March 16, 2009

Welcome

The motley crew at the Smithsonian Asian Pacific American Program keeps me around because I’ve always got a steady arsenal of great reading suggestions – not to mention a few opinions here and there … I was born a Dragon, after all! A Wood Dragon, at that! Wood, trees, paper, books … obviously predetermined that I’d be an opinionated reader! So welcome to my overflowing bookshelves.

Even though BookDragon officially went public on March 16, 2009, you’ll find much older postings. That’s because I also populated this blog backwards with reviewed titles from years back. I’ve been writing about books and authors for a long, long time!

To make this blog work for you, be sure to use “Categories” or “Tags” to search for books that might interest you most. Thanks for visiting and check back again soon!

— Terry Hong

September 3, 2010

Woman at Point Zero by Nawal El Saadawi, translated by Sherif Hatata

Writer/playwright/activist/psychiatrist Nawal El Saadawi is one of those women who seem to scare men – especially those who purport to have something called ‘authority.’ She’s been fired, banned, accused, threatened, imprisoned because of what is ultimately her simple belief that all women are worthy human beings deserving respect and equality.

The Egyptian-born El Saadawi writes in Arabic; her husband, Sherif Hatata, who is also a novelist and doctor, has translated a number El Saadawi’s works (and his own) into English. The prolific El Saadawi with dozens of title to her name, has written six memoirs thus far; she wrote her first from a jail cell on a roll of toilet paper and a smuggled-in eyebrow pencil, aptly published as Memoirs from the Women’s Prison.

Prison looms large in Woman at Point Zero, considered to be El Saadawi’s best-known novel internationally. While conducting research on neurosis in Egyptian women in the early 1970s, El Saadawi made regular visits to hospitals and outpatient clinics, but she was especially interested in “what prison life was like, especially for women,” she reveals in the book’s 1983 preface. “Perhaps this was because I lived in a country [Egypt] where many prominent intellectuals around me had spent various periods of time in prison for ‘political offences,’” including her own husband. “Little did I know that one day I would step through the same gates, not as a psychiatrist, but as a prisoner arrested with 1,035 others under the decree issued by Sadat on 5 September 1981 [which called for the imprisonment of all opposition activists].”

“This is the story of a real woman,” the novel begins. That woman whom El Saadawi met almost four decades ago was called Firdaus. It is the night before Firdaus’ execution for having committed murder. And throughout the night, Firdaus reveals her story.

“Let me speak. Do not interrupt me,” Firdaus insists – most of her life has been spent unheard and unseen as a thinking, feeling human being. Born to peasant parents, she is eventually raised by an uncle who takes her to Cairo, who recognizes her intellect, who sends her to school, but who also thinks nothing of treating her as a sexual plaything. He marries her off to a decrepit old man, who in turn violently abuses the still teenage Firdaus. She escapes, only to be lured into one abusive relationship after another. Her attempt to live a ‘respectful’ life ends with a betrayed, broken heart, and she re-invents herself as a highly-paid, sought-after, seemingly independent prostitute … at least for a short time.

Firdaus speaks without remorse, without pity. She recognizes that death is the only escape from her debased, shattered life. In spite of her devotion to learning and knowledge – as soon as she has the financial means, she enshrines her love of books in a library room she does not allow any others to enter – she cannot escape the oppressive cycles of power and abuse.

“This woman,” writes El Saadawi, “… evoked .. a need to challenge and to overcome those forces that deprive human beings of their right to live, to love and to real freedom.” That is what makes too many so-called ‘authorities’ afraid. Almost a half-century since her encounter with Firdaus, even as she approaches the age of 80, El Saadawi continues her fight for women’s freedom. Her books continue to provide remarkable testimony … as well as the not-to-be-ignored call to join in.

