Category Archives: ..Adult Readers

Faithful Place by Tana French

Faithful PlaceTana French has a method to her mysteries: While all four of her titles are standalone thrillers, you’ll get more out of each if you read them in chronological order because each book’s protagonist is connected to the next. Rob opens the Dublin Murder Squad series with In the Woods, his partner Cassie takes control in The Likeness, her former boss Frank Mackey narrates this, Faithful Place, and his nemesis colleague Mick Kennedy stars in last year’s Broken Harbor.

If you choose to take Faithful on the run (as I’ve done with all the French titles so I can attest that the miles fly by), narrator Tim Gerard Reynolds adds just the right tinge of sinister, properly paced throughout. Interestingly enough, Faithful is one of Reynolds’ first-ever audiobooks … and he happens to have lived a “somewhat parallel [life]“ with Tana French, complete with geographic overlaps.

Digression aside, what makes protagonist Frank Mackey an effective detective also makes him a difficult (impossible?) husband and father. He’s managed to maintain a civil-enough relationship with his ex-wife, and his young daughter still loves him, although even she is growing wary of his unreliability. When Frank’s younger sister urgently calls him home to Faithful Place, a harsh working-class Dublin neighborhood Frank escaped as a teenager and expected to never look back, he’s forced to return – literally – to the baggage of his troubled past.

That recovered suitcase is Rosie Daly’s, who more than two decades before was Frank’s unrivaled first love, who vanished on the very evening the young lovers had planned to abandon their stifling lives and start afresh in England. Rosie never showed up for their journey out, so Frank walked away alone, his heart irrevocably shattered and rendered incapable of true love since.

Then a body is found. And Frank faces searing loss – over and over again: even the torture of that never-healed cardiac wound pales to what he has to face when he re-enters the confines of his estranged family. ‘Dysfunctional’ barely describes his bitter parents and his left-behind siblings. But determined detective that he is, Frank allows little to get in his way solving the latest murders (yes, the body count doesn’t stagnate) – not his desperate family, and not even his precious little girl.

While the whodunit surprises keep the pages (or tracks) moving swiftly, the most intriguing narrative twists belong in Frank’s head. As with her two previous protagonists, French is a master of mental manipulation, creating complicated, unpredictable characters who demand attention long after the case files get stamped and stored. ‘Scorcher’ Kennedy – I’m coming for you next!

Readers: Adult

Published: 2010

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Limit (vol. 5) by Keiko Suenobu, translated by Mari Morimoto

Limit 5So we’ve arrived at the penultimate volume of one of the most hair-raising manga series I’ve ever read – because a resemblance to reality is always more disturbing that any dystopic sci-fi for sure! Bullying, domestic abuse, high school caste systems, the careless power of popularity – that’s all in here … stripped down, laid bare, in a life-and-death situation of nightmarish proportions (most especially for parents!). Creator Keiko Suenobu’s never-still panels also seem to have picked up in pace, as fatal danger readies for another strike.

The six survivors of the fatal bus crash that opened volume 1 are down to just four: One of the children has turned into a serial killer … initially by accident, but now ready to purposefully carry out a diabolically simple plan. In the name of survival, the three girls have reached an uneasy truce. Hinata, the only boy and newbie of the leftover foursome, is remembered by Konno as the supportive all-around nice-guy at school. His initial encouragement of “Let’s all go home together” is now a tragically impossible dream … especially with the body count threatening to rise yet again. The desperate rescue mission continues, but can help arrive in time?

The final volume (shudder, shudder) debuts this summer: Who will be left standing? Parents, you’ve been duly warned …!!

Readers: Young Adult, Adult

Published: 2013 (United States)

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Filed under ..Adult Readers, ..Young Adult Readers, .Fiction, .Graphic Novel/Manga/Manwha, .Translation, Japanese

Anatomy of a Disappearance by Hisham Matar

Anatomy of a DisappearanceHisham Matar’s second novel (following his much-lauded, substantially-awarded debut, In the Country of Men) reads like a fast-moving dream, events jarringly, jaggedly forced together, and yet somehow managing to maintain a clear, thoughtful narrative. Narrator Steve West’s methodically-paced, calmly-controlled voice imbues Matar’s haunting story with dignity and gravitas.

Disappearance, absence, displacement loom large throughout Nuri’s life. Even as a young boy, what Nuri knows of his Cairo home is already a compromised existence-in-exile as a result of his father’s political past. When his mother dies, his father remarries a vibrant young woman named Mona whom the 12-year-old Nuri claims as his own upon first sight. Sent away to an exclusive English boarding school, Nuri is separated from all that is familiar, including the devoted servant girl who helped raise him.

