Dave, for sparking her initial interest in Dave’s story, and later for “helping me so much with this project.” For interested readers, Todd’s website is a treasure trove of further information. The Smithsonian, by the way, owns two of Dave’s pieces (!); click here to see one of his poem jars collected by the National Museum of American History.

Readers: Middle Grade

Published: 2013

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Filed under ..Middle Grade Readers, .Biography, .Nonfiction, .Poetry, African American, Chinese American

The Rebellious Life of Mrs. Rosa Parks by Jeanne Theoharis

Rebellious Life of Mrs. Rosa ParksAlready designated “definitive political biography” on its back cover, The Rebellious Life of Mrs. Rosa Parks by Brooklyn College political science professor Jeanne Theoharis will reside in my personal reading history as the most difficult book I’ve ever reviewed. Never before – and hopefully never again – have I faced such a vast divide between significant content and frustrating execution. As the most exhaustively researched biography thus far on Rosa Parks, Theoharis’ new title is inarguably an essential addition to any library or classroom, and yet readers will need serious patience to sift through tedious repetition, fragmented chronology, and countless “might have/could have” assumptions to reach the final page.

Fable, myth, caricature are not words historically linked to Rosa Parks, who is publicly remembered as the quiet, tired seamstress whose refusal to give up her seat on a Montgomery, Ala., bus sparked the U.S. civil rights movement. When she died at 92 in 2005, Parks became the first woman and second African American to have her body lie in state in the U.S. Capitol Rotunda; 40,000 – including President and Mrs. George W. Bush – bore witness, with additional mourners paying tribute at overflowing memorials held in Montgomery, and Detroit, where Parks spent more than half of her life.

“[T]he woman who emerged in the public tribute bore only a fuzzy resemblance to Rosa Louise Parks,” Theoharis proves. “[R]epeatedly defined by one solitary act on the bus,” Theoharis insists Parks was “stripped of her lifelong history of activism and anger at American injustice.” Instead, “the public spectacle provided an opportunity for the nation to lay rest a national heroine and its own history of racism.” In other words: 50 years earlier, this tired woman couldn’t sit on a bus, but look where she’s lying now.

Theoharis “was captivated and then horrified by the national spectacle made of her death.” She gave a talk about “its caricature of [Parks] and, by extension, its misrepresentation of the civil rights movement,” which she was asked to turn into an article: “It became clear how little we actually knew about Rosa Parks.” Even Rosa Parks: A Life, the biography by lauded historian Douglas Brinkley, “is “pocket-sized, un-footnoted,” while the autobiography Parks wrote with Jim Haskins, Rosa Parks: My Story, is targeted for young adult readers. “[T]he lack of scholarly monograph on Parks,” Theoharis observes, “is notable.”

More than a personal biography, The Rebellious Life of Mrs. Rosa Parks (Theoharis uses the honorific Mrs. to add “a degree of dignity, distance, and formality to mark that she is not fully ours as a nation to appropriate”) is a political reclamation of Parks’ almost-70 years of activism. As the grandchild of slaves, Parks knew “[f]rom an early age, … ‘we were not free.’” Pushed by her mother, a teacher, towards an education, “her discovery of black history in high school was transformative.” Family responsibilities kept Parks from finishing 11th grade; she wanted to be nurse or social worker, never a teacher after the “’humiliation and intimidation’” she watched her mother endure. Her husband Raymond Parks was “’the first real activist I ever met.’”

Her acts of resistance began small and early – she refused to drink from segregated water fountains – then public and even life-threatening – she registered to vote and assisted others “despite enormous poll taxes and the unfair registration tests.” She was Montgomery’s NAACP secretary, long aligned with controversial activist E.D. Nixon; she experienced interracial leadership training and race equality at the Highlander Folk School in Tennessee. [... click here for more]

Review: Christian Science Monitor, January 30, 2013

Readers: Young Adult, Adult

Published: 2013

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Filed under ..Adult Readers, ..Young Adult Readers, .Biography, .Nonfiction, African American

Jefferson’s Sons: A Founding Father’s Secret Children by Kimberly Brubaker Bradley

Jefferson's SonsLet me start with what has been deemed as historical record. According to the Thomas Jefferson Foundation – which not only owns and operates Jefferson’s legendary home, Monticello, but maintains the most comprehensive website focused on “Monticello, Jefferson, his family, and his times” – this is the official word on Jefferson’s relationship with his slave, Sally Hemings: “The claim that Thomas Jefferson fathered children with Sally Hemings, a slave at Monticello, entered the public arena during Jefferson’s first term as president, and it has remained a subject of discussion and disagreement for two centuries. Based on documentary, scientific, statistical, and oral history evidence, the Thomas Jefferson Foundation (TJF) Research Committee Report on Thomas Jefferson and Sally Hemings (January 2000) remains the most comprehensive analysis of this historical topic. Ten years later, TJF and most historians believe that, years after his wife’s death, Thomas Jefferson was the father of the six children of Sally Hemings mentioned in Jefferson’s records, including Beverly, Harriet, Madison, and Eston Hemings.”

That the man who wrote the very words of the Declaration of Independence – “all men are created equal” – not only kept slaves (he owned some 600 human beings during his lifetime), but even fathered at least six slave children, has been a “Paradox of Liberty” for hundreds of years. [If you're interested in finding out more, be sure to check out the online exhibition, presented by the Smithsonian's National Museum of African American History and Culture, in partnership with TJF.]