Readers: Adult

Published: 1975; 2007 (latest English edition)

September 2, 2010

Spork by Kyo Maclear, illustrated by Isabelle Arsenault

First off, Spork is one of the cutest, most clever books on mixed-race issues to land on my desk in a long time. Both story and illustrations create a perfect package of ticklish, delightful fun … with important life lessons for lasting zing. The writer, Canadian novelist Kyo Maclear, is herself hapa, the daughter of a British father and a Japanese mother, who “conceived the story of this mixed utensil with her husband to commemorate the birth of their first son.”

“Spork was neither spoon nor fork … but a bit of both.” While Mummy Spoon and Daddy Fork “both thought he was perfect just the way he was,” everyone (every-thing?) else in the kitchen, however, had different ideas. “Cutlery customs were followed closely. Mixing was uncommon.” That said, this is a 21st-century kiddie book, after all, so “[n]aturally, there were rule breakers: knives who loved chopsticks, tongs who married forks. But such families were unusual.”

Are you grinning yet?

For the billionth time, Spork gets that question familiar to all hapas: “‘What are you, anyway?’” After the zillionth time, he’s pretty convinced that life might be easier if he could “try to pick just one thing to be.” Yet the bowler hat he dons to look more spoonish just makes him too round; the paper crown he wears makes him too pointy. With no one else like him, he’s feeling pretty lonely, especially as he looks on while everyone else gets to enjoy a “super-bubbly bath in the sink.”

Then it happens one morning: “a messy thing arrived.” And for that mannerless, spilling, dripping, splattering “thing,” Spork proves to be the one perfect companion … you’ll have to read the book to see just what that “messy thing” might be. No secrets revealed here. In the end, Spork proves to be “[j]ust right.”

Oh, the messy, happy, delights …

Readers: Children

Published: 2010

September 1, 2010

Gush by Yo Hemmi, translated by Giles Murray

If the eponymous story of this three-novella collection by prestigious Akutagawa Prize winner Hemmi seems familiar, that’s because both Cannes and Toronto film festivals screened the celluloid version in 2001 with a more literal translation of the Japanese title, Warm Water Under a Red Bridge, helmed by legendary director Shohei Imamura.

In the original story, an unsuccessful insurance salesman becomes involved with a young woman who has a uniquely bothersome condition that causes her to fill with water; draining relief happens only when she performs “shameful” acts, like shoplifting pungent cheese and having sex. In “Night Caravan,” a befuddled man journeys in midnight darkness from a Hanoi bar with two prostitutes, their abusive pimp, and glowing lice toward the promise of a “nice hotel.” In “Piano Wire,” first the pet duck then the duck’s human family are saved from their own cluttered lives by a former Tokyo veterinarian.

Verdict: In spite of their high bizarre factor, these stories lack lasting depth and ultimately prove unremarkable. Haruki Murakami, Ryu Murakami, or Takeshi Kitano will offer readers more literary fulfillment.

Review: “Fiction,” Library Journal, September 1, 2010

Tidbit: In the same September 1 issue of LJ, SI BookDragon gets a fabulous mention in the issue’s lead article, “Every Reader a Reviewer: The Online Book Conversation” … WOW!

Beyond the traditional review, you’ve got intimacy (or something that feels like it), you’ve got sharp personality (read LJ reviewer Terry Hong’s Smithsonian BookDragon blog, and you know she’s whip-smart, charming, and not to be crossed), and you’ve got a populist voice (“I don’t feel like I have to have an advanced degree in literature to understand the reviewer, as is often the case with The New Yorker,” says Morrow).

Readers: Adult

Published: 2010 (United States)

August 31, 2010

Koko Be Good by Jen Wang

When I first read Jen Wang‘s spirited debut graphic novel, I couldn’t help but be reminded of how quirky, unique, and just plain delightful Melanie Griffith once was in Jonathan Demme’s 1986 film, Something Wild. Not that the plots are overly similar, but that contagious wild-child spirit infuses both works … making them both such fun adventures.