And then his father disappears, in 1972 when Nuri is just 14. That loss becomes the single defining event of Nuri’s life; in the desperate, unending search to discover what happened, both Nuri and Mona learn as many truths about themselves, and each other, as about the distant, enigmatic man who once held them tenuously together.

The missing parent looms large in both of Matar’s titles, telling proof that he writes what he knows: Matar lost his own father, a Libyan dissident, to a politically motivated kidnapping in 1990; decades later, the elder Matar remains missing.

In a January 2010 article for the UK’s Guardian, Matar wrote about learning that his father was seen “‘[f]rail, but well’” in 2002 in a secret prison, although the news took eight years to reach the surviving family: ” … weeks from finishing that novel [Anatomy], I learn that my father, who disappeared 20 years ago, might be alive … Uncanny how reality presses against that precious quiet place of dreaming. As if life is jealous of fiction.” Fictional as Anatomy claims to be, echoing his literary stand-in Nuri, Matar holds on to his father’s coat waiting for his someday-return. “Maybe it still fits him,” he muses.

Readers: Adult

Published: 2011

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Filed under ..Adult Readers, .Audio, .Fiction, Arab, British, Egyptian, European, Middle Eastern

I Am an Executioner: Love Stories by Rajesh Parameswaran

I Am an ExecutionerTo put a word so violent as Executioner next to a muzak-soundtrack-inducing subtitle like Love Stories, on a cover sporting a cutesy, heart-shaped tiger’s tail is exactly the sort of unsettling experience you can expect from Rajesh Parameswaran‘s uniquely original debut story collection.

Animals take control of their narratives in a third of the nine stories here: in “The Infamous Bengal Ming,” a tiger newly smitten with his zookeeper unintentionally becomes a gory killer than a gentle lover; in “Elephants in Captivity (Part One),” a captive pachyderm’s hurriedly penned (trunked?) memoir is presented in translation from its original “Englaphant,” with more footnoted annotations than original text; in “On the Banks of Table River (Planet Lucina, Andromeda Galaxy, AD 2319),” the vicious mating rituals of oversized insects with each other, as well as humans, are revealed in churning detail.

While love among different species might be less than compatible, cavorting with one’s own kind is also no guarantee of ‘happily ever after.’ In the eponymous “I Am an Executioner,” the titular protagonist works desperately to start a relationship with his shocked new wife In “Demons,” a wife’s deathly wish towards her overbearing husband shockingly comes true – and then what is she to do? In “Narrative of an Agent 97-4702,” spouses can only share lives of half-truths and repeated deceptions.

When love morphs into power-play, tragedy inevitably ensues, from a failing computer salesman posing as a medical doctor in “The Strange Career of Dr. Raju Gopalarajan,” to a railway employee marrying up in “Four Rajeshes,” to a production designer’s desire to claim directorial control in “Bibhutibhushan Mallik’s Final Storyboard.”

Parameswaran’s imagination makes startling twists and manages to achieve unanticipated feats of bizarre fancy. A little shock to our jaded systems can only be a good thing – uncomfortable laughter, sudden squeamishness, unrestrained gasps all included!

Readers: Adult

Published: 2012

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The Likeness by Tana French

LikenessIn the second installment of Tana French‘s Dublin Murder Squad series, Cassie Maddox hasn’t quite recovered from Operation Vestal of In the Woods, the series’ debut. While she gained a caring, supportive, all-around good guy lover, she lost her partner who was also her very best friend. She’s given up the murder squad for now, and is working somewhat under the radar in Domestic Violence.

And then a young woman named Lexie Madison is found stabbed to death in an abandoned stone cottage. The problem is, Lexie Madison shouldn’t exist. Cassie and her former Undercover boss, Frank Mackey, invented everything about her – name, family, life story – for an assignment for Cassie years back. But that’s still not the most freakish detail: this ersatz Lexie is also Cassie’s doppelgänger.

Determined to solve this multi-layered mystery, Frank wheedles Cassie into returning to Undercover and literally bring Lexie back to life. Coached and wired, Cassie moves into the mansion outside Dublin where Lexie lived an insulated, rather halcyon life with four roommates, all graduate students at nearby Trinity College. Living, laughing, sharing everyday life with perhaps her own murderer, Cassie’s struggle to remain detached and objective gets ever more challenging.