Author Kimberly Brubaker Bradley meticulously takes Jefferson’s history as it was officially recorded at the time of her writing – while clearly acknowledging that historical evidence is not immutable – and creates an unforgettable story (soulfully read by Adenrele Ojo who correctly says ‘Monti-cello‘ like the instrument!) of the complicated relationships within a significant, mixed-race family. Sally Hemings’ children are a secret that everyone in Monticello knows, but no one ever acknowledges: her four surviving children – three sons and one daughter – call their father “Master Jefferson,” just as all the other plantation slaves must do.

Focusing on three characters – including Jefferson’s sons Beverly and Madison – Bradley imagines the lives of the slave children, growing up – and serving – their white relatives; although protected from the worst hard labors, Jefferson’s own progeny are hardly “created equal.” To contrast the comparatively easier lives of Jefferson’s children, Bradley chooses as her third protagonist another (historically documented) plantation child, Peter Fossett, who, unlike Beverly and Maddy can openly love, admire, live with his father, but will be subjected to watching his family splintered and sold.

Intended for younger readers, Bradley navigates admirably through challenging territory, voicing the confusion children must confront in a senseless world they are born into, that they cannot possibly understand. Sally must explain the incomprehensible, conflicting laws that make her children both white (seven of their eight great-grandparents were white – which in itself is a heinous history) and slaves (the child of a slave is also a slave) at the same time. She must prepare at least two of her children for their white destinies by age 18, at the cost of losing each forever … to freedom.

Whether read as history or fiction, Sons is an unflinching look at America’s tragic enslaved past. As African American History Month begins this week, Bradley’s enlightening, fascinating novel is an extremely timely reminder that “life, liberty and the pursuit of happiness” are hard-won “inalienable rights” meant for one and all.

Readers: Middle Grade, Young Adult, Adult

Published: 2011

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Unspoken: A Story from the Underground Railroad by Henry Cole

In our hyper-connected world of constant chatter, quiet is a difficult-to-access, precious commodity. Take a sweeping look around you, take a few minutes to turn everything off, and grab a copy of this spectacular, wordless book. That’s right – no words, beyond the author’s dedication (to a librarian!) at book’s beginning, and his illuminating note at book’s end. Yet in between, you’ll find a young heroine’s story that speaks volumes …

As a young girl goes about her daily chores on the family farm, she notices small details that make her look once, twice, and again. Her initial fear turns into courage by the light of her lantern, as she offers a hidden biscuit, then a slice of pie and a drumstick to an unseen visitor in the dark barn. Through a peephole under the stairs, she witnesses the angry soldiers who promise a reward to betray a human life, but her unspoken vigilance proves to be the best reward of all.

Unspoken, which pubbed just last week, has already been named one of New York Times Best Illustrated Children’s Books of 2012. Even without that latest (well-deserved) honor, if creator Henry Cole‘s name or his illustrations seem familiar to you, that’s probably because one of his dozens of books happens to be And Tango Makes Three, which he illustrated for authors Justin Richardson and Peter Parnell. For all the wrong reasons, Cole has practically been an annual household name especially during Banned Books Week: Sweet Tango led the “Top ten most frequently challenged books of 2010,” was at the top of the list for five years in a row (with a respite at #2 in 2009), but then was conspicuously absent in the latest 2011 list (oh, how fickle the naysayers!)!

Having experienced only too well that sort of censored silence beyond his control, Cole’s decision to create a silent book – and such a marvelous one at that! – surely resounds with a sense of sweet victory. In his “Author’s Note,” he shares highlights from his family’s long-ago history on their Virginia farm during the Civil War, and adds, “I wanted to tell – or show – the courage of everyday people who were brave in quiet ways.”

What did I say about speaking volumes?!!

Readers: Children

Published: 2012

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Filed under ...Absolute Favorites, ..Children/Picture Books, .Fiction, African American, Nonethnic-specific

Home by Toni Morrison

The legendary 1993 Nobel Prize-winning Toni Morrison begins her latest novel with a jarring disconnect of warning: the title is Home, and yet the first pages open with an unannotated verse – “Whose house is this? / …. It’s not mine. / I dreamed another, sweeter, brighter / … Say, tell me, why does its lock fit my key?” Home, the very concept of comfort, safety, familiarity, is already something “strange. / Its shadows lie.” And then, the story begins …

Frank Money lies in a “nuthouse,” plotting his escape through the fog of hospital drugs. He survived the Korean War that took the lives of his two childhood friends, but for the year since his discharge, he’s been on the West Coast, unable to venture back to his Georgia hometown: ” … he hated Lotus. Its unforgiving population, its isolation …” His impetus eastward finally comes from a warning letter about his beloved younger sister : “‘Come fast,’” the letter demands. “‘She be dead if you tarry.’”

As Frank makes the long journey across his home country where the dark color of his skin determines his interaction with his fellow Americans, he recalls his southern childhood, what he thought was his escape to the front lines, and the tragedies he suffered on the other side of the world. Interwoven with his fragmented, at times unreliable (“I lied to you and I lied to me“) memories, are glimpses of his sister’s experiences as an uneducated young woman desperate for knowledge, his step-grandmother’s excuses for her abusive relationships, and his girlfriend’s determination to make a better life.

With controlled nuance, Morrison herself reads us Home (how lucky are we?), unfolding a multi-perspective narrative about one man’s struggle to find his humanity. In spite of its novella length, Home is a rich, dense, challenging meditation that continues to haunt long after the final page.

Readers: Adult

Published: 2012

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Filed under ..Adult Readers, .Audio, .Fiction, African American, Korean