Jon’s long-distance relationship is finally about to become local … or, rather, global, as he is three weeks from quitting his job, reuniting with his girlfriend, and moving with her to Peru. Quite an unexpected commitment from a guy who’s never even left the country before!

While out for drinks with co-workers, he gets his anachronistic tape-recorder (with a very important recording on it) stolen by Koko, who happens to be putting on quite an acrobatic, high-flying show with her underage friend Faron. Turns out Koko is a bit of an exhibitionist, a free-loader, not to mention a peripatetic whackjob; she’s also ingenious, imaginative, and irresistible. When Jon and Koko meet again, an onlooker remarks, “You feel that? Something magical just happened.” Thanks to Wang, yes, this debut is magic indeed.

Koko decides being “Good” is her future: “I’m going to be the hero I was meant to be.” Inspired by Koko’s spirited world view, Jon decides it’s time to take charge of his own life, as hard and painful as that might be. And Faron, too, realizes that hiding his love of musicals or getting sent away to work for his uncle in Austin is not going to lead to a meaningful future anytime soon. Three lives, multiple intersections, unlimited possibilities …

Wang’s fabulously energetic drawing style keeps the characters in constant motion as their lives change and evolve in unexpected and surprising ways. From flying dishes to street demonstrators to runaway wheelchairs to tearful goodbye kisses, Wang’s careful details create an irrepressible brave new world of lost souls hoping to find meaning … and each other. Wang is simply WOW.

Readers: Young Adult, Adult

Published: 2010

August 27, 2010

Revenge by Taslima Nasrin, translated by Honor Moore, with Taslima Nasrin

Author/physician/women’s rights activist Taslima Nasrin‘s literary career is perhaps more famous for her detractors’ reactions – bannings, book burnings, effigy burnings, fatwas, protests, personal assaults, exile from her home country of Bangladesh – than for the actual words on the page. One always wonders in all that furious, violent – seemingly contagious and addictive – protest how many of those naysayers and attackers have actually, truly read the work … but that’s probably a complicated topic to be discussed elsewhere.

Nasrin’s latest novel available in English (with an original copyright date of 1992) uses the relationship between a newly-pregnant young woman and her hypocritical husband to reveal the limitations and injustices women must suffer in the traditional Muslim home.

Brought up by loving, supportive parents with relative freedom and access to higher education, Jhumur chooses to marry charming, indulgent Haroon. But once she moves into his family home – constantly surrounded by his parents, siblings, and their families – Haroon expects Jhumur to instantly be the obedient, subservient Muslim wife. Jhumur must cover her head, she can’t stand too close to the windows lest the neighbors see her, she cannot go out without Haroon’s permission even as he discourages any contact with her friends and even her family; Jhumur becomes a virtual prisoner of her new home.

When she becomes pregnant, she is shocked by Haroon’s indifference which quickly turns to inexplicable anger. In disbelieving shock, she succumbs to his irrational demands, then turns inward and withdraws. Without a choice, she becomes that expected dutiful wife, even as she mourns her university education, her carefree pre-married life, and what she expected would have been jubilation over her first chid.

When a new couple moves in downstairs, Jhumur quickly becomes close friends with the wife, whom her family comes to revere as she is also an accomplished doctor. Living with the couple temporarily is the doctor-wife’s brother-in-law, an artist as yet undecided about his future …

As Jhumur’s new friendship begins to reawaken her sense of self, she begins to plot her revenge … using the only means she has in her power.

Nasrin’s slim novel is a revealing treatise of the endless hypocrisy and senseless injustice against women in the name of religious traditions; she’s got all the right fodder – from the subtle to the blatant– that enflame fundamentalist principles. But that’s exactly why readers should read this book. If nothing else, her detractors should at least know what they’re protesting … they might even learn a necessary thing or two.