Likeness is most obviously a murderous thriller, although it rises far above typical genre fiction with deeply psychological observations of the fluidity of identity. Lexie Madison tosses identities aside, while Cassie willingly sublimates her own – far beyond the call of career duty. Her tough exterior hides her lifelong fragility: her parents’ sudden death at a young age, her loving but distant aunt and uncle who never managed to make her feel like a permanent member of their family, the ever-temporary quality of her rented, anonymous living spaces, her loss of the most constant person in her life, her limited relationships, all collude to make Cassie vulnerable to the lure of intimacy, of permanence with her new housemates. Her loss of objectivity is almost expected, as her resistance to the inviting sense of belonging lessens meal by meal, tear after tear, day by day.

For those of you who choose to take murder on the run, Heather O’Neill is just the right energetic narrator, with only a small misstep when she attempts a faulty Australian accent. She’s able to take what might be yawn-inducing on the page – I strongly suspect the minutest details of the ongoing exchanges of five roommates would prove flat in print – and ratchet the tempo just enough to discard the burnt toast while keeping the ears tuned to Cassie’s never-stopping reactions. You might solve the whodunit before Cassie does, but the how and why will keep the story firmly stuck in the ears, long after the guilty admits all.

Readers: Adult

Published: 2008

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Filed under ..Adult Readers, .Audio, .Fiction, Irish

The Blind Man’s Garden by Nadeem Aslam

Blind Man's GardenWho needs films when writers like Nadeem Aslam can create such eloquent canvases that no celluloid could ever hope to project? Blind Man’s Garden takes you deep into the tragic ‘war on terror’ and shows you the very lives of the individuals who must live through (or not) the shattering decisions of faraway leaders, governments, and regimes.

Mikal and Jeo grow up as brothers in a small town in Pakistan – Jeo is the son of former schoolmaster Rohan who takes in Mikal and his older brother Basie when they lose their own parents. When Jeo, training to be a doctor, secretly decides to go to Afghanistan in hopes of caring for the human collateral damage from the post-9/11 U.S. invasion of Afghanistan, Mikal immediately decides to join him.

Both young men leave behind their shared family, including the same beloved, Naheed – she who loved Mikal first, but married Jeo at last. The brothers embark on a Odyssean journey to nowhere fueled by a fierce hope to return home. With all their fates unknown, Naheed mourns and waits, her mother Tara desperately fights what she believes is inevitable, and Rohan attempts to save another man’s young boy as he was unable to save his late wife from eternal damnation. The family, splintered by ideologies and violence gone awry, will never be the same again … and yet somehow, a much-transformed new family will inevitably survive …

In spite of needing to finish Aslam’s fourth and latest novel because of a looming interview deadline (I know, lucky me!), I lost all my usual reading alacrity as I approached book’s end, so as to avoid actually reaching that final page. Now as I ready myself for the authorly exchange, I’m bereft that that preparation cost me any lingering comfort of knowing I still had more Aslam to read. Alas, I must settle into waiting mode for his next novel; and patience was never, ever my virtue.

Readers: Adult

Published: 2013

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A Tale for the Time Being by Ruth Ozeki

A Tale for the Time BeingYou might choose to read Ruth Ozeki‘s latest novel as another engrossing, original story – because it clearly is. And if you decide to stick the novel in your ears, you’ll be thrilled and grateful to know that Ozeki herself reads to you – her recitation is crisp, measured, and exacting.

The novel’s dual protagonists take turns revealing the eponymous ‘tale’: Nao, short for Naoko, is a bullied Tokyo teenager dealing with her suicidal, unemployed father while whose closest confidante is her 104-year-old Buddhist nun great-grandmother; Ruth is a hapa Japanese American novelist living on a tiny island off the coast of Canada’s British Columbia. The two women are connected via the vast Pacific waters when a Hello Kitty lunchbox containing mementos of Nao’s life – including a journal retrofitted inside the cover of an aptly chosen Marcel Proust classic, À la recherche du temps perdu (Remembrances of Things Past) – washes up on the island’s shoreline, quite possibly a vestige from Japan’s 2011 Tōhoku earthquake and tsunami. [Note to self: Tale pubbed exactly two years and one day after the tragedy, and a full decade minus two days after Ozeki's last novel, All Over Creation.] While Ruth attempts to reconstruct Nao’s past from the lunchbox remnants, she also works desperately to find Nao’s present.