Readers: Adult

Published: 1992; 2010 (United States)

August 26, 2010

A Long Way from Chicago by Richard Peck

Truly, one of the best ways to keep the kids happily quiet in the car is to share a story … and even better if it happens to be one of Richard Peck’s tall tales. Read by Ron McLarty, with just the right easy-going drawl, this 1999 Newbery Honor Book is hilarious fun … with great life lessons effortlessly tossed in by a true master storyteller. The adventures continue, by the way, in A Year Down Yonder, which won the 2001 Newbery Medal.

Every hot August from 1929 to 1935, Joey Dowdel and his sister, Mary Alice, are sent – most unwillingly at first – to visit their larger-than-life (literally!) grandmother who lives in the last house in a town somewhere between Chicago and St. Louis. Getting on in years, she’s still “tough as an old boot, or so we thought.” She won’t take nonsense from anyone, makes rules of her own, and will not let injustice lie.

Deemed old enough to travel alone at ages 9 and 7, respectively, Joey and Mary Alice board “the Wabash Railroad’s crack Blue Bird” to share some amazing adventures with the uncompromising Grandma Dowdel. Grandma makes sure that the local criminal gets the funeral he doesn’t deserve, by making sure the nosy out-of-town reporter gets his due scare-of-a-lifetime. As Joey and Mary Alice watch in awe, Grandma makes sure the Cowgill boys never bully their customers again, “return[ing] law and order to the town she claimed she didn’t give two hoots about.”

During the Great Depression, Grandma is the last person anyone would suspect whom drifters and the elderly could rely on for a meal in their direst time… but where there’s a need, Grandma is somehow there. She’ll secretly give up the blue ribbon for best pie just to make someone else happy. She’ll assist young lovers escape evil mothers, help her gossiping nemesis reclaim her home from the money-hungry bankers, and make sure the town’s oldest soldier gets one last good fight. Eccentric, powerful, and full of biting vinegar, Grandma Dowdel is not to be messed with. But as Joey and Mary Alice learn all too well, behind her gruffness is truly a caring, loving, nurturing heart always ready to give, without ever asking for anything in return.

The book’s final chapter – guaranteed to bring tears to any mother’s eyes – skips to 1942 when Joey. now all grown up as Joe, is on his way to be a “flier” in another war. “The years went by, and Mary Alice and I grew up, slower than we wanted to, faster than we realized.” Shipping out, the train goes right through Grandma’s town … and in the middle of the night, Grandma’s house is “lit up like a jack’o'-lantern,” and Grandma herself is “waving big at all the cars, hoping I’d see.”

So one good thing about being the driver up front: the kids can’t see all that weepy maternal soppiness from the back seat.

Readers: Middle Grade, Young Adult

Published: 1998

August 25, 2010

The Hidden Girl: A True Story of the Holocaust by Lola Rein Kaufman with Lois Metzger

Lola Rein Kaufman’s “‘memory button’” got turned on on September 17,1939, when Russian tanks, trucks, and soldiers entered her small hometown of Czortków in what was then Poland. She was not yet 5 years old. Before she reached her 10th birthday, she lost her father, then her mother in rapid succession, and watched extended family and friends disappear. Yet Lola was one of the few “lucky” children … “[b]ecause so many did not survive” the devastation of Hiter’s Final Solution that wiped out six million of the nine millions Jews living in Europe in 1939.

Lola’s grandmother entrusted Lola to a Ukrainian woman who hid her in a back room until the Nazi threat came too close. Lola fled again to the home of another brave family, where she spent nine months buried in a dark hole beneath the family barn. Having left her grandmother in an embroidered dress her talented seamstress mother lovingly made for her, Lola never removed it while in hiding.

Survival after the war was not easy as Lola was shuffled from one refuge to another, from one unfamiliar family to the next. She was finally reunited with a maternal uncle in September 1945 just before she turned 11. With him and his family, Lola learned to be “happy again.” Four years later, the family immigrated to America, where they started anew …

Lola grew up in New York City, married, and had a family of her own. Her husband, too, had been a hidden child, but the two never talked about their experiences: “After the war, many hidden children – those in Europe, those in America, those in Israel – have something in common: silence,” she writes. For almost half a century, she remained silent … until Memorial Day weekend in 1991, when a New York magazine reporter writing a book about hidden children “opens the floodgates” with her interview.