All that is reason enough to read the novel and be done. But I dare you NOT to keep thinking long after you reach that final cover. The names will surely keep you challenged: just for starters, might I mention Nao/now, ‘Naoko’ meaning honest child in Japanese and the ‘truth’ she writes or doesn’t write in a work of fiction, her last name Yasutani (which might mean ‘peaceful valley,’ the ironic opposite of Nao’s complicated young life) which also happens to be the name of renowned Zen Buddhist priest Yasutani Haku’un, not to mention the fictional and real-life Ruths, both with husbands named Oliver.

If the names don’t spark further interest about reliable narrators, notions of reality, the art of fiction, the cover could inspire further volumes. Allow me to share a couple of the multi-layers to consider. In the third line down of the story’s opening page is this description: “A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.” That explanation transforms the title into at least a double entendre, as in ‘a story for now,’ or ‘a story for Nao.’ Add the subtitle, “a novel,” and the author’s name, and you’ve grown a labyrinth of meanings, from ‘a novel story for now by Ruth,’ to ‘Ruth’s novel about Nao,’ and so much more.

I might quibble that by the final pages, a few of the narrative threads were a bit too ‘deus ex machina‘-ly resolved, but I also find myself insisting that sometimes endings just need to be happier than not. That sort of magical thinking perhaps doesn’t make for a perfect novel, but it’s a small price to pay for attempting to redeem humanity through the healing power of sharing words and telling stories.

Readers: Adult

Published: 2013

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Thermae Romae II by Mari Yamazaki, translated by Stephen Paul

Thermae Romae 2To get to know our time-traveling bather, start with Volume I. When in Thermae Romae, you need to do as this Roman does and find out how he journeys back and forth between far-spanning centuries and cultures with one thing in common – an obsession with the bath.

If the cover looks familiar, Osamu Tezuka Cultural Prize-winning creator Mari Yamazaki explains how she risked marital peace to parody “one of the greatest works of ancient Roman sculpture,” Laocoön and His Sons. In spite of her husband’s angry reaction, she insists that her version of Laocoön “wearing a shampoo hat to keep the shampoo out of his eyes” is not such a far stretch: “I’m sure Laocoön washed his fair from time to time, and if he did massage his scalp, he certainly must have struck poses like the one on the cover.” You’ll find that sort of goofy humor on almost every page, all the while learning quite a bit about ancient Roman history, and modern Japanese bathing culture. Yamazaki will entertainingly convince you how such two seemingly disparate topics are actually quite related.

As Volume II begins, Lucius is a favorite of Emperor Hadrian, renowned as the innovative bath architect. In an act of potentially fatal jealousy, Senate members plot to get Lucius out of Rome with a ruse about a creating a new thermae in an area overrun by violent bandits. What happens instead is a bit of brilliant marketing, inspired by Lucius’ timely visit to a Japanese hot spring town where he wins big at a game booth, discovers kitschy souvenirs, and tastes his first bowl of steaming ramen and juicy gyoza. With further unpredictable forays into the land of the “flat-faces” (the phrase still bugs me, but not quite as much this second time around), Lucius learns to build a wooden barrel single bath shippable to the hinterlands, and how to balance the most gaudiest demands with just enough elegantly-tempered details.

Then half-way through the volume, Hadrian’s adopted heir (profligately portrayed by Yamazaki with apologies later – artistic license, right?) dies. With Hadrian’s own health less than robust, Lucius becomes determined to create something soothingly rejuvenating for his Imperator. His search magically sends him to meet “such a beautiful flat-face” as he’s never seen before … who just happens to be an ancient Roman scholar who speaks perfect Latin! Talk about back to the future … in centur-ion leaps!

Readers: Young Adult, Adult

Published: 2013 (United States)

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Filed under ..Adult Readers, ..Middle Grade Readers, .Fiction, .Graphic Novel/Manga/Manwha, .Translation, European, Japanese

On Sal Mal Lane by Ru Freeman + Author Interview

On Sal Mal LaneAllow me to start with the simple end: Ru Freeman’s On Sal Mal Lane is stupendous. I’ll even embellish that verdict and add that it is actually fan-huththa-tastic... the tmetic meaning of which should encourage you to go get your own copy and check the “glossary” at book’s end. You’ll surely find some choice vocabulary there to aptly describe your own reading experience.

As in Freeman’s absorbing 2009 debut, A Disobedient Girl, the intricate lives of young children take center stage in On Sal Mal Lane. In 1979, the titular Sal Mal Lane is a small cul-de-sac on the outskirts of Sri Lanka’s largest city and former capital, Colombo; in spite of the diverse households, the residents live in relative peace. If they are not exactly friendly, then they certainly live as tolerant neighbors one and all. The Herath family of two parents, four young children – Suren the musician, Rashmi the singer, Nihil the cricketer, and baby Devi the favored – and their servant move into the quiet enclave, reshuffling friendships and alliances throughout the lane.

The Heraths are educated and cultured, and their four children, whose ages range from 7-and-a-half-year-old Devi to 12-year-old Suren, “were different from all the others who had come and stayed for a while on Sal Mal Lane.” In addition to each being neat and clean, well-mannered and talented, their devotion to one another – ”the way they stood together even when they were apart … every word uttered, every challenge made, every secret kept, together” – is a gift to behold.

Even as the Heraths’ lives intertwine with that of their neighbors, beyond the safety of their small street, the rest of the country is at an impasse. Ethnic, religious, and political differences among a population with a long history of divisions, colonizations, and suppressions foment through the years, leading up to a coming civil war that will break out in 1983 and last over a quarter-century. “Everyone who lived on Sal Mal Lane was implicated in what happened … the Tamil Catholics and Hindus, the Burgher Catholics, the Muslims, and the Sinhalese, both Catholic and Buddhist. Their lives were unfolding against a backdrop of conflict that would span decades … And while this story is about small people, we must consider the fact that their history is long and accord them, too, a story equal to their past.”

Freeman surely doesn’t disappoint. As she unwinds what happened – with prose both lingering and breathtaking – the children, even the lane’s bully who could have been different with just the occasional kindness, will charm you, tease you, play with you, and when they leave you, they’ll shatter your heart. “To tell a story about divergent lives, the storyteller must be everything and nothing,” Freeman’s prologue concludes. “If at times you detect some subtle preferences, an undeserved generosity toward someone, a boy child, perhaps, or an old man, forgive me. It is far easier to be everything and nothing than it is to conceal love.”

What possessed you to write this novel? How did it come about?
First, I had been a little down about a magazine piece that did not work out. [The article] had to do with the end of the war [the Sri Lankan Civil War – July 23, 1983, to May 18, 2009], and the editor wanted a very pared-down story with easily identifiable villains and saints. I wanted to write a more nuanced story. Second, I didn’t set out to write this novel, in particular. I was just dabbling with this and that, sketching out some anecdotal bits about growing up down a lane like this one. It was one of my brothers, Malinda, who nudged me down this road. He started chatting back with me – via Google Chat – reminiscing about that time and there it was – the novel I wanted to write. This story that was the one I had been trying to put into that magazine article, the one that was not easy but faceted and brittle and gentle and layered. [... click here for more]

Author interview: “Feature: An Interview with Ru Freeman,” Bookslut.com, May 2013

Readers: Adult

Published: 2013

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Filed under ...Absolute Favorites, ...Author Interview/Profile, ..Adult Readers, .Fiction, South Asian, South Asian American, Sri Lankan, Sri Lankan American

The Goddess Chronicle by Natsuo Kirino, translated by Rebecca Copeland

Goodness ChronicleAward-winning Japanese crime fiction writer Natsuo Kirino (Out; Grotesque) contributes to the latest installment of the “The Myths” series, originally published by Britain’s Canongate, in which contemporary writers retell myths. Previous volumes have included Margaret Atwood’s The Penelopiad: The Myth of Penelope and Odysseus and David Grossman’s Lion’s Honey: The Myth of Sampson.

Kirino here retells the eighth-century creation myth of Izanami and Izanaki – the original female and male gods whose union produced the Japanese islands – in a novel framing two sisters, one fated to become the next Oracle to serve the “realm of light,” the other who will serve the “realm of darkness.” Unwilling to accept her fate, Namima attempts an escape that damns her to Izanami’s Realm of the Dead. Readers will find echoes of Orpheus and Eurydice as well as Persephone and Demeter.

Verdict: Although inventive, the double narrative of sisters and gods – the former freeing, the latter bound to centuries-old history – never quite meshes, often feeling clumsily forced. Still, bestselling Kirino’s many devotees will likely provide a ready audience

Review: “Fiction,” Library Journal, May 1, 2013

Readers: Adult

Published: 2013 (United States)

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Filed under ..Adult Readers, .Fiction, .Translation, Japanese