Finally able to release the frightened child, the adult Kaufman donated that childhood dress to the Holocaust Museum in Washington, DC, then went on tour throughout the country with the dress to talk, talk, talk. That story became this book, providing haunting testimony in just the right language for older children to understand one of the most tragic events of modern history.

In all the bleakness and terror, readers are reminded of the true heroes, the everyday people who risked their own very real death by trying to save the lives of hunted Jewish neighbors and friends. Kaufman notes that an estimated 1% of the non-Jewish population in Europe helped Jews. She notes her brave rescuer – “someone I never knew and barely ever saw, who risked everything to save my life” – was officially honored in Israel in 1994 as one of the “The Righteous Among the Nations,” together with her son and husband.

Kaufman asks her own self, ” …if the situation were reversed and I were in [rescuer] Anna’s place, would I do what she did?” Indeed, we all need to ask ourselves that question … and be ready and committed to answer …

Readers: Middle Grade, Young Adult

Published: 2008

August 23, 2010

Joha Makes a Wish: A Middle Eastern Tale adapted by Eric A. Kimmel, illustrated by Omar Rayyan

Sometimes the simplest things are beyond understanding … exactly because of their simplicity.

While resting against a crumbling old wall, Joha happens upon a wishing stick … but everything he wishes for has exactly the opposite results. He gets himself in trouble again and again, eventually ending up in the sultan’s court after carrying a donkey on his back all the way there.

When he tries to wish away the sultan’s little wart on his not-so-little nose, Joha only manages to get himself condemned. He flees the guards, and finds a wise shopkeeper who finally shows him what he’s been doing wrong … Finally aware, Joha carefully returns to the sultan to fix that – uh … growing … nasal problem … and is not so unhappy to lose the wishing stick to the greedy sultan. The sultan, alas, doesn’t have the wise man to show him the right way … and his wishes are anything but fulfilling …

“Joha tales,” writer Eric Kimmel explains in the introductory note, “are known throughout the Arabic-speaking world.” He suggests that Don Quixote’s faithful sidekick, Pancho Villa, just might be an incarnation of Joha, influenced by the six years Cervantes spent as a Turkish prisoner in Algiers.

“Joha stories have much to teach about the thin line between wisdom and foolishness,” Kimmel says. This tale, originally inspired by a Yemeni tale, “The Answered Prayer,” is actually not specifically a Joha story, but Kimmel recognized “Joha’s unique blend of wisdom and foolishness.”

‘Careful of what you wish for’ takes quite an entertaining spin with Kimmel’s words and Omar Rayyan’s delightful pictures. Joha’s comical bewilderment, his silly shock, his sly satisfaction are all captured with such humor and pathos that even parents will want to chuckle over this memorable title again and again – with or without the excuse of your kids!

Readers: Children

Published: 2010

August 20, 2010

Water Ghosts: A Novel by Shawna Yang Ryan

How ironically fitting that Shawna Yang Ryan‘s debut novel – about, yes, ghosts! – has already had multiple lives. First published in 2007 as Locke 1928 by a tiny non-profit California press, El León Literary Arts, it returned to bookshelves two years later in a new incarnation with its current title thanks to major publisher Penguin, and then resurfaced again with yet another cover last month in paperback. So many literary lives bodes well for the title’s longevity, not to mention it’s one hair-raising, haunting read.

Yes, it’s 1928 in Locke, California, a historical Chinatown founded in 1915 when Chinese immigrants who were living in nearby Walnut Grove escaped a devastating fire and decided to build a community of their own. In the midst of the annual Dragon Boat Festival, out of the black center of unexpected fog, an unfamiliar boat emerges carrying three Chinese women: “Mirage becomes real. As the boat bobs past the pier, the townspeople pick out the details that mark the women as solid: the tangled hair, the sunburnt and salt-licked skin, the hands that grip the side of the boat and expose knuckles raw and white.”

Once on land, “the real ghost stands at the center,” and she turns out to be a “faded, older version of Richard’s wife Ming Nai.” Richard, who manages the town’s gambling hall, left his brand new wife 10 years ago in his native China, giving up his true identity as Fong Man Gum to become the paper son Richard Fong in order to find riches as a Gold Mountain man.

“You should have sent for me,” she admonishes him, not understanding the restrictive U.S. immigration laws that bar even wives from joining their husbands. But now that she has somehow mysteriously, shockingly appeared, Richard must figure out how to navigate his already triangulated life, torn between his prostitute lover Chloe and his ex-lover the brothel madam Poppy who still has a raw hold on him.

The two other women who shared the boat with Ming Nai are taken in by the Chinese preacher’s “whitewoman” wife, Corlissa. One is another Gold Mountain widow, searching for her missing husband; the other is an unmarried young woman, seemingly still untethered. With so few available women, the lonely men of Locke immediately turn their attention – and even their meager riches – on the two seemingly unclaimed newcomers.

In dreamlike passages that skip years and decades, that traverse continents and vast oceans, Ryan reveals Chloe’s transcontinental past that brings her pregnant to the kitchen of Madame Poppy See. When Chloe recovers, and is claimed by Richard, she is still just a teenage girl, sneaking out to share a smoke with the rebellious town misfit, Sofia, who happens to be the preacher and Corlissa’s hapa teenage daughter.

With the trio’s arrival, what little balance begins to crumble … and the spirit world is never far, with each character living just on the edge of reality. Ryan deftly spins an eerily effective ghost story, lulling the reader with fortune-tellers’ revelations and the blood and tears of tragic lovers. Read and you shall believe …

Readers: Adult

Published: 2007 (as Locke 1928), 2009 (as Water Ghosts)

August 19, 2010

Runaway: Stories by Alice Munro

Sometimes, only a good story can keep me adding the miles out there, one foot in front of the other, just to find out what happens next. How fitting to choose a collection called Runaway while I’m trying to make sure I do my training runs just right (gotta get to Leadville 100 by 2014!). Alice Munro – referred to rightfully as Canada’s best short story writer – surely could not be better company.

Her eight stories in Runaway are a moving revelation (yes, pun intended!). In the eponymous opener, a young woman attempts to escape her abusive husband with the help of an older neighbor. Three interlinked stories – ”Chance,” “Soon,” and “Silence” – each explore the most important relationships of a single woman’s life: Juliet and her lover-to-be, Juliet and her parents now that she herself is a new mother, and Juliet and her daughter.

In “Passion,” a woman remembers the first summer she spent away from home, her first “taste of life,” during which she became inextricably linked to the much-more-worldly Travers family. In “Trespasses,” a young girl new in town befriends an older woman who has dark secrets that threaten everything about the girl’s very life. In “Tricks,” a lonely woman makes a second date with an almost-stranger for the following year. In “Powers,” two unreliable narrators who become related by marriage, relay the events of more than a half century, starting their intertwined story as a silly young bride and a charming invalid turned journalist, loosely bound together through the decades by a woman with the power to know the truth.

Munro herself is a truthful soothsayer. Her stories about everyday people– sometimes limited, sometimes gifted – trying the best they know how to live their lives, both entertain and elucidate because we recognize so much of our own lives in Munro’s characters’ experiences. Munro plays out the ‘what-if’ scenarios with such natural ease … what if that chance encounter had gone this way, what if she arrived just five minutes later, what if she had not said that, done that … the truth of her writing invites, reveals, then resonates again and again.

Readers: Adult

Published: 2004